This working group explores the specific contribution the study of the aesthetic can make to emerging conversations about race in France. It introduces a more global context to critical race studies by bringing it into dialogue with francophone studies. What does it mean to see race in a work of literature or use it as an analytical tool? What makes a piece of art about race? What is the critic’s function, role, and ethical responsibilities in making race an object of study?
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Nathan H. Dize deposited French #MeToo?: Francophone African and Caribbean Women’s Writing in English Translation in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 2 years, 9 months ago
Originally founded by Tarana Burke in 2006, the “Me Too Movement” seeks to help survivors of sexual violence, particularly women of color, “to help find pathways to healing” (“metoomvmt.org/about/). Then, in the fall of 2017, the #MeToo hashtag reverberated throughout the Internet, on the front pages of newspapers, and in the public square as…[Read more]
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Nathan H. Dize deposited A Phenomenology of Gede: Thinking with the Dead in Haiti in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 2 years, 9 months ago
In the Haitian religious tradition of Vodou, Gede is the lwa, or spirit, concerned with the
beginning of life and the passage into the afterlife, death and regeneration. Gede is often
regarded as the spirit of the people in Haiti because he has a direct connection to every living
being, everyone may call on Gede for protection. Gede’s appeal a…[Read more] -
Nathan H. Dize deposited The Archive as Method: Virtual and Material Archives of the French Atlantic in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 2 years, 9 months ago
In the last two decades since the publication of Michel-Rolph Trouillot’s Silencing the Past: Power and the Production of History, Caribbean historical studies has undergone an ‘archival turn.’ Indeed, archives and formal institutions of knowledge have always been and continue to be an integral part of historical work, but Trouillot’s work has cal…[Read more]
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Nathan H. Dize deposited Le Devoir de Mémoire dans la Littérature d’Expression Francophone in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 2 years, 9 months ago
« La mémoire est un droit » écrit Christiane Taubira dans sa contribution au débat ‘La Mémoire de l’esclavage et ses dérives’ en 2006 pour la revue philosophique Cités. Étant donné que la mémoire est un droit, qu’est-ce que l’on entend par mémoire ? La mémoire de qui et de quoi ? Pourquoi faut-il s’en souvenir ? Quel est le but de la mémoire ? P…[Read more]
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Nathan H. Dize deposited La Mulâtresse During the Two World Wars: Race, Gender, and Sexuality in Suzanne Lacascade’s Claire-Solange, âme-africaine and Mayotte Capécia’s Je suis Martiniquaise in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 3 years, 8 months ago
When we think of the literature produced before, during, and after the two World Wars we rarely think of the Caribbean as a site of significant literary output. Typically, we privilege a white, male, European literary voice. If we do consider literature from elsewhere, it usually follows a pattern of normative privilege. Therefore, it is useful to…[Read more]
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Nathan H. Dize deposited Intervening in French: A Colony in Crisis, the Digital Humanities, and the French Classroom in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 3 years, 8 months ago
This essay explores the use of *A Colony in Crisis: The Saint-Domingue Grain Crisis of 1789* in the French literature classroom and how it helps address gaps in digital humanities and French language pedagogy while interrogating the colonial positionality of the French Revolution’s digital archive. In 2015, the Newberry Library received a Digit…[Read more]
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Nathan H. Dize deposited Taking One Last Breath, Catching One Last Glimpse (a review of L’Etoile Absinthe by Jacques Stephen Alexis) in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 3 years, 8 months ago
L’étoile absinthe (The Absinthe Star) begins with an image of the Caribbean sun––this infra-rouge mass floats in the sky like a large bird, circling the potomitan. Readers of the novel will immediately notice a patch of text on the very first page is missing, as though time were slowly eating away at the final distinguishable traces of Alexis…[Read more]
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Nathan H. Dize deposited Haiti in Translation: Anacaona by Jean Métellus in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 3 years, 8 months ago
This interview with Susan Pickford considers her translation of Jean Métellus’s 1986 play Anacaona. Susan contacted me via the University of Liverpool’s Francofil Listserv, where she first heard of the blog series. She informed me of her translation of Anacaona, and I leaped at the opportunity to interview her via e-mail about a Haitian auth…[Read more]
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Nathan H. Dize deposited Translating Global Citizenship: Haiti, Charles Moravia, and Woodrow Wilson in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 3 years, 8 months ago
This is a bilingual edition of Charles Moravia’s poem “La Vision de Président Wilson,” or “President Wilson’s Vision” first published in the Haitian daily, Le Matin on November 4, 1918 in response to Woodrow Wilson’s (in)action regarding post-war peace and reconciliation in Europe.
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Nathan H. Dize deposited Beyond the Morality Tale of Humanitarianism: Epistolary Narration and Montage in Raoul Peck’s Assistance mortelle in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 3 years, 8 months ago
This article analyzes Raoul Peck’s use of epistolary narration and montage in his 2012 documentary “Assistance mortelle” (Fatal Assistance), which delves into the immediate aftermath of the 2010 Haitian earthquake and the geopolitics of the recovery process.
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Nathan H. Dize deposited « Comment écrire en évitant d’exotiser le malheur? » : L’apocalypse et le retour au quotidien dans Je suis vivant de Kettly Mars in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 3 years, 8 months ago
Après le passage des ouragans, des incendies et des séismes, les médias reviennent toujours à l’apocalyptique, un discours qui vise à répertorier les dommages d’un désastre jusqu’à perdre toute trace d’intimité humaine. Depuis le 12 janvier 2010, des auteurs, artistes, académiciens et acteurs sociaux – activistes et militants – haïtiens se batte…[Read more]
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Mark A. Reid deleted the file: Intersectionality and (G)Local Racial Matters_311017.pdf from
Race and Aesthetics in French and Francophone Culture on MLA Commons 4 years, 6 months ago
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Jiewon Baek deleted the file: The desire-work in Sylvain George’s Paris est une fête from
Race and Aesthetics in French and Francophone Culture on MLA Commons 4 years, 6 months ago
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Nathan H. Dize deposited An Explosion in the Archives, Reframing French Archives through Caribbean Digital Praxis in the group
Race and Aesthetics in French and Francophone Culture on MLA Commons 5 years, 1 month ago
The digital archive of Saint-Domingue poses major questions relating to power and the production of history, especially since North American institutions possess and have digitized massive collections of French language materials. Once digitized, how will the material be curated, read, and interpreted by the archive’s various users (teachers,…[Read more]
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Cécile Bishop started the topic General themes and questions in the discussion
Race and Aesthetics in French and Francophone Culture on MLA Commons 5 years, 2 months ago
Hi everyone
I just thought I’d post here a rough outline of some of the topics that emerged from our conversation on Sunday, to which I am also adding a couple of general questions that Alessandra posted in the files section. Please feel free to add to this list, flesh out these rough points, or respond to any of these remarks. I hope these may…[Read more]
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