In his fiction, journalism and letters, Dostoevsky recurrently mentions ethnicity of his protagonists. Russians, Poles, Englishmen, Germans, Turks, Greeks etc. never act as individuals with their personal life but rather as ‘carriers’ of some national idea. Amidst the nations represented in Dostoevsky’s oeuvre, there are some Jews. The fashi…[Read more]

Nicholas of Cusa’s _De visione Dei sive de Icona_ (1453), in addition to its contribution to the question of the vision of God, engages with numerous debates concerning visibility in general, and thus addresses the dimensions of phenomenality–namely, questions concerning the icon as a type of phenomenon, the reversal of vision into a…[Read more]

Review of LISSA: A STORY ABOUT MEDICAL PROMISE, FRIENDSHIP, AND REVOLUTION (University of Toronto Press) by Sherine Hamdy, Coleman Nye, Sarula Bao, and Caroline Brewer

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.

And interview between Julian Darius and A. David Lewis in LAZARUS, THE FOREVER MAN #0 (Martian Lit).

An introduction to a newly published edition of Walt Whitman’s Leaves of Grass.

New scholarly books in religious studies defy easy labels and reflect the eagerness of publishers to widen academic discourse and to upset conventional wisdom in the name of new knowledge—in science, across genders, between faiths, and around the world.

Abstract: This paper investigates the shifting definitions of the term gāthā (Ch. ji) over an 800-year period, from the earliest sūtratranslations into Chinese until the mid-tenth century. Although the term originally referred to the verse sections of scriptures, gāthās soon began to circulate separately, used in ritual, contemplative, and peda…[Read more]

Hardly a Passus of Piers Plowman goes by without one reference to a Jewish individual, practice, or belief — that is, a Jewish individual, practice or belief as perceived or believed by a Christian observer. Whereas a multitude of these references abound in Piers Plowman, it contains, essentially, only a pair of conventional medieval approaches f…[Read more]

This dissertation presents an alternative history of late medieval literature, one which traces the development of Chinese Buddhist poetry into a fully autonomous tradition. It does so through a careful study of the works of poet-monks in the late medieval period (760–960). These poet-monks established a tradition of elite Buddhist poetry in c…[Read more]

This dissertation presents an alternative history of late medieval literature, one which traces the development of Chinese Buddhist poetry into a fully autonomous tradition. It does so through a careful study of the works of poet-monks in the late medieval period (760–960). These poet-monks established a tradition of elite Buddhist poetry in c…[Read more]

Death drives the contemporary American novel and its market in the late-20th and early 21st-century. To help illustrate this, we consider Don DeLillo’s White Noise from 1985 and Cormac McCarthy’s The Road from 2006 for something that Walter Benjamin — famously quoted as saying “Death is the sanction of everything the story-teller can tell” — ma…[Read more]

This brief presentation gives a basic overview of the Islamic afterlife, focusing both on its variations from Judeo-Christian concepts and its varied understandings within the faith.

This dissertation presents an alternative history of late medieval literature, one which traces the development of Chinese Buddhist poetry into a fully autonomous tradition. It does so through a careful study of the works of poet-monks in the late medieval period (760–960). These poet-monks established a tradition of elite Buddhist poetry in c…[Read more]