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	<title>MLA Commons | MS Visual Culture | Activity</title>
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	<description>Activity feed for the group, MS Visual Culture.</description>
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				<title>Berna Gueneli started the topic CF Applications for the position of Assistant Professor of Film Studies, UGA in the forum MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/cf-applications-for-the-position-of-assistant-professor-of-film-studies-uga/</link>
				<pubDate>Tue, 18 Nov 2025 21:10:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Department of Theatre and Film at the University of Georgia welcomes applications for the position of Assistant Professor of Film Studies.</p>
<p>&nbsp;</p>
<p>Area of specialization is open. Desired areas of specialization include, but are not limited to, one or more of the following: global animation; cinemas of East, Southeast, South, or Western Asia and&hellip;<span class="activity-read-more" id="activity-read-more-1934768"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/cf-applications-for-the-position-of-assistant-professor-of-film-studies-uga/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Guylian Nemegeer started the topic CFP - Incontri. Rivista Europea di Studi Italiani in the forum MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani-3/</link>
				<pubDate>Wed, 22 Oct 2025 14:03:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Dear colleagues,&lt;/span&gt;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;For its upcoming issues, &lt;/span&gt;&lt;i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Incontri. Rivista europea di studi italiani&lt;/span&gt;&lt;/i&gt;&lt;span style=&#8221;font-weight: 400;&#8221;&gt; is currently accepting essay submissions and proposals for special issues.&lt;/span&gt;</p>
<p>&lt;i&gt;&lt;span&hellip;<span class="activity-read-more" id="activity-read-more-1932699"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/cfp-incontri-rivista-europea-di-studi-italiani-3/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900965/</link>
				<pubDate>Mon, 07 Oct 2024 03:11:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900965"><a href="https://mla.hcommons.org/activity/p/1900965/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900963/</link>
				<pubDate>Mon, 07 Oct 2024 03:05:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900963"><a href="https://mla.hcommons.org/activity/p/1900963/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan Larson deposited Comfort and Domestic Space in Modern Spain in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890327/</link>
				<pubDate>Thu, 27 Jun 2024 03:08:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home.&hellip;<span class="activity-read-more" id="activity-read-more-1890327"><a href="https://mla.hcommons.org/activity/p/1890327/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New Article: Banal misogynism in Turkish media in the discussion MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/new-article-banal-misogynism-in-turkish-media/</link>
				<pubDate>Wed, 27 Mar 2024 14:24:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education, published a new article titled “Banal misogynism in Turkish media at the beginning of the multi-party era: the case of Boşboğaz” in the Journal of Graphic Novels and Comics which is a Q1 journal. You can find the abstract and the link&hellip;<span class="activity-read-more" id="activity-read-more-1880906"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/new-article-banal-misogynism-in-turkish-media/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New creative feminist work: A Misogynist Triptych from 1945 in the discussion MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945-17/</link>
				<pubDate>Tue, 05 Dec 2023 16:09:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , <strong>Assoc. Prof. Dr. Fatma Fulya Tepe</strong>, from Istanbul Aydin University, Faculty of Education and <strong>Emeritus Prof. Dr. Per Bauhn</strong> from Sweden’s Linnaeus University prepared “<strong>A Misogynist Triptych from 1945” </strong>based on cartoon material coming from the Turkish Boşboğaz (Bigmouth) Humor Gazette from 1945. This project was supported by&hellip;<span class="activity-read-more" id="activity-read-more-1866857"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945-17/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic new article: Osman Hamdi Bey – an Ottoman Orientalist or a Humanist Ottoman? in the discussion MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/new-article-osman-hamdi-bey-an-ottoman-orientalist-or-a-humanist-ottoman/</link>
				<pubDate>Tue, 05 Dec 2023 14:52:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>Emeritus Prof. Dr. Per Bauhn from Linnaeus University, Sweden published an article titled &#8220;Osman Hamdi Bey – an Ottoman Orientalist or a Humanist Ottoman?&#8221; in Nordic Review of Iconography.<br />
I present the abstract of this article below and the article can be downloaded for free from the link b&hellip;<span class="activity-read-more" id="activity-read-more-1866836"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/new-article-osman-hamdi-bey-an-ottoman-orientalist-or-a-humanist-ottoman/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sophie Christman deposited Alt-Burger: Transforming Populist Food Systems in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1861779/</link>
				<pubDate>Sun, 15 Oct 2023 04:19:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article argues that there exists a problematic nexus between the industrial livestock industry, US food system policies, and American propagandist literature. The essay’s specific aim is to transform carnivorous appetites by subverting the integrity of America’s national gastronomic emblem – the hamburger. The article examines how hambu&hellip;<span class="activity-read-more" id="activity-read-more-1861779"><a href="https://mla.hcommons.org/activity/p/1861779/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sophie Christman deposited * The Rise of Proto-Environmentalism in George Eliot in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1861770/</link>
				<pubDate>Sun, 15 Oct 2023 04:05:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>The “Ilfracombe” journals, “Ex Oriente Lux,” and “A Minor Prophet” register the ways<br />
in which George Eliot’s nineteenth-century nonfiction prose and poetry evidence<br />
ecotheological concerns that are proto-environmental, concerns that are also<br />
reflected in some of her novels. Employing an ecocritical methodology, this article<br />
traces the&hellip;<span class="activity-read-more" id="activity-read-more-1861770"><a href="https://mla.hcommons.org/activity/p/1861770/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited Against Stereotypical Representations: On young Saudi directors in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1857505/</link>
				<pubDate>Wed, 06 Sep 2023 01:16:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>In his writing, Cultural theorist Stuart Hall has often argued that an image or a set of images has the capability of condensing a number of attributes into a single picture, producing a misleading representation of what other people and cultures are like. As a result, multiple stories evolve into the one story that is told repeatedly and usually&hellip;<span class="activity-read-more" id="activity-read-more-1857505"><a href="https://mla.hcommons.org/activity/p/1857505/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Carl Gelderloos posted an update in the group MS Visual Culture: Very excited that my essay on Paul Scheerbart's Lesabéndio [&#133;]</title>
				<link>https://mla.hcommons.org/activity/p/1843360/</link>
				<pubDate>Wed, 03 May 2023 00:32:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Very excited that my essay on Paul Scheerbart&#8217;s Lesabéndio is now live on Modernism/modernity Print Plus! <a href="https://modernismmodernity.org/articles/gelderloos-nowhere-obstacle" rel="nofollow ugc">https://modernismmodernity.org/articles/gelderloos-nowhere-obstacle</a></p>
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				<title>Doris Hambuch deposited Bridges within the Arts: Bob Dylan and Martin Scorsese in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1835536/</link>
				<pubDate>Mon, 27 Feb 2023 02:23:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>Tracing the collaboration between Dylan and Scorsese from the 1960s on to the Netflix original &#8216;The Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese&#8217; (2019), this article argues that the mutual respect of the two artists rests on a shared contestation of borders between fact and fiction. In the spirit of romanticism, both Dylan and&hellip;<span class="activity-read-more" id="activity-read-more-1835536"><a href="https://mla.hcommons.org/activity/p/1835536/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited What Does a Nascent Film Movement of Popular Genres Reveal About Emirati Culture? in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1835478/</link>
				<pubDate>Sun, 26 Feb 2023 03:52:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>Despite a lack of a traditional cinema culture, the United Arab Emirates (UAE), has recently witnessed an increase in film production. This rise can be attributed to a number of factors, not least of which, is the opening of movie theaters, the establishment of international film festivals and the arrival of film companies. These ventures have&hellip;<span class="activity-read-more" id="activity-read-more-1835478"><a href="https://mla.hcommons.org/activity/p/1835478/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Adrienne Brown started the topic Visual Culture MLA Convention CFPs in the discussion MS Visual Culture</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/visual-culture-mla-convention-cfps/</link>
				<pubDate>Thu, 17 Feb 2022 13:32:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>Below you&#8217;ll find four CFP&#8217;s for proposed panels sponsored by the Visual Culture Forum for this year&#8217;s MLA.  Please do circulate widely and consider contributing.</p>
<p>1- Visual Culture Forum seeks proposals for guaranteed MLA session, <strong>Women and Frames of Violence.</strong> How do women engage, practice and perform violence in visual culture? Considerations b&hellip;<span class="activity-read-more" id="activity-read-more-1772186"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/visual-culture-mla-convention-cfps/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rocío Quispe-Agnoli deposited Enigmas de la Nueva corónica y buen gobierno. in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1756116/</link>
				<pubDate>Thu, 21 Oct 2021 02:36:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reviews four crucial moments of the editorial life of Guaman Poma de Ayala&#8217;s &#8220;Nueva corónica y buen gobierno&#8221; [New Chronicle and Good Government], a 1189-page history of Peru before, during, and after the Spanish conquest. The chronicle includes 399 ink drawings made by the author. The essay also addresses unanswered questions&hellip;<span class="activity-read-more" id="activity-read-more-1756116"><a href="https://mla.hcommons.org/activity/p/1756116/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rocío Quispe-Agnoli deposited Hablando desde el archivo colonial: Voces femeninas del Virreinato del Perú in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1756113/</link>
				<pubDate>Thu, 21 Oct 2021 02:24:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Invited contribution to the book-catalog &#8220;Libros y autores del virreinato del Perú (1542-1824)&#8221; [Books and authors of the Viceroyalty of Peru] that accompanies the one-year exhibit (same title as the book) at the Instituto Cervantes in Madrid (Spain). The exhibit can be visited from September 2021-September 2022.  This chapter addresses the&hellip;<span class="activity-read-more" id="activity-read-more-1756113"><a href="https://mla.hcommons.org/activity/p/1756113/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Susan Larson deposited Architecture and the Urban in Spanish Film in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1755734/</link>
				<pubDate>Mon, 18 Oct 2021 03:54:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Building on existing film and urban histories, this innovative volume examines Spanish cinema through contemporary interdisciplinary theories of urban space, the built environment, visuality and mass culture from the industrial through to the digital age. Architecture and the Urban in Spanish Film brings together the scholarship of an&hellip;<span class="activity-read-more" id="activity-read-more-1755734"><a href="https://mla.hcommons.org/activity/p/1755734/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited “The right to narrate”: Gazans contest popular geopolitics with film in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1750089/</link>
				<pubDate>Thu, 26 Aug 2021 03:48:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since the Intifada of 2000, living conditions in the Gaza Strip have progressively deteriorated, and when Hamas came to power in 2006–07, a complete blockade was enforced on the inhabitants by Egypt and Israel. In addition, five full-scale wars have been<br />
waged on the Strip. Despite these conditions, Gazans remain resilient, as evidenced by s&hellip;<span class="activity-read-more" id="activity-read-more-1750089"><a href="https://mla.hcommons.org/activity/p/1750089/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joseph R. Millichap deposited “The Dark Mirror of Our Lives”: Richard Wright, 12 Million Black Voices, and  Auto/biography in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1725626/</link>
				<pubDate>Sun, 31 Jan 2021 02:29:51 -0500</pubDate>

									<content:encoded><![CDATA[<p>First presented as a paper at the 2018 SAMLA Convention in Atlanta, this article will become a chapter of my book in progress on the photobooks of the 1930s and 1940s illustrated with the photographs of the Farm Security Administration.</p>
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				<title>Rocío Quispe-Agnoli deposited Mujeres en papel y tinta: identificación, automodelaje  y remodelaje en el archivo colonial in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1716478/</link>
				<pubDate>Sat, 14 Nov 2020 04:05:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>Direct and indirect women’s access to the expression of their ideas and wishes on ink and paper has significantly contributed to the construction of the Latin American colonial archive. Nevertheless, this contribution to the area of Latin American women’s studies still remains little known and understudied. The colonial tradition of women’s autho&hellip;<span class="activity-read-more" id="activity-read-more-1716478"><a href="https://mla.hcommons.org/activity/p/1716478/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza” in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1716313/</link>
				<pubDate>Thu, 12 Nov 2020 03:51:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>Often described as an open-air prison, the citizens of the Gaza Strip have long resisted a subaltern existence.  Conditions in Gaza, and specifically since the Second Intifada of 2000, have increasingly worsened.  With the advent of Hamas in 2006-2007, a complete blockade was imposed on the Strip.  A deafening silence by the world has resulted in&hellip;<span class="activity-read-more" id="activity-read-more-1716313"><a href="https://mla.hcommons.org/activity/p/1716313/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ellen Spolsky deposited Archetypes Embodied, Then and Now in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1713768/</link>
				<pubDate>Tue, 20 Oct 2020 04:01:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>With the support of recent theorizing in evolutionary biology and anthropology, this essay refurbishes the term archetype for reuse, recognizing that it signals a painful cognitive failure. Examples are taken from The Terminator movies and pictures of the annunciation to Mary.</p>
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				<guid isPermaLink="false">3ae1c634d39362de12014660ccf4827e</guid>
				<title>Ellen Spolsky deposited Iconotropism as Representational Hunger: Raphael and Titian in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1713624/</link>
				<pubDate>Mon, 19 Oct 2020 04:05:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Iconotropism is a gargantuan overgeneralization hypothesizing that people are hungry for pictures and feed on them, metabolize them, turn them into nourishment. The study examples are Raphael&#8217;s Transfiguration and Titian&#8217;s Diana and Actaeon. It is a contribution to embodiment theory and cognitive cultural history.</p>
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				<guid isPermaLink="false">3e0efeb129d4051543bac2e8e28e97e8</guid>
				<title>Ellen Spolsky deposited How Do Audiences Act? in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1713619/</link>
				<pubDate>Mon, 19 Oct 2020 03:48:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is an afterword to Movement in Literature: Exploring Kinesis Intelligence, ed. by Kathryn Banks and Timothy Chesters. (Palgrave 2018). It is intended to advance further work on kinesic intelligence by connection some of what has already been written about how the forms of fiction appeal to what human bodies know about action with what can be&hellip;<span class="activity-read-more" id="activity-read-more-1713619"><a href="https://mla.hcommons.org/activity/p/1713619/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4f683e7c7efc8b8d10e57ee869dcf1e6</guid>
				<title>Anastasia Salter deposited Syllabus: Social Media Research in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1705323/</link>
				<pubDate>Fri, 14 Aug 2020 02:24:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Social media is a key contemporary site of activity for politics, entertainment, and relationships, but how can we study it? This course combines theory and practice; students will both read canonical and contemporary social media research from leading scholars and learn to engage with social media platforms to collect and analyze their own data.&hellip;<span class="activity-read-more" id="activity-read-more-1705323"><a href="https://mla.hcommons.org/activity/p/1705323/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f35f493fec108f04da647a21542a2047</guid>
				<title>Doris Hambuch deposited Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda' in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1704927/</link>
				<pubDate>Tue, 11 Aug 2020 02:27:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Susan B. Anthony declared in 1896 that the bicycle “has done more to emancipate women than anything else in the world.” The comparative study of &#8216;Whale Rider&#8217; (2002) and &#8216;Wadjda&#8217; (2012) demonstrates that this liberating effect of the basic tool of transportation is being reinforced in the new millennium. The analysis further situates two con&hellip;<span class="activity-read-more" id="activity-read-more-1704927"><a href="https://mla.hcommons.org/activity/p/1704927/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e5c30b0b5767d0f1eb31d60f9ec7123f</guid>
				<title>Albertine Fox deposited Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire' in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1685127/</link>
				<pubDate>Fri, 24 Apr 2020 03:59:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Online at: <a href="https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/" rel="nofollow ugc">https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/</a></p>
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				<guid isPermaLink="false">4eb8bbb1dccbec65b38031ab2a71b461</guid>
				<title>Andrew G. Christensen deposited On Being One's Own Heir: British Portraiture, Metaphysical Inheritance,  and The Picture of Dorian Gray in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1643146/</link>
				<pubDate>Mon, 24 Jun 2019 03:53:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>Much scholarship on The Picture of Dorian Gray has focused on its possible textual sources and its place in literary traditions. This article demonstrates that by contextualizing the novel in the history of art and the tradition of British portraiture, we are able to answer significant yet overlooked questions such as why Wilde chose “picture” rat&hellip;<span class="activity-read-more" id="activity-read-more-1643146"><a href="https://mla.hcommons.org/activity/p/1643146/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3f5f855f6ad9952461d9ba98dd9682ae</guid>
				<title>Alexa Alice Joubin deposited "Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12 in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1642796/</link>
				<pubDate>Wed, 19 Jun 2019 03:56:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Asian directors leverage Shakespeare’s own propensity to undermine dominant ideologies of gender—notably through the Ophelia figure—in their effort to renew Asian performance traditions. How do Shakespeare and modern directors talk to each other across cultural and historical divides? How does Ophelia become “unbound” through supraling&hellip;<span class="activity-read-more" id="activity-read-more-1642796"><a href="https://mla.hcommons.org/activity/p/1642796/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d6221a2c722c516ff2acb7f11d84d392</guid>
				<title>Carl Gelderloos deposited Learning to See: Art &#38; Media in Weimar Germany &#124; Fall 2018 in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1641993/</link>
				<pubDate>Fri, 07 Jun 2019 16:26:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>A syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.</p>
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				<guid isPermaLink="false">d09f2e25e70f560c6f896d4b7948b95d</guid>
				<title>Doris Hambuch deposited Including E-Literature in Mainstream Cultural Critique: The Case of Graphic Art by Khaled Al Jabri in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1640013/</link>
				<pubDate>Fri, 10 May 2019 16:30:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay uses the image-based work of Emirati cartoonist Khaled Al Jabri to address concerns of technological dependence to reconsider our use of screens. The production of electronic literature requires technologies responsible for undeniable hazards unique to today&#8217;s information and gadget age. As represented in Al Jabri&#8217;s graphic art, these&hellip;<span class="activity-read-more" id="activity-read-more-1640013"><a href="https://mla.hcommons.org/activity/p/1640013/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cbb5d4c3dcf31b27084b7531a6e799d9</guid>
				<title>Tobias Steiner deposited What Would Jack Bauer Do? Negotiating Trauma, Vengeance and Justice in the Cultural Forum of Post-9/11 TV Drama, from 24 to Battlestar Galactica and Person of Interest in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1634697/</link>
				<pubDate>Sun, 10 Mar 2019 03:53:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Discussing the concept of cultural trauma and its role in popular television dramas such as 24 (FOX 2001-10, 2014-), Battlestar Galactica (Syfy 2004-9), Rubicon (AMC 2010) and Person of Interest (CBS 2011-16), this paper sets out to identify three distinct clusters that are part of what Newcomb and Hirsch once termed a “cultural forum”—a discu&hellip;<span class="activity-read-more" id="activity-read-more-1634697"><a href="https://mla.hcommons.org/activity/p/1634697/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f591b1e08ee936e65aac47ae6b98ceaf</guid>
				<title>Shirin A. Khanmohamadi deposited Medieval Literature in the Contact Zone -- review essay in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1633494/</link>
				<pubDate>Thu, 28 Feb 2019 03:51:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>Exemplaria review essay by Sarah Elliott Novacich of recent books by Simon Gaunt, Jonathan Hsy, and Shirin Khanmohamadi on medieval contact zones.</p>
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				<guid isPermaLink="false">c911cc230815c4e8346da308c445e4e9</guid>
				<title>Tobias Steiner deposited TV Studies for all? On Open Access and Publishing in TV and Media Studies in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1633392/</link>
				<pubDate>Wed, 27 Feb 2019 04:07:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Personal perspective on the current state of open access and publishing practices in the fields of Television and Media Studies, and pointers to a variety of scholar-led initiatives and options of where scholars can actually publish open access in their field without the payment of Article Processing Charges (APCs).</p>
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				<guid isPermaLink="false">152a731ad2dd0bed0b7a489dae7c260d</guid>
				<title>Andrew G. Christensen deposited White Noise and the Supermarket Aesthetic in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1629811/</link>
				<pubDate>Sun, 20 Jan 2019 03:48:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Don DeLillo&#8217;s White Noise (1985) has been thoroughly examined as a work of postmodern fiction, with particular attention to media and simulacra, and from the perspective of science and technology, focusing on chemistry and toxicity. In this presentation, I look at the novel from an art historical perspective, considering the relations it bears to&hellip;<span class="activity-read-more" id="activity-read-more-1629811"><a href="https://mla.hcommons.org/activity/p/1629811/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">91c854505b2e03f1d32807ebe3d31e6c</guid>
				<title>Shirin A. Khanmohamadi deposited Durendal, translated: Islamic object genealogies in the chansons de geste in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1621092/</link>
				<pubDate>Mon, 15 Oct 2018 04:06:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>The transfer of Saracen arms into Frankish ownership is a leitmotif of<br />
many chansons de geste, but one whose significance for translatio imperii has yet to be<br />
elucidated. In this essay, I focus on the Chanson d’Aspremont, a twelfth-century epic<br />
set in Calabria that narrates the pre-history of Durendal, Roland’s sword of Song of<br />
Roland fam&hellip;<span class="activity-read-more" id="activity-read-more-1621092"><a href="https://mla.hcommons.org/activity/p/1621092/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ef86f50938a12ccaa7578b28aa2cefd9</guid>
				<title>Shirin A. Khanmohamadi deposited The Look of Medieval Ethnography: William of Rubruck's Mission to Mongolia in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1621087/</link>
				<pubDate>Mon, 15 Oct 2018 03:54:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Reads William of Rubruck&#8217;s mission to Asia as an instance of premodern ethnographic representation and the shape of the precolonial European ethnographic gaze upon Asia.</p>
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				<guid isPermaLink="false">e01fe0dee59b42a6e673df1446fe9b0c</guid>
				<title>Jeremiah Mercurio deposited Faithful Infidelity: Charles Ricketts's Illustrations for Two of Oscar Wilde's Poems in Prose in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1620971/</link>
				<pubDate>Sat, 13 Oct 2018 16:29:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>The artist, collector, and critic Charles Ricketts (1866–1931) has often been characterised as a reactionary voice in early-twentieth-century debates about modern art. Although he responded conservatively to modern-art developments such as those embodied by the term &#8216;Post-Impressionism&#8217;, his work in book design and illustration exemplifies p&hellip;<span class="activity-read-more" id="activity-read-more-1620971"><a href="https://mla.hcommons.org/activity/p/1620971/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">eed8f2d321c5ce01f23f67ec7bca0ba5</guid>
				<title>Carol Zuses started the topic Membership Suggestions for 2019 Forum Delegate Election in the discussion Literature and Other Arts</title>
				<link>https://mla.hcommons.org/groups/visual-culture/forum/topic/membership-suggestions-for-2019-forum-delegate-election-43/</link>
				<pubDate>Fri, 21 Sep 2018 12:38:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>The next election for this forum’s Delegate Assembly representative will be held in the fall of 2019, and the forum’s executive committee will take up the matter of nominations for this election when it meets during the January 2019 convention in Chicago. Though the executive committee is responsible for making nominations, it is required to nom&hellip;<span class="activity-read-more" id="activity-read-more-1619196"><a href="https://mla.hcommons.org/groups/visual-culture/forum/topic/membership-suggestions-for-2019-forum-delegate-election-43/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ef00d732926b0d660d517511f020a2aa</guid>
				<title>Tobias Steiner deposited Subversion of Nostalgia as a Strategy of Engagement in Alternate History TV: 11.22.63 and The Man in the High Castle in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1609732/</link>
				<pubDate>Sat, 02 Jun 2018 03:56:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Beginning with television’s popularization and mass availability in the 1950s, TV has extensively been employed to transport and mediate history. From the early televisual experiments of The Twilight Zone and Star Trek to more recent examples such as Quantum Leap, The X-Files and Continuum, Science Fiction television and its subgenre of A&hellip;<span class="activity-read-more" id="activity-read-more-1609732"><a href="https://mla.hcommons.org/activity/p/1609732/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5b2ce17fd3bd5f77e10f75c261c8c830</guid>
				<title>Lisa Zunshine deposited Groucho, Harpo, and Narrative Theory in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1605795/</link>
				<pubDate>Mon, 09 Apr 2018 04:02:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>This short piece on _Duck Soup_ (1933) and narrative theory is a response to Jim Phelan&#8217;s target essay &#8220;Authors, Resources, Audiences,&#8221; published in the double-issue of _Style_ (52.1 &amp; 52.2).</p>
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				<guid isPermaLink="false">4bc65c17066eb5746f1aa5e59908f974</guid>
				<title>Lisa Marie Rhody deposited Beyond Darwinian Distance: Situating Distant Reading in a Feminist Ut Pictura Poesis Tradition in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1596832/</link>
				<pubDate>Sat, 13 Jan 2018 04:20:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>Looking from a distance, as a condition of knowledge, participates within a long-standing Western tradition of power relations. This article considers the use of &#8220;distant reading&#8221; as theorized by Franco Moretti in his book by the same title and suggests that the method of literary analysis that uses such a metaphor should be aware and critical of&hellip;<span class="activity-read-more" id="activity-read-more-1596832"><a href="https://mla.hcommons.org/activity/p/1596832/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">6c803b09e4bda42497e4ee2d3541f74e</guid>
				<title>Tobias Steiner deposited „Ça va de soi“. Die visuelle Repräsentation von Gewalt im Holocaust-Dokumentarfilm in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1596234/</link>
				<pubDate>Thu, 11 Jan 2018 06:00:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Brian Winston greift die Debatte um die Nicht-Darstellbarkeit der Gewalt des Holocausts auf und weist darauf hin, dass vor jeder moralischen Überlegung zunächst einmal die fast vollständige Abwesenheit von audiovisuellen Zeugnissen konstatiert werden muss. Wie kann der Dokumentarfilm dennoch ein Bild des Grauens zeigen? In Referenz auf den Ve&hellip;<span class="activity-read-more" id="activity-read-more-1596234"><a href="https://mla.hcommons.org/activity/p/1596234/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0efa141fa473d7fb5c9fe0040b4cf419</guid>
				<title>Tobias Steiner deposited Transmediales Erzählen im narrativen Universum von "Game of Thrones" in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1596227/</link>
				<pubDate>Thu, 11 Jan 2018 05:44:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>English title: &#8220;Transmedia Storytelling in the narrative universe of &#8216;Game of Thrones'&#8221; &#8212; This essay&#8217;s aim is to briefly introduce the concept of Transmedia Storytelling and to provide a showcase analysis and review of the serial TV narrative of GAME OF THRONES in order to show how a television series&#8217; narrative universe, driven by both producers&hellip;<span class="activity-read-more" id="activity-read-more-1596227"><a href="https://mla.hcommons.org/activity/p/1596227/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b6962f4ac8030a28069357ca29ff6f63</guid>
				<title>Tobias Steiner deposited TV or not TV? Historical Development of US American Serial Television from the 1950s up to today // Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1596077/</link>
				<pubDate>Wed, 10 Jan 2018 05:53:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>Syllabus of BA seminar &#8220;Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute&#8221; aka. &#8220;TV or not TV? Historical Development of US American Serial Television from the 1950s up to today&#8221; held during Winter semester 2013/14 at Universität Hamburg, Germany.</p>
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				<guid isPermaLink="false">6e34dcd97a53e40798145920ce4e5bbe</guid>
				<title>Tobias Steiner deposited TV or not TV? Historical Development of US American Serial Television from the 1950s up to today // Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1596074/</link>
				<pubDate>Wed, 10 Jan 2018 05:46:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Syllabus of BA seminar &#8220;Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute&#8221; aka. &#8220;TV or not TV? Historical Development of US American Serial Television from the 1950s up to today&#8221; held during Winter semester 2013/14 at Universität Hamburg, Germany.</p>
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				<guid isPermaLink="false">785a16fddf295afd7a9f4f692e28ec18</guid>
				<title>Tobias Steiner deposited TV or not TV? Historical Development of US American Serial Television from the 1950s up to today // Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1596073/</link>
				<pubDate>Wed, 10 Jan 2018 05:45:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Syllabus of BA seminar &#8220;Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute&#8221; aka. &#8220;TV or not TV? Historical Development of US American Serial Television from the 1950s up to today&#8221; held during Winter semester 2013/14 at Universität Hamburg, Germany.</p>
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				<guid isPermaLink="false">a6572524c4c42c06fe0533faa654a186</guid>
				<title>Tobias Steiner deposited Bron/Broen, the Pilot Episode as Space between Cultures, and (re)negotiations of Nordic Noir in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1594345/</link>
				<pubDate>Wed, 03 Jan 2018 05:45:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>Nordic Noir has, since the early-2000s, evolved into a globally-popular genre that now easily transcends media-specific boundaries. Television has always been at the forefront of that development: Scandinavian TV productions either turned literary successes into distinct and easily-recognizable television scripts, or developed independent shows&hellip;<span class="activity-read-more" id="activity-read-more-1594345"><a href="https://mla.hcommons.org/activity/p/1594345/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">38f04ec506743d80921b7c0665fbac61</guid>
				<title>Charles Gleek deposited Looking Anywhere But At You: The Gaze in Kara Walker's Silhouettes in the group MS Visual Culture</title>
				<link>https://mla.hcommons.org/activity/p/1589997/</link>
				<pubDate>Mon, 27 Nov 2017 05:51:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>The silhouetted cutouts in Kara Walker&#8217;s Gone: An Historical Romance of a Civil War as It Occurred b&#8217;tween the Dusky Thighs of One Young Negress and Her Heart are fine with being seen but care little for the actual presence of the viewer. They&#8217;re kissing and sucking, fucking and birthing, playing and pillorying all without shame or service to the&hellip;<span class="activity-read-more" id="activity-read-more-1589997"><a href="https://mla.hcommons.org/activity/p/1589997/" rel="nofollow ugc">[Read more]</a></span></p>
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