<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>MLA Commons | TC Popular Culture | Activity</title>
	<link>https://mla.hcommons.org/groups/popular-culture/</link>
	<atom:link href="https://mla.hcommons.org/groups/popular-culture/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for the group, TC Popular Culture.</description>
	<lastBuildDate>Sat, 04 Apr 2026 03:12:38 -0400</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">895c3dd6571a8af9459c5806c4ee68a8</guid>
				<title>Nattie Golubov uploaded the file: CFP Love and Resistance: Popular Romance Fiction and the Right, 2025-2025 to TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1924521/</link>
				<pubDate>Mon, 04 Aug 2025 17:30:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first election of Donald Trump sparked a series of &#8220;Rogue&#8221; romance anthologies that framed love as resistance, and the romance genre as progressive and inclusive. Looking back after a decade, how has the genre registered and responded to ongoing political contexts&#8211;in the United States and elsewhere&#8211;of political radicalization, xenophobia,&hellip;<span class="activity-read-more" id="activity-read-more-1924521"><a href="https://mla.hcommons.org/activity/p/1924521/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d8a6b7627444eb73c011563f94a4fc4d</guid>
				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900966/</link>
				<pubDate>Mon, 07 Oct 2024 03:13:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900966"><a href="https://mla.hcommons.org/activity/p/1900966/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f93c965c33fdb6cc54d1615a21b40ce0</guid>
				<title>Fatma Fulya Tepe started the topic New Article: Banal misogynism in Turkish media in the discussion TC Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/new-article-banal-misogynism-in-turkish-media-3/</link>
				<pubDate>Wed, 27 Mar 2024 14:28:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education, published a new article titled “Banal misogynism in Turkish media at the beginning of the multi-party era: the case of Boşboğaz” in the Journal of Graphic Novels and Comics which is a Q1 journal. You can find the abstract and the link&hellip;<span class="activity-read-more" id="activity-read-more-1880908"><a href="https://mla.hcommons.org/groups/popular-culture/forum/topic/new-article-banal-misogynism-in-turkish-media-3/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fb5c6751e0b32c5272cc26242bdb2984</guid>
				<title>Fatma Fulya Tepe started the topic New creative feminist work: A Misogynist Triptych from 1945 in the discussion TC Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945-9/</link>
				<pubDate>Tue, 05 Dec 2023 16:00:59 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education and Emeritus Prof. Dr. Per Bauhn from Sweden’s Linnaeus University prepared “A Misogynist Triptych from 1945” based on cartoon material coming from the Turkish Boşboğaz (Bigmouth) Humor Gazette from 1945. This project was supported by the&hellip;<span class="activity-read-more" id="activity-read-more-1866855"><a href="https://mla.hcommons.org/groups/popular-culture/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945-9/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d86035d473581cc789b2ef6342ef0611</guid>
				<title>Golam Rabbani deposited The Creative Industries in Bangladesh: The Case of Coke Studio Bangla’s “Deora” in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1866456/</link>
				<pubDate>Fri, 01 Dec 2023 03:01:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article analyzes the case of Coke Studio Bangla&#8217;s music and performance production titled &#8220;Deora.&#8221;</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5490b5d63f070e9fdde3a97a63736ade</guid>
				<title>Golam Rabbani deposited Media and Peeping Tom Culture: Violating Familial Privacy and Communal Responsibility in the Evolution of Voyeurism in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1866344/</link>
				<pubDate>Thu, 30 Nov 2023 03:06:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the name of visual pleasure, there are different entertainments in today’s media that instigate voyeurism among common viewers. In this study, the author intends to focus on two phases where the spectators are turning voyeurs without their consent. In the first phase, the study reveals the process where film influences voyeuristic behavior. T&hellip;<span class="activity-read-more" id="activity-read-more-1866344"><a href="https://mla.hcommons.org/activity/p/1866344/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c27bcf3374bc03d68b89165671d0e868</guid>
				<title>Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s "It Must be Heaven" and Panah Panahi’s "Hit the Road" in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1864817/</link>
				<pubDate>Thu, 16 Nov 2023 04:06:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>Abstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.</p>
<p>The songs in Sulei&hellip;<span class="activity-read-more" id="activity-read-more-1864817"><a href="https://mla.hcommons.org/activity/p/1864817/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d2ddbfd60c5edf973a7c03becc9db2ab</guid>
				<title>Leigh A. Neithardt started the topic Membership Suggestions for 2024 Forum Delegate Election in the discussion TC Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/membership-suggestions-for-2024-forum-delegate-election-50/</link>
				<pubDate>Wed, 18 Oct 2023 16:18:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>The next election for this forum’s Delegate Assembly representative will be held in the fall of 2024, and the forum’s executive committee will take up the matter of nominations for this election when it meets in January 2024. Though the executive committee is responsible for making nominations, it is required to nominate at least one candidate who&hellip;<span class="activity-read-more" id="activity-read-more-1862072"><a href="https://mla.hcommons.org/groups/popular-culture/forum/topic/membership-suggestions-for-2024-forum-delegate-election-50/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b818dfb9ded44a636c0f68cb55409d2d</guid>
				<title>Golam Rabbani deposited When the Subaltern Screams: Pedophilia and Patriarchy in Humayun Ahmed’s Pleasure Boy Kômola. in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1858685/</link>
				<pubDate>Sat, 16 Sep 2023 01:27:00 -0400</pubDate>

									<content:encoded><![CDATA[<p>This paper aims to analyze the depiction of pedophilia in Humayun Ahmed&#8217;s film &#8216;Pleasure Boy Kômola.&#8217; It concentrates on the social and psychological reasons for this rarely existing sexual practice or perversion and the oppressive consequences it causes on the subalterns in Bangladesh during the colonial period.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ae615cb62747646c07e843ef9ce59d41</guid>
				<title>Golam Rabbani deposited Review of Music Downtown Eastside: Human Rights and Capability Development through Music in Urban Poverty by Klisala Harrison in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1858682/</link>
				<pubDate>Sat, 16 Sep 2023 01:18:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book points out new ways to identify and resolve human rights and improve the competencies of urban poor communities in Vancouver, Canada.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4008c67c3129e22058882c031cfac923</guid>
				<title>Lisa Zunshine deposited Manipulating Metacognition in Witness for the Prosecution in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1857510/</link>
				<pubDate>Wed, 06 Sep 2023 01:27:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay exemplifies a cognitive approach to literary and film studies, with particular emphasis on fictional reimagining of legal institutions. It draws on research of cognitive scientists who study metacognition—specifically, the difference between reflective and intuitive beliefs—to suggest that courtroom dramas, such as Billy Wilder’s Witne&hellip;<span class="activity-read-more" id="activity-read-more-1857510"><a href="https://mla.hcommons.org/activity/p/1857510/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">84634af0c75837cfa940a14e841dc6a7</guid>
				<title>Emily Friedman deposited Technology, Literacy, &#38; Culture: Narrative Play: Storytelling Games at Home &#38; On Screen in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1855713/</link>
				<pubDate>Fri, 18 Aug 2023 01:06:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>Revised (but still draft) version of the 2023 version of Technology, Literacy, &amp; Culture: Narrative Play: Storytelling Games at Home &amp; On Screen, a course that has students do in-depth analysis of tabletop roleplaying games through extended play, close reading of rule systems, and analysis of actual play.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4ed1037e68e43af233a312da60ac87fb</guid>
				<title>Hania A.M. Nashef deposited What Does a Nascent Film Movement of Popular Genres Reveal About Emirati Culture? in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1835479/</link>
				<pubDate>Sun, 26 Feb 2023 03:55:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>Despite a lack of a traditional cinema culture, the United Arab Emirates (UAE), has recently witnessed an increase in film production. This rise can be attributed to a number of factors, not least of which, is the opening of movie theaters, the establishment of international film festivals and the arrival of film companies. These ventures have&hellip;<span class="activity-read-more" id="activity-read-more-1835479"><a href="https://mla.hcommons.org/activity/p/1835479/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">40562a33a7d3ae9a258940bec4023781</guid>
				<title>Patrick Chura started the topic Call for Papers African American Literature and Culture in the discussion TC Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/call-for-papers-african-american-literature-and-culture/</link>
				<pubDate>Thu, 08 Sep 2022 00:05:12 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>The non-profit digital scholarly database <em><a href="http://www.litencyc.com/" rel="nofollow ugc" rel="nofollow ugc">The Literary Encyclopedia</a> w</em>as founded in 1998 to provide a scholarly online resource for university-level teaching and research. </strong><strong>We are in the process of expanding our offerings in the field of <em>African American Literature and Culture</em>. </strong><strong> </strong><strong>We’re interested in commissioning reference articles (2,000-&hellip;</strong><span class="activity-read-more" id="activity-read-more-1793271"><a href="https://mla.hcommons.org/groups/popular-culture/forum/topic/call-for-papers-african-american-literature-and-culture/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">477c746870d75f9c4357407f937a1c31</guid>
				<title>Emily Friedman deposited ENGL4160EA: Fall 2022: How Games Tell Stories in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1760795/</link>
				<pubDate>Tue, 07 Dec 2021 02:25:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>We are quickly approaching the 50th anniversary of Dungeons &amp; Dragons, the 10th anniversaries of Twitch and Itch.io, and the ninth generation of video game consoles. The most successful TV/film Kickstarter of all time funded the animated series for D&amp;D livestream Critical Role. Game Studies has existed as an interdisciplinary field for over three&hellip;<span class="activity-read-more" id="activity-read-more-1760795"><a href="https://mla.hcommons.org/activity/p/1760795/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5c2852c25834be709e7e392393922a78</guid>
				<title>Hania A.M. Nashef deposited “The right to narrate”: Gazans contest popular geopolitics with film in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1750091/</link>
				<pubDate>Thu, 26 Aug 2021 03:52:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since the Intifada of 2000, living conditions in the Gaza Strip have progressively deteriorated, and when Hamas came to power in 2006–07, a complete blockade was enforced on the inhabitants by Egypt and Israel. In addition, five full-scale wars have been<br />
waged on the Strip. Despite these conditions, Gazans remain resilient, as evidenced by s&hellip;<span class="activity-read-more" id="activity-read-more-1750091"><a href="https://mla.hcommons.org/activity/p/1750091/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7befc63af97681a1de2b0417ed284ba4</guid>
				<title>A. David Lewis deposited Bringing Superheroes into the Fight against COVID-19 Misinformation in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1736579/</link>
				<pubDate>Thu, 29 Apr 2021 02:24:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Over the past year, artists, doctors, medical professionals, and international agencies such as the World Health Organisation have been using comics to communicate the risks of the SARS-CoV2 virus. The visual economy and a near-universal language of lines, balloons, and panels in comics makes them well suited to disseminate epidemic-related&hellip;<span class="activity-read-more" id="activity-read-more-1736579"><a href="https://mla.hcommons.org/activity/p/1736579/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4c0e3d73a291613cbef3fe47da8571a0</guid>
				<title>Susan Larson deposited Los modos literarios flexibles de ‘Vísceras de la ciudad’ (1935) de Rosa Arciniega in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1732540/</link>
				<pubDate>Wed, 24 Mar 2021 03:51:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a two-part publication that contains a facsimile of the original story &#8220;Vísceras de la ciudad&#8221; by Rosa Arciniega (including an introduction) and a 7,500-word academic critical analysis of the story. Of interest to specialists in urban literature, women&#8217;s literature, social literature, and popular culture.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9d6397bf076a586d134f0937b45c6557</guid>
				<title>Mark Sample deposited ENG 296 - Science Fiction (Spring 2021) in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1725439/</link>
				<pubDate>Fri, 29 Jan 2021 02:32:00 -0500</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for science fiction course offered Spring 2021 in the English Department at Davidson College.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f81c12451bad63548f7c4e0034caf964</guid>
				<title>Anastasia Salter deposited Crafting is So Hardcore: Masculinized Making in Gaming Representations of Labor in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1717058/</link>
				<pubDate>Tue, 17 Nov 2020 02:25:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this paper we examine the representation of crafts in video games, particularly in “crafting systems” – collections of mechanics that are described as crafting within a game&#8217;s narrative. Real world crafting practitioners value creativity, expression, and mastery of material, but the act of crafting itself is often viewed by society as repro&hellip;<span class="activity-read-more" id="activity-read-more-1717058"><a href="https://mla.hcommons.org/activity/p/1717058/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a50f2e5489f62a6014649708ab98b0f4</guid>
				<title>Hania A.M. Nashef deposited “Giving a Face to the Silenced Victims: Recent Documentaries on Gaza” in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1716314/</link>
				<pubDate>Thu, 12 Nov 2020 03:55:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Often described as an open-air prison, the citizens of the Gaza Strip have long resisted a subaltern existence.  Conditions in Gaza, and specifically since the Second Intifada of 2000, have increasingly worsened.  With the advent of Hamas in 2006-2007, a complete blockade was imposed on the Strip.  A deafening silence by the world has resulted in&hellip;<span class="activity-read-more" id="activity-read-more-1716314"><a href="https://mla.hcommons.org/activity/p/1716314/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ba19cf3b59057726d1d319bc695abe43</guid>
				<title>A. David Lewis deposited CFP - Graphic Medicine at PCA 2021 in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1708098/</link>
				<pubDate>Fri, 11 Sep 2020 02:32:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>In conjunction with the Popular Culture Association (PCA) holding their 2021 conference in Boston, contributors and attendees of the New England Graphic Medicine (NEGM) Virtual Summit are proposing a slate of programming that now is welcoming additional participants.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ca8dd0a92cb3cd6be3bff4c018233dd3</guid>
				<title>Doris Hambuch deposited Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda' in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1704928/</link>
				<pubDate>Tue, 11 Aug 2020 02:31:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Susan B. Anthony declared in 1896 that the bicycle “has done more to emancipate women than anything else in the world.” The comparative study of &#8216;Whale Rider&#8217; (2002) and &#8216;Wadjda&#8217; (2012) demonstrates that this liberating effect of the basic tool of transportation is being reinforced in the new millennium. The analysis further situates two con&hellip;<span class="activity-read-more" id="activity-read-more-1704928"><a href="https://mla.hcommons.org/activity/p/1704928/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">58831bc017b6ad145c3d9730d3f5a4cf</guid>
				<title>William Lenz started the topic CFP in Travel &#38; Tourism at Popular Culture Ass 2021 National Conference (Boston) in the discussion TC Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/cfp-in-travel-tourism-at-popular-culture-ass-2021-national-conference-boston/</link>
				<pubDate>Sat, 25 Jul 2020 14:34:11 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>CFP: Travel and Tourism Studies</strong></p>
<p><strong>POPULAR CULTURE ASSOCIATION 2021 NATIONAL CONFERENCE</strong></p>
<p>Boston Marriott Copley Place Hotel, 110 Huntington Ave, Boston, MA 02116March 31-April 3, 2021</p>
<p><strong>PROPOSAL DEADLINE:  NOVEMBER 1, 2020</strong>We are considering proposals for individual papers analyzing any aspect of travel and tourism. Proposals might focus on travel&hellip;<span class="activity-read-more" id="activity-read-more-1702909"><a href="https://mla.hcommons.org/groups/popular-culture/forum/topic/cfp-in-travel-tourism-at-popular-culture-ass-2021-national-conference-boston/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3bd1e2bd470fc2f378f104ed45909e4a</guid>
				<title>A. David Lewis deposited 2020 New England Graphic Medicine Conference Call for Papers (CFP) in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1671901/</link>
				<pubDate>Thu, 12 Dec 2019 16:27:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>2020 New England Graphic Medicine Conference<br />
Call for Papers<br />
MARCH 26-28, 2020<br />
[Deadline: January 10, 2020]</p>
<p>Graphic Medicine is a genre, a field, a tool, a community, and a cause. It is large enough to accommodate all health and medical experiences, from that of the doctor to that of the patient – from that of a microbe to that of a p&hellip;<span class="activity-read-more" id="activity-read-more-1671901"><a href="https://mla.hcommons.org/activity/p/1671901/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">77548a3519c4e654415181e7d53555de</guid>
				<title>Matthew Kirschenbaum deposited "Poor Black Squares": Afterimages of the Floppy Disk in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1668450/</link>
				<pubDate>Thu, 24 Oct 2019 16:33:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Chapter 21 of The Routledge Companion to Media Technology and Obsolescence, ed. Mark J.P. Wolf (New York and London: Routledge, 2019): 296-310.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8deee1a233bdc1d568855a2a81574511</guid>
				<title>Anastasia Salter deposited But Does Pikachu Love You? Reproductive Labor in Casual and Hardcore Games in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1662006/</link>
				<pubDate>Fri, 30 Aug 2019 16:26:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since the ﬁrst Pokémon game launched in Japan in 1996, the series has been a balancing act between casual and hardcore gaming. While the ﬁrst iteration and “core” series has emphasized a modiﬁed, accessible version of traditional JRPG mechanics, other titles have frequently emphasized so-called casual play; most recently, Pokémon Go lured in a&hellip;<span class="activity-read-more" id="activity-read-more-1662006"><a href="https://mla.hcommons.org/activity/p/1662006/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9eaa55909c99e9b17eeb8e2eb528afbe</guid>
				<title>Amanda Licastro deposited Major Author: Margaret Atwood in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1661619/</link>
				<pubDate>Wed, 28 Aug 2019 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>This undergraduate seminar on author Margaret Atwood fulfills the Major Author course at Stevenson University.  Students will read A Trio of Tall Tales and The Year of the Flood, as well as both read and watch The Handmaid&#8217;s Tale. The course assignments include live-tweeting, creating a webtext, and an intertextual analysis essay.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a091cee43e9c7b1ee03b592017248587</guid>
				<title>James Gifford deposited Philosophy of Middle-earth (Syllabus) in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1657847/</link>
				<pubDate>Wed, 17 Jul 2019 16:44:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>The recent popularity of the film version of Tolkien’s The Lord of the Rings has renewed interest in this widely read work set in the realm of Middle-earth. A careful study of Tolkien’s work can be used to raise several philosophical questions, particularly in the area of ethics. This course will examine such questions, also considering topics fro&hellip;<span class="activity-read-more" id="activity-read-more-1657847"><a href="https://mla.hcommons.org/activity/p/1657847/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a7e15c6704b5855da5b454fa4a2c8be5</guid>
				<title>James Gifford deposited Philosophy of Middle-earth (Study Guide) in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1657842/</link>
				<pubDate>Wed, 17 Jul 2019 16:32:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>The recent popularity of the film version of Tolkien’s The Lord of the Rings has renewed interest in this widely read work set in the realm of Middle-earth. A careful study of Tolkien’s work can be used to raise several philosophical questions, particularly in the area of ethics. This course will examine such questions, also considering topics fro&hellip;<span class="activity-read-more" id="activity-read-more-1657842"><a href="https://mla.hcommons.org/activity/p/1657842/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ac824c1beb726d5e52fba5ac5b5b92fc</guid>
				<title>Marisa Parham deposited 'You Can't Flow Over This': Ursula Rucker's Acoustic Illusion in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1641075/</link>
				<pubDate>Tue, 28 May 2019 16:31:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay brings together two texts, a letter to the editor written in experimental prose by the Black avant-garde Beat poet, Bob Kaufman, and “The Unlocking,” a spoken-word poem written and performed by Ursula Rucker that appears at the end of The Roots’ critically acclaimed rap album, Do You Want More??!?. By using the aural to disrupt expec&hellip;<span class="activity-read-more" id="activity-read-more-1641075"><a href="https://mla.hcommons.org/activity/p/1641075/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">197bfbe6ccd05b46307b23a65a5419ec</guid>
				<title>Doris Hambuch deposited Including E-Literature in Mainstream Cultural Critique: The Case of Graphic Art by Khaled Al Jabri in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1640014/</link>
				<pubDate>Fri, 10 May 2019 16:35:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay uses the image-based work of Emirati cartoonist Khaled Al Jabri to address concerns of technological dependence to reconsider our use of screens. The production of electronic literature requires technologies responsible for undeniable hazards unique to today&#8217;s information and gadget age. As represented in Al Jabri&#8217;s graphic art, these&hellip;<span class="activity-read-more" id="activity-read-more-1640014"><a href="https://mla.hcommons.org/activity/p/1640014/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9c67448ec16896e92fcbe1c3ce9396b3</guid>
				<title>A. David Lewis deposited Cancer and Comic Books: Distinguishing the Subgenre [Poster] in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1639305/</link>
				<pubDate>Tue, 30 Apr 2019 16:27:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>For at least the last twenty years, scholarly attention has been drawn to the numerous depictions of cancer in comic books as well as oncology’s use of the comics medium (Rhode and Connor, 2012). However, little in the way of comprehensive analysis has been attempted, especially in terms of the various genres addressed. In this presentation, a ca&hellip;<span class="activity-read-more" id="activity-read-more-1639305"><a href="https://mla.hcommons.org/activity/p/1639305/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4b6eb39116f3af77b3878ed3692d8e74</guid>
				<title>A. David Lewis deposited Diagnosis Deafness in Cancer Comics in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1638745/</link>
				<pubDate>Sat, 20 Apr 2019 16:25:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>A brief piece on what I call &#8220;diagnosis deafness.&#8221; In short, to depict the sudden disorientation and shock of being diagnosed with cancer, comics artists frequently employ a visual rhetoric usually reserved for instances of deafness. At least momentarily – during an immensely significant moment in the life of the character – words fail, dev&hellip;<span class="activity-read-more" id="activity-read-more-1638745"><a href="https://mla.hcommons.org/activity/p/1638745/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">550126e9b819063d0481b89cd5f10b2d</guid>
				<title>Patrick McEvoy-Halston deposited The Devil Made Me Enjoy It in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1634065/</link>
				<pubDate>Tue, 05 Mar 2019 04:09:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Explores how Cormac McCarthy&#8217;s &#8220;Blood Meridian&#8221; encourages, more than identification with, but an impressing oneself within &#8220;the kid,&#8221; and makes all of his adventures with Glanton and his outriders a ride we thrill at, even if at times very much secretly &#8212; as with the slaughter of the indigenous camp. Glanton is a phallic &#8220;hero&#8221; for us; it is the&hellip;<span class="activity-read-more" id="activity-read-more-1634065"><a href="https://mla.hcommons.org/activity/p/1634065/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">73b9ab668261d16d8e1c4994b3bcc734</guid>
				<title>Patrick McEvoy-Halston deposited The Devil Made Me Enjoy It in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1634063/</link>
				<pubDate>Tue, 05 Mar 2019 04:05:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>Explores how Cormac McCarthy&#8217;s &#8220;Blood Meridian&#8221; encourages, more than identification with, but an impressing oneself within &#8220;the kid,&#8221; and makes all of his adventures with Glanton and his outriders a ride we thrill at, even if at times very much secretly &#8212; as with the slaughter of the indigenous camp. Glanton is a phallic &#8220;hero&#8221; for us; it is the&hellip;<span class="activity-read-more" id="activity-read-more-1634063"><a href="https://mla.hcommons.org/activity/p/1634063/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">80af48f9532f03f1f74604e5ec8d315f</guid>
				<title>Patrick McEvoy-Halston deposited The Search for a Way of Being in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1632978/</link>
				<pubDate>Sat, 23 Feb 2019 03:51:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>Explores a clip of &#8220;Blade Runner&#8221; as if it were an artifice for suggesting means by which we might find meaning, purpose, in our own world. Decker as extension of ourselves, experimenting, failing&#8230; but ultimately succeeding, to discover purpose that is palpable to many of us, in a world we find actively seeking to degrade the possibility of it.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">68ff0708260fad135f74ac36f117405c</guid>
				<title>A. David Lewis deposited Graphic Medicine (HUM450AJ.O) syllabus in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1627997/</link>
				<pubDate>Sat, 05 Jan 2019 16:29:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>At the intersection of comics and medicine is the rise of the Graphic Medicine scholarship field. This course examines the ways in which the sequentialized hybrid of word and image is bringing new insights to patient, healthcare, and clinical experiences. </p>
<p>In any manner of ways, the comics medium (whether known as comic books, graphic novels,&hellip;<span class="activity-read-more" id="activity-read-more-1627997"><a href="https://mla.hcommons.org/activity/p/1627997/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">88ea30a03ea4987cece1bd4a2d2285f3</guid>
				<title>Louise Geddes deposited Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1622917/</link>
				<pubDate>Sun, 04 Nov 2018 16:32:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>Bound by market pressures, twenty-first century academia finds itself fettered by the demands of “student success” that a capitalist knowledge economy places on its participants.  Humanities scholars are, as Jonathan Dollimore noted in his 2014 SAA address, pressed with their back against the wall, “in a marketplace pretty indifferent to what&hellip;<span class="activity-read-more" id="activity-read-more-1622917"><a href="https://mla.hcommons.org/activity/p/1622917/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">df414e9e58c75b33d911573c61a16fec</guid>
				<title>religioncomics deposited Distinguishing the Comic Book Subgenre of Cancer Narratives in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1615879/</link>
				<pubDate>Sun, 19 Aug 2018 16:28:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>An overview of proposed categories for the growing graphic medicine genre of cancer comics (i.e. cancer narratives in comic book form) and an initial theory on the significant linkage between this illness and particular medium.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e47010a6509fa96fd091afd4761e97e2</guid>
				<title>Stephen A. Ross deposited Youth Culture and the Post-War British Novel: From Teddy Boys to Trainspotting in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1614499/</link>
				<pubDate>Fri, 03 Aug 2018 04:00:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the Teddy Boys of the post-war decade to the heroin chic of “Cool Britannia,” the many tribes and subcultures of Britain&#8217;s teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of the most important contemporary British wri&hellip;<span class="activity-read-more" id="activity-read-more-1614499"><a href="https://mla.hcommons.org/activity/p/1614499/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9ebe8824ee3bdce5d2aaaa6accfe6cf7</guid>
				<title>Hania A.M. Nashef deposited Coming of Age in Troubled Times: Son of Babylon and Theeb in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1613973/</link>
				<pubDate>Thu, 26 Jul 2018 03:57:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Jordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals.  Even though the Jordanian film industry remains in its infancy, the films that have emerged of late&hellip;<span class="activity-read-more" id="activity-read-more-1613973"><a href="https://mla.hcommons.org/activity/p/1613973/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f31ec52bc26fab86095fdb4c12860b25</guid>
				<title>religioncomics deposited It's Time for LISSA in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1611355/</link>
				<pubDate>Thu, 21 Jun 2018 04:15:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of LISSA: A STORY ABOUT MEDICAL PROMISE, FRIENDSHIP, AND REVOLUTION (University of Toronto Press) by Sherine Hamdy, Coleman Nye, Sarula Bao, and Caroline Brewer</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7e871857879e5e9947599efca8578d9b</guid>
				<title>William Lenz started the topic CFP: Travel &#38; Tourism at 2019 Popular Culture Conference in Washington DC in the discussion Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/cfp-travel-tourism-at-2019-popular-culture-conference-in-washington-dc/</link>
				<pubDate>Mon, 18 Jun 2018 21:02:27 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong> </strong></p>
<p><strong>CFP: Travel and Tourism Studies</strong></p>
<p><strong>POPULAR CULTURE ASSOCIATION &amp; AMERICAN CULTURE ASSOCIATION</strong></p>
<p><strong>2019 JOINT NATIONAL CONFERENCE</strong></p>
<p>Wardman Park Marriott, Washington DC</p>
<p>Wednesday, April 17, to Saturday, April 20, 2019</p>
<p>For information on PCA/ACA, please go to <a href="http://www.pcaaca.org" rel="nofollow ugc">http://www.pcaaca.org</a></p>
<p>For conference information, please go to <a href="http://www.pcaaca.org/national-conference/" rel="nofollow ugc"></a><a href="http://www.pcaaca.org/nationa&#038;hellip" rel="nofollow ugc">http://www.pcaaca.org/nationa&#038;hellip</a>;<span class="activity-read-more" id="activity-read-more-1611184"><a href="https://mla.hcommons.org/groups/popular-culture/forum/topic/cfp-travel-tourism-at-2019-popular-culture-conference-in-washington-dc/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">85b3348b88f6cca3cf48aef17e09af28</guid>
				<title>Laurie Ringer deposited Cigar Box Fiddle 3: Assembled in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1604671/</link>
				<pubDate>Wed, 28 Mar 2018 04:26:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Assembled cigar box fiddle. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a &#8220;cigar box.”</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f706bf363ae78af0f290b41a57b15b38</guid>
				<title>Laurie Ringer deposited Cigar Box Fiddle 2: Disassembled in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1604666/</link>
				<pubDate>Wed, 28 Mar 2018 04:16:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>The label is under the soundboard. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a &#8220;cigar box.”</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d6de8e329f804f428999efb047487ab7</guid>
				<title>Laurie Ringer deposited Cigar Box Fiddle 1: Disassembled in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1604654/</link>
				<pubDate>Wed, 28 Mar 2018 03:52:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a &#8220;cigar box.”</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f3e343c6879e4cb7dc7b76ed99afd0ee</guid>
				<title>Stacey Lee Donohue deposited Eng 260 Introduction to Women Writers, or,Books That Cook! Syllabus in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1604164/</link>
				<pubDate>Thu, 22 Mar 2018 03:50:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>Course syllabus for Eng 260: Introduction to Women Writers focused on the theme of food fiction.  Taught at Central Oregon Community College as a general education course.  We are on the quarter system which limits the number of readings. The course will require that students complete  a collaborative digital project.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">3b2c38b5ca0ec72021c07ff692261f98</guid>
				<title>A. Lewis deposited A Talk about Religion in the group TC Popular Culture</title>
				<link>https://mla.hcommons.org/activity/p/1599888/</link>
				<pubDate>Wed, 07 Feb 2018 04:16:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>And interview between Julian Darius and A. David Lewis in LAZARUS, THE FOREVER MAN #0 (Martian Lit).</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1f06c34821ad403bcd1b74e355fb3271</guid>
				<title>Caitlin Duffy replied to the topic CFP: Literature as Activism, Stony Brook University English Graduate Conference in the discussion Popular Culture</title>
				<link>https://mla.hcommons.org/groups/popular-culture/forum/topic/cfp-literature-as-activism-stony-brook-university-english-graduate-conference-3/#post-1015837</link>
				<pubDate>Thu, 07 Dec 2017 16:41:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>The deadline is approaching!</p>
<p>To participate in the 2018 Stony Brook University English Graduate conference, please submit all abstracts to <strong><a href="mailto:stonybrookenglishgradcon@gmail.com" rel="nofollow ugc">stonybrookenglishgradcon@gmail.com</a></strong> by December 18th, 2017.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>