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	<title>MLA Commons | TM Literary Criticism | Activity</title>
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	<description>Activity feed for the group, TM Literary Criticism.</description>
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				<title>Shashi Bhusan Nayak started the topic Call for Chapters – Scripting Selves: New Directions in Life Writing in the forum TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-6/</link>
				<pubDate>Tue, 04 Mar 2025 19:40:01 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Scripting Selves: New Directions in Life Writing</strong><br />
<strong>Editors: P. Muralidhar Sharma &amp; Shashibhusan Nayak</strong></p>
<p>Until recently, Life Writing has emerged as a loose critical label encompassing a variety of genres, including biographies, autobiographies, memoirs, letters, and dairies. The later decades of the 20th century, in particular, have witnessed a surge&hellip;<span class="activity-read-more" id="activity-read-more-1913204"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-6/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Stefania Irene Sini uploaded the file: CFP: Limits of Narrative. 8th International Conference of the European Narratology Network (ENN), Wuppertal, Germany, September 29 - October 2, 2025 to TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1912534/</link>
				<pubDate>Tue, 25 Feb 2025 15:18:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>In view of the rampant use of the term ‘narrative’, which often enough lacks a precise meaning, it is time to take a critical look at its limits. The 8th ENN conference in Wuppertal (Germany) is dedicated to this reflection on the concept of narrative in order to sharpen it by defining its boundaries: Which phenomena cannot be appropriately lab&hellip;<span class="activity-read-more" id="activity-read-more-1912534"><a href="https://mla.hcommons.org/activity/p/1912534/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited Toward a Decolonial Queer Humanism: Thomas Hardy's The Well-Beloved and André Aciman's Call Me by Your Name in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1878059/</link>
				<pubDate>Thu, 29 Feb 2024 04:09:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay situates queer negativity within the modernist tradition. In The Well-Beloved (1897), Thomas Hardy satirizes the then-popular notion of racial memory for its racist, colonialist implications, inaugurating the modernist critique of romantic love as complicit with the self-delusions of the liberal-humanist subject. Despite the view shared&hellip;<span class="activity-read-more" id="activity-read-more-1878059"><a href="https://mla.hcommons.org/activity/p/1878059/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited Canines: Unlikely Protagonists in the Novels of Coetzee, Saramago and Shibli in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1865793/</link>
				<pubDate>Fri, 24 Nov 2023 04:06:46 -0500</pubDate>

									<content:encoded><![CDATA[<p>Anthropomorphism, which combines two Greek words, anthropos and morphe, meaning “human” and “form’ respectively, is a term that reflects our attribution of human characteristics to non-human animals and objects, bestowing upon them agency (Taylor 2011: 266). In this respect, we elevate the status of the non-human animal, moving it from being a&hellip;<span class="activity-read-more" id="activity-read-more-1865793"><a href="https://mla.hcommons.org/activity/p/1865793/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited How Memories Become Literature in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1858170/</link>
				<pubDate>Tue, 12 Sep 2023 01:21:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cognitive science can help literary scholars formulate specific questions to be answered by archival research. This essay takes as its starting point embedded mental states (that is, mental states about mental states) and their role in generating literary subjectivity. It then follows the transformation of embedded mental states throughout several&hellip;<span class="activity-read-more" id="activity-read-more-1858170"><a href="https://mla.hcommons.org/activity/p/1858170/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited Manipulating Metacognition in Witness for the Prosecution in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1857511/</link>
				<pubDate>Wed, 06 Sep 2023 01:29:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay exemplifies a cognitive approach to literary and film studies, with particular emphasis on fictional reimagining of legal institutions. It draws on research of cognitive scientists who study metacognition—specifically, the difference between reflective and intuitive beliefs—to suggest that courtroom dramas, such as Billy Wilder’s Witne&hellip;<span class="activity-read-more" id="activity-read-more-1857511"><a href="https://mla.hcommons.org/activity/p/1857511/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bradley J. Fest deposited Isn’t It a Beautiful Day? An Interview with J. Hillis Miller in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1847390/</link>
				<pubDate>Sat, 27 May 2023 03:18:26 -0400</pubDate>

									<content:encoded><![CDATA[<p>This interview with esteemed literary critic J. Hillis Miller was conducted via Skype on July 17, 2013. Miller speaks about a number of issues important to his life and work. Providing a number of emblematic parables, Miller discusses his early career, his work on the poetry of William Carlos Williams, and his famous essay “The Critic as H&hellip;<span class="activity-read-more" id="activity-read-more-1847390"><a href="https://mla.hcommons.org/activity/p/1847390/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bradley J. Fest deposited An Interview with Jonathan Arac in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1847385/</link>
				<pubDate>Sat, 27 May 2023 02:57:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>This interview with literary critic Jonathan Arac was conducted at the University of Pittsburgh on May 19, 2015. Arac, a member of the boundary 2 editorial collective since 1979, speaks at length about his life and work. Addressing the impact of theory on his career, he discusses how he came to be associated with the New Americanists, his project&hellip;<span class="activity-read-more" id="activity-read-more-1847385"><a href="https://mla.hcommons.org/activity/p/1847385/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Darren J. Borg started the topic CFP: Speculative Fiction and Eternal Life in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-speculative-fiction-and-eternal-life/</link>
				<pubDate>Mon, 30 Jan 2023 23:50:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>What is a life worth living?Speculative Fiction and Eternal Life Despite numerous post-apocalyptic storylines, many science fiction texts are a celebration of life and seek ways of prolonging it, whether artificially or by providing warnings against our current behavior in order to preserve the life that already exists. The fact that death and&hellip;<span class="activity-read-more" id="activity-read-more-1831962"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-speculative-fiction-and-eternal-life/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited The Secret Life of Literature in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1777282/</link>
				<pubDate>Tue, 05 Apr 2022 02:28:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>An innovative account that brings together cognitive science, ethnography, and literary history to examine patterns of “mindreading” in a wide range of literary works.</p>
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				<title>Dustin Friedman deposited “The rarest, most complex &#38; most lately developed form of aestheticism”: Olive Schreiner, decadence, and the aesthetic education of the senses in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1769030/</link>
				<pubDate>Tue, 25 Jan 2022 03:56:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay focuses on Olive Schreiner’s personal correspondence and the allegories collected in Dreams (1890) to explore her complicated relationship to late-Victorian Decadence. I argue that Schreiner modified Decadent writers’ use of intersensoriality and synaesthesia to educate her readers into a new kind of common sense, one aligned with her&hellip;<span class="activity-read-more" id="activity-read-more-1769030"><a href="https://mla.hcommons.org/activity/p/1769030/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Patrick McEvoy-Halston deposited Rollback: Leaving Women to Demons in Gene Wolfe's Fiction in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1755577/</link>
				<pubDate>Sat, 16 Oct 2021 03:57:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gene Wolfe, living though Severian, re-experiences via Thecla’s characterization of him as not being worth enough to value highly for being what he thought he could only amount to her when he first met her, that is, simply a boy at hand, his own once being lured into the attentions’ of his mother and then dismissed by her when she was done usi&hellip;<span class="activity-read-more" id="activity-read-more-1755577"><a href="https://mla.hcommons.org/activity/p/1755577/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Nicholas T Rinehart deposited Lateral Reading Lyric Testimony; or, The Difficult Miracle of Black Poetry in the Americas in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1753049/</link>
				<pubDate>Tue, 28 Sep 2021 02:28:59 -0400</pubDate>

									<content:encoded><![CDATA[<p>Canon, tradition, and origin anchor developmental accounts of Black literary history, describing the forward movement from a singular beginning in terms of birth, maturation, and inheritance. This model delimits a specialized field of study, but also obscures texts, practices, and archives that do not cohere with it. In the study of slave&hellip;<span class="activity-read-more" id="activity-read-more-1753049"><a href="https://mla.hcommons.org/activity/p/1753049/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Magdalena Ostas deposited Wordsworth, Wittgenstein, and the Reconstruction of the Everyday in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1745163/</link>
				<pubDate>Thu, 08 Jul 2021 04:06:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The connection between philosophy and real or everyday language belongs to Wordsworth’s early poetic vision. My interest in Wordsworth’s dialogue with philosophical thinking leads me to turn neither to studies tracing the varied philosophic influences on his poetics nor to those examining the influence of his collaborator Coleridge on his ear&hellip;<span class="activity-read-more" id="activity-read-more-1745163"><a href="https://mla.hcommons.org/activity/p/1745163/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Magdalena Ostas deposited Interiority and Expression in Dickinson's Lyrics in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1745159/</link>
				<pubDate>Thu, 08 Jul 2021 03:52:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>The argument in this essay is that Dickinson’s poetics of inner life makes us see anew the long-standing philosophical problem of expression. Dickinson’s poetry invests itself in an understanding of subjectivity that rearranges the anchors we often turn to in thinking about how lives and identities take on shape in expressive forms. Poetry for&hellip;<span class="activity-read-more" id="activity-read-more-1745159"><a href="https://mla.hcommons.org/activity/p/1745159/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Will Fenton started the topic CFP: Library Company of Philadelphia 2021 Innovation Award in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award-24/</link>
				<pubDate>Fri, 07 May 2021 17:34:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Library Company of Philadelphia is delighted to welcome applications for its <a href="http://r20.rs6.net/tn.jsp?f=001zMkObEJScl8nZyoTVgTVqzVrJd3zHoL_RpXlHRdBbt2UyCi4ByGpXjEw5uQfVdx16wrwpXSZWjpyFd_2Tj9QKwnpdKVadk19NfxKq8OvSGEX7njkX3zoxK2zM6X9ZBDq3kVJFSxpHScmLnBJq3S2QBD10GAF7_zApgfv2-PKMgQBkg3gkUQIXQ==&amp;c=ncHPFwBgRwpWho4e3PkWla5_XNVGMcEhBGLOJfiq-VNLEuIlYr7CUg==&amp;ch=f8oQ4bQSB_CYNs-pPSH7v5v1lI4Vuv50EJf7U-CM1lfIbJ9v-ruMDw==" rel="nofollow ugc">2021 Innovation Award</a>. The Innovation Award will recognize a project-digital or analog-that critically and creatively expands the possibilities of humanistic scholarship.</p>
<p>Proposals will be evaluated by a committee of leaders in higher education, research libraries,&hellip;<span class="activity-read-more" id="activity-read-more-1737574"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award-24/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2df18f60fa25bcb33cc2f60d54213e90</guid>
				<title>Will Fenton started the topic CFP: Library Company of Philadelphia 2021 Innovation Award in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award/</link>
				<pubDate>Fri, 07 May 2021 17:17:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Library Company of Philadelphia is delighted to welcome applications for its <a href="http://r20.rs6.net/tn.jsp?f=001zMkObEJScl8nZyoTVgTVqzVrJd3zHoL_RpXlHRdBbt2UyCi4ByGpXjEw5uQfVdx16wrwpXSZWjpyFd_2Tj9QKwnpdKVadk19NfxKq8OvSGEX7njkX3zoxK2zM6X9ZBDq3kVJFSxpHScmLnBJq3S2QBD10GAF7_zApgfv2-PKMgQBkg3gkUQIXQ==&amp;c=ncHPFwBgRwpWho4e3PkWla5_XNVGMcEhBGLOJfiq-VNLEuIlYr7CUg==&amp;ch=f8oQ4bQSB_CYNs-pPSH7v5v1lI4Vuv50EJf7U-CM1lfIbJ9v-ruMDw==" rel="nofollow ugc">2021 Innovation Award</a>. The Innovation Award will recognize a project-digital or analog-that critically and creatively expands the possibilities of humanistic scholarship.</p>
<p>Proposals will be evaluated by a committee of leaders in higher education, research libraries,&hellip;<span class="activity-read-more" id="activity-read-more-1737571"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-library-company-of-philadelphia-2021-innovation-award/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Aarthi Vadde started the topic Novel Dialogue: Season 1 now complete! in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/novel-dialogue-season-1-now-complete/</link>
				<pubDate>Thu, 29 Apr 2021 18:28:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>Novel Dialogue, a podcast sponsored by the Society of Novel Studies, has just completed its first season.  We bring critics and novelists together for fun and sophisticated conversations about novels &#8211; how they are made and what to make of them.</p>
<p>For a full list of episodes, please check out <a href="https://noveldialogue.org/" rel="nofollow ugc">https://noveldialogue.org/</a></p>
<p>Or subscribe at <a href="https://podcasts.apple.com/us/podcast/novel-dialogue/id1556150939" rel="nofollow ugc">Apple&hellip;</a><span class="activity-read-more" id="activity-read-more-1736649"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/novel-dialogue-season-1-now-complete/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited Who Is He to Speak of My Sorrow? in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1702149/</link>
				<pubDate>Thu, 23 Jul 2020 03:56:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article suggests that comparative literature scholars may benefit from the awareness that different communities around the world subscribe to different models of mind and that works of fiction can thus be fruitfully analyzed in relation to those local ideologies of mind. Taking as her starting point the “opacity of mind” doctrine, the aut&hellip;<span class="activity-read-more" id="activity-read-more-1702149"><a href="https://mla.hcommons.org/activity/p/1702149/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ellen Spolsky deposited The Gap between Fairness and Law: Hamlet and Equity from a Cognitive Perspective in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1695917/</link>
				<pubDate>Wed, 08 Jul 2020 16:28:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores the gap between the abstract ideal of fairness and the bodily materiality of retribution. My aim is to suggest how some current cognitive science affords a helpful way of talking about the breaks between abstractions, or thoughts of fairness, and the judgments and punishments produced by actual legal systems. It is remarkably&hellip;<span class="activity-read-more" id="activity-read-more-1695917"><a href="https://mla.hcommons.org/activity/p/1695917/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ellen Spolsky deposited Cognitive Poetics in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1695723/</link>
				<pubDate>Tue, 07 Jul 2020 16:29:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>In her introduction to the Oxford Handbook of Cognitive Literary Studies, Lisa Zunshine, scholar in the field and its best historian, describes cognitive literary critics as working “not toward consilience with science but toward a richer engagement with a variety of theoretical paradigms in literary and cultural studies&#8221; (2015). Scholars from m&hellip;<span class="activity-read-more" id="activity-read-more-1695723"><a href="https://mla.hcommons.org/activity/p/1695723/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Empty Houses: Theatrical Failure and the Novel, by David Kurnick in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1693077/</link>
				<pubDate>Wed, 24 Jun 2020 03:59:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Empty Houses: Theatrical Failure and the Novel, by David Kurnick</p>
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				<title>Daniel Williams deposited Slow Fire: Serial Thinking and Hardy's Genres of Induction in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1692812/</link>
				<pubDate>Tue, 23 Jun 2020 03:51:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the use of “serial thinking”—an approach to representation and cognition that emphasizes repetition, enumeration, and aggregation—in the work of Thomas Hardy. Examining his first novel, Desperate Remedies (1871), it connects Hardy’s approaches to serial thinking with the discourse of Victorian logic (especially the work of J&hellip;<span class="activity-read-more" id="activity-read-more-1692812"><a href="https://mla.hcommons.org/activity/p/1692812/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Down the Slant towards the Eye: Hopkins and Ecological Perception in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1692546/</link>
				<pubDate>Sun, 21 Jun 2020 03:51:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads Gerard Manley Hopkins’s poetry for its “ecological perception”: a perceptual modality involving the dynamic interaction between human bodies and environmental givens or potentialities. Linking Hopkins’s syncretic ideas about perception to the psychologist J. J. Gibson’s account of our sensitivity to environmental “affordan&hellip;<span class="activity-read-more" id="activity-read-more-1692546"><a href="https://mla.hcommons.org/activity/p/1692546/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Apprentice to Deception: L. P. Hartley and the Bildungsroman in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1692182/</link>
				<pubDate>Thu, 18 Jun 2020 16:29:06 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that L. P. Hartley’s novel The Go-Between (1953) fits into the critical tradition of the Bildungsroman in one specific sense: its attention to matters of deception. First, this plot of formation and development involves a necessary apprenticeship in deception: a moral training that has links with everyday practices of c&hellip;<span class="activity-read-more" id="activity-read-more-1692182"><a href="https://mla.hcommons.org/activity/p/1692182/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited May 2020 Bibliography for Cognitive Literary Studies in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1688879/</link>
				<pubDate>Thu, 28 May 2020 04:06:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>a bibliography-in-progress for cognitive literary, film, theater, and media studies</p>
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				<title>Natalie Berkman deposited Italo Calvino's Oulipian Clinamen in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1687758/</link>
				<pubDate>Tue, 19 May 2020 03:55:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Oulipo has claimed that foreign member, Italo Calvino, was a key proponent of the clinamen, a purposeful deviation from the strict constraints in which the group specializes. However, upon closer inspection, Calvino’s Oulipian production during his Paris period does not seem to advance a formalized definition of this tool of constrained w&hellip;<span class="activity-read-more" id="activity-read-more-1687758"><a href="https://mla.hcommons.org/activity/p/1687758/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e1d1275ff1140547f392ad5d8f2d6521</guid>
				<title>Charles L. Leavitt IV deposited Probing the limits of Crocean historicism in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1687556/</link>
				<pubDate>Sat, 16 May 2020 16:31:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article reconsiders the post-war reaction against Benedetto Croce, focusing on the critical reappraisal of Crocean historicism that followed the defeat of Italian Fascism. Motivated by a growing sense of historical uncertainty, Italians increasingly dissented from Croce, but they remained more wedded to Crocean thought – and in particular t&hellip;<span class="activity-read-more" id="activity-read-more-1687556"><a href="https://mla.hcommons.org/activity/p/1687556/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">bf0ece7d7c95725cd17b7226effe0fa7</guid>
				<title>Lisa Zunshine deposited Mindreading and Social Status in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1686507/</link>
				<pubDate>Thu, 07 May 2020 03:59:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Would you like to get better at mindreading (i.e., at inferring people’s beliefs, desires, and intentions, based on their behavior)? As it turns out, all you would have to do is lower your relative social status. Studies have shown that people in weaker social positions engage in more active and perceptive mindreading than do people in stronger s&hellip;<span class="activity-read-more" id="activity-read-more-1686507"><a href="https://mla.hcommons.org/activity/p/1686507/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited On the Translation of Literary Terms: Neorealismo and Neue Sachlichkeit in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685370/</link>
				<pubDate>Mon, 27 Apr 2020 04:12:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay examines the cultural practices and prejudices that shaped the Italian reception of German Neue Sachlichkeit in the 1920s and explores their role in the development of Italian Neorealism in the 1940s. I argue that, precisely because Italian critics approached the German critical category – and indeed all critical categorisation – wit&hellip;<span class="activity-read-more" id="activity-read-more-1685370"><a href="https://mla.hcommons.org/activity/p/1685370/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Weltliteratur as Anti-Fascism: Philology and Politics in Luigi Foscolo Benedetto’s “Letteratura mondiale’” in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685367/</link>
				<pubDate>Mon, 27 Apr 2020 04:05:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The search for a methodology for reading world literature largely entails the development of new critical paradigms, but it has also occasioned a re-examination and rehabilitation of world literature&#8217;s historical formulations. This essay reclaims a forgotten milestone, the 1946 essay &#8220;La &#8216;letteratura mondiale'&#8221; by the eminent Italian philologist&hellip;<span class="activity-read-more" id="activity-read-more-1685367"><a href="https://mla.hcommons.org/activity/p/1685367/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Impegno nero: Italian Intellectuals and the African-American Struggle in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685364/</link>
				<pubDate>Mon, 27 Apr 2020 03:57:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the aftermath of the Second World War, Italian intellectuals participated in Italy’s reconstruction<br />
with an ideological commitment inspired by the African-American struggle for equal rights in the<br />
United States. Drawing on the work of many of the leading figures in postwar Italian culture,<br />
including Italo Calvino, Giorgio Caproni, Cesare P&hellip;<span class="activity-read-more" id="activity-read-more-1685364"><a href="https://mla.hcommons.org/activity/p/1685364/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Charles L. Leavitt IV deposited Il realismo di un nuovissimo Medio Evo: Boccaccio in the Age of Neorealism in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1685361/</link>
				<pubDate>Mon, 27 Apr 2020 03:49:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, I argue that the post-war critical re-interpretation of Boccaccio&#8217;s oeuvre was central to the theory and practice of Italian Neorealism. What is more, I maintain that Neorealism significantly influenced Boccaccio studies, shaping critical approaches to Boccaccio for decades after 1945. Reading scholarly and critical studies of&hellip;<span class="activity-read-more" id="activity-read-more-1685361"><a href="https://mla.hcommons.org/activity/p/1685361/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Elaine Auyoung deposited Narrative Theory in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1677875/</link>
				<pubDate>Sat, 08 Feb 2020 04:00:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay surveys literary criticism at the intersection of narrative theory and the Victorian novel, which often takes one of two major approaches. In the first approach, critics examine how the act of narration itself shapes and constrains Victorian narratives, whereas in the second approach, critics focus on the relationship between Victorian&hellip;<span class="activity-read-more" id="activity-read-more-1677875"><a href="https://mla.hcommons.org/activity/p/1677875/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>cynthia tompkins deposited call for papers in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1675038/</link>
				<pubDate>Sun, 12 Jan 2020 16:30:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>Call for Proposals</p>
<p>Media, Lingualisms, Translations: Technologies of Language and Power</p>
<p>Conference to be held November 13-14, 2020; hosted by the School of International Letters and Cultures, Arizona State University, Tempe.</p>
<p>Keynote speakers: 	Jean-Noël Robert (Collège de France, Paris)<br />
			Lourdes Ortega (Georgetown University, W&hellip;<span class="activity-read-more" id="activity-read-more-1675038"><a href="https://mla.hcommons.org/activity/p/1675038/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Hania A.M. Nashef deposited "'Nothing is Left to Tell' Beckettian Despair and Hope in the Arab World" in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1669406/</link>
				<pubDate>Wed, 06 Nov 2019 03:51:55 -0500</pubDate>

									<content:encoded><![CDATA[<p>In the Arab world, Beckett’s plays or their adaptations have not only been popular with audiences and directors but have also inspired other literary and media genres. The Beckettian wait itself has become synonymous with the condition of the Arab person. It is a wait that offers an unrealized potential of hope that reverberates with the d&hellip;<span class="activity-read-more" id="activity-read-more-1669406"><a href="https://mla.hcommons.org/activity/p/1669406/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Bradley J. Fest deposited Reading Now and Again: Hyperarchivalism and Democracy in Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1662804/</link>
				<pubDate>Sat, 07 Sep 2019 03:58:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>This review essay approaches Ranjan Ghosh and J. Hillis Miller&#8217;s Thinking Literature across Continents (2016) from a set of questions about what it means to read in the age of hyperarchival accumulation. Written against the background of events in the United States and elsewhere during the fall of 2017, the essay tracks and assesses Ghosh and&hellip;<span class="activity-read-more" id="activity-read-more-1662804"><a href="https://mla.hcommons.org/activity/p/1662804/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gloria Lee McMillan started the topic Updated CFP for Routlesdge Lit and Class Companion (new passed peer edit stage) in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/updated-cfp-for-routlesdge-lit-and-class-companion-new-passed-peer-edit-stage/</link>
				<pubDate>Wed, 03 Jul 2019 14:19:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Dear Literary Criticism Group,</p>
<p>Just an update on our collection of essays, Literature and Class Companion in that series for Routledge.  We await word of acceptance, having passed the peer edit.</p>
<p>This is a time of silence and angst so just to let you all know we are hard at this intersectional approach and wishing you all a happy summer.Some of&hellip;<span class="activity-read-more" id="activity-read-more-1643870"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/updated-cfp-for-routlesdge-lit-and-class-companion-new-passed-peer-edit-stage/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Whit Frazier Peterson deposited The Afrofuturist Historical Novel in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1643101/</link>
				<pubDate>Sun, 23 Jun 2019 16:30:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>The recent surge of interest in Afrofuturism has resulted in some groundbreaking work looking at the ways technology and race intersect in film, fashion, music and literature, as is evidenced by the important collection of essays “Afrofuturism 2.0” (2016), edited by Reynaldo Anderson and Charles E. Jones. However there has not yet been an aca&hellip;<span class="activity-read-more" id="activity-read-more-1643101"><a href="https://mla.hcommons.org/activity/p/1643101/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas Mazanec deposited Righting, Riting, and Rewriting the Book of Odes (Shijing): On "Filling out the MIssing Odes" by Shu Xi in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1642850/</link>
				<pubDate>Wed, 19 Jun 2019 16:31:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have&hellip;<span class="activity-read-more" id="activity-read-more-1642850"><a href="https://mla.hcommons.org/activity/p/1642850/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gloria Lee McMillan replied to the topic CFP Routledge Literary Handbook (Lit. and Class) in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-routledge-literary-handbook-lit-and-class-32/#post-1021166</link>
				<pubDate>Wed, 29 May 2019 04:31:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>We have passed the peer review stage so please consider writing an essay for this companion text.</p>
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				<title>Tom White deposited The Future Demands Work: William Morris’s utopian medievalism in an age of precarity, flexibility, and automation in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1641104/</link>
				<pubDate>Wed, 29 May 2019 03:54:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>IMC paper for panel 374 Medieval Futura 1: Now, sponsored by the Medieval Studies Institute, Indiana Univ.–Bloomington and organised by Dr Andrea Whitacre.</p>
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				<title>Patrick McEvoy-Halston deposited "Mi Casa, Su Casa" in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1633619/</link>
				<pubDate>Fri, 01 Mar 2019 03:58:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>Explores Quentin Tarantino&#8217;s &#8220;Pulp Fiction&#8221; as if it were experienced by many viewers of a particular type &#8212; SCM&#8217;s: suburban, collegiate young men &#8212; as a feeling out of how they might contrive themselves so that their future development would not place them as identifiable as losers by he-men pulp figures they&#8217;d learned early represent&hellip;<span class="activity-read-more" id="activity-read-more-1633619"><a href="https://mla.hcommons.org/activity/p/1633619/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Rita Felski deposited Being Diplomatic: ANT and Literary Studies in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1632748/</link>
				<pubDate>Thu, 21 Feb 2019 04:04:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>A talk given at the ANT workshop at the University of Southern Denmark in 2017. I develop some of these ideas in chapter 4 of my current book</p>
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				<title>Rita Felski deposited Latour and LIterary Studies in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1631570/</link>
				<pubDate>Sun, 10 Feb 2019 04:08:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>What is the relevance of Bruno Latour&#8217;s work for literary studies?</p>
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				<title>Rita Felski deposited Comparison and Translation: A Perspective from Actor-Network-Theory in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1631568/</link>
				<pubDate>Sun, 10 Feb 2019 03:52:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>How might ANT help us rethink questions of comparison and translation?</p>
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				<guid isPermaLink="false">7dc4189ca81e911a14fcbcfb2400f7e4</guid>
				<title>Rita Felski deposited Introduction to Critical and Postcritical Reading (undergraduate course) in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1631491/</link>
				<pubDate>Sat, 09 Feb 2019 03:55:07 -0500</pubDate>

									<content:encoded><![CDATA[<p>How and why do we read? And what is the relationship between academic reading and the reading we do for pleasure? This course is divided into two parts. The first part, on critical reading, surveys some of the most influential critical approaches in recent decades, including structuralism, Marxism, psychoanalysis, deconstruction, feminism,&hellip;<span class="activity-read-more" id="activity-read-more-1631491"><a href="https://mla.hcommons.org/activity/p/1631491/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kristin Bluemel deposited Rural Modernity in Britain: Introduction by Kristin Bluemel and Michael McCluskey in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1628724/</link>
				<pubDate>Fri, 11 Jan 2019 16:29:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is the Introduction to Rural Modernity in Britain: A Critical Intervention (Edinburgh UP, October 2018), which argues that the rural areas of Britain were impacted by modernisation just as much &#8211; if not more &#8211; than urban and suburban areas. It is the first study of modernity and modernism to focus on rural people and places that experienced&hellip;<span class="activity-read-more" id="activity-read-more-1628724"><a href="https://mla.hcommons.org/activity/p/1628724/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a4cfc8085d21641023cce0eda35f0a67</guid>
				<title>Lisa Zunshine deposited What Mary Poppins Knew: Theory of Mind, Children's Literature, History in the group TM Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/1628420/</link>
				<pubDate>Wed, 09 Jan 2019 04:07:56 -0500</pubDate>

									<content:encoded><![CDATA[<p>Drawing on research in developmental psychology, rhetorical narratology, and cultural history, as well as on digital data mining, this essay seeks to broaden the interdisciplinary and interpretive range of cognitive literary studies.</p>
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				<title>Jamil Mustafa started the topic CFP: Gothic Terror, Gothic Horror, Lewis University, July 30-August 2, 2019 in the discussion TM Literary Criticism</title>
				<link>https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-gothic-terror-gothic-horror-lewis-university-july-30-august-2-2019-2/</link>
				<pubDate>Sat, 24 Nov 2018 20:36:43 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://igalewis2019.com/" rel="nofollow ugc"><em>Gothic Terror, Gothic Horror</em></a>: 15th Conference of the <a href="http://www.internationalgothic.group.shef.ac.uk/" rel="nofollow ugc">International Gothic Association</a></strong></p>
<p><strong>July 30 – August 2, 2019, <a href="https://lewisu.edu/index.htm" rel="nofollow ugc">Lewis University</a>, Romeoville, Illinois</strong></p>
<p>Gothic writers from Ann Radcliffe to Stephen King have differentiated terror and horror: the former is intellectual, imminent, and escapable; the latter, visceral, immediate, and unavoidable. T&hellip;<span class="activity-read-more" id="activity-read-more-1624351"><a href="https://mla.hcommons.org/groups/literary-criticism/forum/topic/cfp-gothic-terror-gothic-horror-lewis-university-july-30-august-2-2019-2/" rel="nofollow ugc">[Read more]</a></span></p>
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