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	<title>MLA Commons | MS Opera and Musical Performance | Activity</title>
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				<title>johnpendergast started the topic CfP MLA 2025 Opera and Musical Performance, 01/9-12/2025, New Orleans in the discussion MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/cfp-mla-2025-opera-and-musical-performance-01-9-12-2025-new-orleans/</link>
				<pubDate>Wed, 28 Feb 2024 20:05:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>“Horizons of Musical Adaptation: Audibility, Visibility, Media and Performance”</p>
<p>Musical adaptations from literary texts (see Broomfield-McHugh 2019; Elliott 2020; Hutcheon 2006; Leitch 2007, 2023, etc.) make the invisible (e.g. context, subtext) audible, and perhaps visible anew (e.g. staging, cinematography)—re/shaping meaning and recep&hellip;<span class="activity-read-more" id="activity-read-more-1878012"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/cfp-mla-2025-opera-and-musical-performance-01-9-12-2025-new-orleans/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sydney Boyd started the topic Soliciting Suggestions for Election to Executive Committee in the discussion MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/soliciting-suggestions-for-election-to-executive-committee/</link>
				<pubDate>Thu, 13 Jan 2022 20:29:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>The MS Opera and Musical Performance forum executive committee is actively soliciting suggestions for nomination to the committee. Please respond here or reach out directly if you or someone you know would be interested in serving, ideally before January 21, 2022.</p>
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				<title>Kendra Leonard deposited Louise Talma: a Life in Composition in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1765920/</link>
				<pubDate>Wed, 12 Jan 2022 02:27:58 -0500</pubDate>

									<content:encoded><![CDATA[<p>Analysis of composer Louise Talma&#8217;s music using autobiographical theory</p>
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				<title>Kendra Leonard deposited The Art Songs of Louise Talma in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1765919/</link>
				<pubDate>Wed, 12 Jan 2022 02:27:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>Analysis and scholarly editions of composer Louise Talma&#8217;s works for single voice and piano.</p>
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				<title>Kendra Leonard deposited Review: Katherine R. Larson, The Matter of Song in Early England in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1753235/</link>
				<pubDate>Thu, 30 Sep 2021 02:23:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Katherine R. Larson, The Matter of Song in Early England. Abstract: Katherine R. Larson’s The Matter of Song in Early England is an exceptional study. It offers the perspective not just of an academic—Larson is professor of English at the University of Toronto—but also that of a performer, as Larson is an ac- complished singer. In this&hellip;<span class="activity-read-more" id="activity-read-more-1753235"><a href="https://mla.hcommons.org/activity/p/1753235/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sydney Boyd started the topic Full-length CFP for MLA 2022 in the discussion MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/full-length-cfp-for-mla-2022/</link>
				<pubDate>Fri, 19 Feb 2021 16:23:58 -0500</pubDate>

									<content:encoded><![CDATA[<p><em>A postscript to my previous post on CFPs for MLA 2022: Here is a more detailed description of &#8220;Found in Translation: Opera Among Languages&#8221; panel.</em></p>
<p>In keeping with the MLA 2022 conference theme of Multilingual US, the Executive Committee of the Media Studies Forum on Opera and Musical Performance has announced the following guaranteed session: <a href="https://mla.confex.com/mla/2022/webprogrampreliminary/Paper16363.html" rel="nofollow ugc"><strong>Foun&hellip;</strong></a><span class="activity-read-more" id="activity-read-more-1728048"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/full-length-cfp-for-mla-2022/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sydney Boyd started the topic Opera and Musical Performance Forum CFP for MLA 2022 in the discussion MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/opera-and-musical-performance-forum-cfp-for-mla-2022/</link>
				<pubDate>Thu, 18 Feb 2021 20:06:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>In anticipation of MLA 2022, the MS Opera and Musical Performance forum is pleased to announce two calls for papers, the second of which is in collaboration with the Drama and Performance forum:</p>
<p><a href="https://mla.confex.com/mla/2022/webprogrampreliminary/Paper16363.html" rel="nofollow ugc">Found in Translation: Opera Among Languages</a></p>
<p>Many librettos are written in a language other than that of their source text. What interesting results&hellip;<span class="activity-read-more" id="activity-read-more-1727944"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/opera-and-musical-performance-forum-cfp-for-mla-2022/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kristin Moriah deposited On the Record: Sissieretta Jones and Black Feminist Recording Praxes in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1727471/</link>
				<pubDate>Sun, 14 Feb 2021 03:54:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, I examine how Sissieretta Jones (frequently described as America’s first Black superstar, among other superlatives) strategically leveraged her European performance reviews in order to increase her listenership and wages in the United States. Jones toured Europe for the first (and only) time from February until November in 1895. A&hellip;<span class="activity-read-more" id="activity-read-more-1727471"><a href="https://mla.hcommons.org/activity/p/1727471/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sydney Boyd started the topic Women &#38; Language CFP in the discussion MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/women-language-cfp-5/</link>
				<pubDate>Thu, 09 Jul 2020 13:20:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Call for Papers | <em>Women &amp; Language</em></p>
<p>Editor: Leland G. Spencer, PhD | Miami University <em>            </em></p>
<p><em>Women &amp; Language</em>, an international, interdisciplinary, peer-reviewed journal publishes original scholarly articles and creative work covering all aspects of communication, language, and gender. Contributions to <em>Women &amp; Language</em> may be empirical,&hellip;<span class="activity-read-more" id="activity-read-more-1696078"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/women-language-cfp-5/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited Political &#38; Social History of Music (Study Guide PDF) in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1691933/</link>
				<pubDate>Wed, 17 Jun 2020 16:25:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All&hellip;<span class="activity-read-more" id="activity-read-more-1691933"><a href="https://mla.hcommons.org/activity/p/1691933/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sydney Boyd started the topic CFP Guaranteed Session: Opera after World War II in the discussion MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/cfp-guaranteed-session-opera-after-world-war-ii-2/</link>
				<pubDate>Mon, 02 Mar 2020 16:56:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>The executive committee of the MLA Forum on Opera and Musical Performance has issued a call for papers for a session at the 2021 convention, “Opera after World War II: Production, Memory, Mourning,” on “how operatic productions after World War II participate in, elide, or mediate historical catastrophe or radical discontinuity.” The word limit f&hellip;<span class="activity-read-more" id="activity-read-more-1679810"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/cfp-guaranteed-session-opera-after-world-war-ii-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Cynthia Chase started the topic Voice: Remediated Embodiments, #414--&#34;The  Pitch of the Voice&#34; &#38; more in the discussion MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/voice-remediated-embodiments-414-the-pitch-of-the-voice-more/</link>
				<pubDate>Fri, 10 Jan 2020 21:59:31 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Come at 5:15 to 6:30 today, Fri., to Willow A in the Sheraton, for &#8220;&#8216;Allo, c&#8217;est toi?&#8217;: Questioning the Telephone in <em>La Voix Humaine</em>&#8221; &#8212; by Jeremy Glazier</strong></p>
<p><strong>&#8220;The Diva as Hologram: opera, liveness, and audiovisual remediation&#8221; &#8212; by Joao Pedro Cachopo, U. of Lisbon</strong></p>
<p><strong>&#8220;The Pitch of the Voice: Beckett and Feldman&#8217;s Antiopera <em>Neither&#8221; </em>by Sydney&hellip;</strong><span class="activity-read-more" id="activity-read-more-1674879"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/voice-remediated-embodiments-414-the-pitch-of-the-voice-more/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Review: Recomposing the Past: Representations of Early Music on Stage and Screen in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1625134/</link>
				<pubDate>Thu, 06 Dec 2018 16:30:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>Review of James Cook, Alexander Kolassa, and Adam Whittaker, eds.<br />
Recomposing the Past: Representations of Early Music on Stage and<br />
Screen. Ashgate Screen Music Series. New York and London:<br />
Routledge, 2018. xii, 259 pp. ISBN: 9781138287471 (hardback).</p>
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				<title>Carol Zuses started the topic Membership Suggestions for 2019 Forum Delegate Election in the discussion Opera as a Literary and Dramatic Form</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/membership-suggestions-for-2019-forum-delegate-election-42/</link>
				<pubDate>Fri, 21 Sep 2018 12:38:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>The next election for this forum’s Delegate Assembly representative will be held in the fall of 2019, and the forum’s executive committee will take up the matter of nominations for this election when it meets during the January 2019 convention in Chicago. Though the executive committee is responsible for making nominations, it is required to nom&hellip;<span class="activity-read-more" id="activity-read-more-1619197"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/membership-suggestions-for-2019-forum-delegate-election-42/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited HUMN 3220: Political &#38; Social History of Music in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1579821/</link>
				<pubDate>Sat, 26 Aug 2017 20:09:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All&hellip;<span class="activity-read-more" id="activity-read-more-1579821"><a href="https://mla.hcommons.org/activity/p/1579821/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Adewale Bankole Ajayi deposited Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1573749/</link>
				<pubDate>Sat, 10 Jun 2017 20:24:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Coloniality is a complex heritage encapsulating complex cultural challenges confronting the performance artist. Nigerian musical production appears to have been operating in a world without borders since the advent of colonialism. There have been non-indigenous forms brought into the cultural landscape which have challenged the performers. The&hellip;<span class="activity-read-more" id="activity-read-more-1573749"><a href="https://mla.hcommons.org/activity/p/1573749/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Carol Zuses started the topic First Forum Delegate Election: Call for Membership Suggestions in the discussion Opera as a Literary and Dramatic Form</title>
				<link>https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/first-forum-delegate-election-call-for-membership-suggestions/</link>
				<pubDate>Thu, 03 Nov 2016 16:55:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>The first election of a Delegate Assembly representative for MS Opera and Musical Performance will be held in the fall of 2017; the forum’s executive committee will take up the matter of nominations for this election when it meets during the January 2017 convention in Philadelphia. Though the executive committee is responsible for making n&hellip;<span class="activity-read-more" id="activity-read-more-553238"><a href="https://mla.hcommons.org/groups/opera-and-musical-performance/forum/topic/first-forum-delegate-election-call-for-membership-suggestions/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/548192/</link>
				<pubDate>Thu, 26 May 2016 20:45:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare&#8217;s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp&hellip;<span class="activity-read-more" id="activity-read-more-548192"><a href="https://mla.hcommons.org/activity/p/548192/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sharon Aronofsky Weltman started the topic Performing Dickens -- NEH Summer Seminar in the forum Opera as a Literary and Dramatic Form</title>
				<link>http://mla.hcommons.org/groups/opera-as-a-literary-and-dramatic-form/forum/topic/performing-dickens-neh-summer-seminar-2/</link>
				<pubDate>Tue, 21 Jan 2014 03:22:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>Applications are now open for “&lt;b&gt;Performing Dickens: &lt;i&gt;Oliver Twist&lt;/i&gt; and &lt;i&gt;Great Expectations&lt;/i&gt; on Page Stage, and Screen&lt;/b&gt;,” a four-week National Endowment for the Humanities Summer Seminar for College and University Teachers, sponsored by the Dickens Project at the University of California Santa Cruz.  From &lt;b&gt;Monday, July 7, 2014 to F&hellip;<span class="activity-read-more" id="activity-read-more-56367"><a href="http://mla.hcommons.org/groups/opera-as-a-literary-and-dramatic-form/forum/topic/performing-dickens-neh-summer-seminar-2/" rel="nofollow ugc">[Read more]</a></span></p>
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