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	<title>MLA Commons | TM Literary and Cultural Theory | Activity</title>
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	<description>Activity feed for the group, TM Literary and Cultural Theory.</description>
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				<title>Shashi Bhusan Nayak started the topic Call for Chapters – Scripting Selves: New Directions in Life Writing in the forum TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-5/</link>
				<pubDate>Tue, 04 Mar 2025 19:32:13 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Scripting Selves: New Directions in Life Writing</strong><br />
<strong>Editors: P. Muralidhar Sharma &amp; Shashibhusan Nayak</strong></p>
<p>Until recently, Life Writing has emerged as a loose critical label encompassing a variety of genres, including biographies, autobiographies, memoirs, letters, and dairies. The later decades of the 20th century, in particular, have witnessed a surge&hellip;<span class="activity-read-more" id="activity-read-more-1913202"><a href="https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/call-for-chapters-scripting-selves-new-directions-in-life-writing-5/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Thomas Oliver Beebee started the topic CFP for "Reading Cultures," a special issue of the journal Culture as Text in the forum TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/cfp-for-reading-cultures-a-special-issue-of-the-journal-culture-as-text-2/</link>
				<pubDate>Fri, 18 Oct 2024 11:34:40 -0400</pubDate>

									<content:encoded><![CDATA[<p><em>Reading Cultures</em></p>
<p>A special issue of the journal <a href="https://www.degruyter.com/journal/key/cat/html" rel="nofollow ugc">Culture as Text (degruyter.com)</a>.</p>
<p>Guest Editor: Thomas O. Beebee, Penn State University (Emeritus)</p>
<p>It is common practice among literary scholars to divide their field into a variety of authorial strategies and attachments, e.g. by form, genre, style or literary movement. Romanticism generally makes&hellip;<span class="activity-read-more" id="activity-read-more-1902037"><a href="https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/cfp-for-reading-cultures-a-special-issue-of-the-journal-culture-as-text-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ji Eun Lee deposited Wooshing London: Unsettling Acceleration in H. G. Wells’s Tono-Bungay in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1889190/</link>
				<pubDate>Fri, 14 Jun 2024 03:31:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay reads H. G. Wells’s Tono-Bungay (1909) in the context of “wooshing” London—I take the word from the story—to see how the unsettling effect of this rapid urban mobility translates into the generic form of the novel. At the turn of the twentieth century, London was wooshing—that is to say, people and things in the city were moving by b&hellip;<span class="activity-read-more" id="activity-read-more-1889190"><a href="https://mla.hcommons.org/activity/p/1889190/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Regenia Gagnier deposited Language and literature in the information economy: the state of English, English and the state in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1887294/</link>
				<pubDate>Mon, 27 May 2024 04:09:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>The impact of colonialism and empire and then of transport, logistics, advertising, media, cinema, radio, tourism, and the internet extended the global reach of English. With 1.13 billion speakers, one in seven in the world now has some English competence. Within this global circulation of English, we have the global teaching of English language&hellip;<span class="activity-read-more" id="activity-read-more-1887294"><a href="https://mla.hcommons.org/activity/p/1887294/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited Toward a Decolonial Queer Humanism: Thomas Hardy's The Well-Beloved and André Aciman's Call Me by Your Name in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1878058/</link>
				<pubDate>Thu, 29 Feb 2024 04:05:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay situates queer negativity within the modernist tradition. In The Well-Beloved (1897), Thomas Hardy satirizes the then-popular notion of racial memory for its racist, colonialist implications, inaugurating the modernist critique of romantic love as complicit with the self-delusions of the liberal-humanist subject. Despite the view shared&hellip;<span class="activity-read-more" id="activity-read-more-1878058"><a href="https://mla.hcommons.org/activity/p/1878058/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Regenia Gagnier deposited The Geopolitics of Beauty in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1870902/</link>
				<pubDate>Sat, 13 Jan 2024 04:04:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>Building on eighteenth-century philosophical traditions, Victorian aesthetics were often posed as an antidote to the vicissitudes of the Industrial Revolution and the political and economic demands of the marketplace, and in most cultures undergoing modernization the Beautiful has often functioned in opposition to the forces of power and&hellip;<span class="activity-read-more" id="activity-read-more-1870902"><a href="https://mla.hcommons.org/activity/p/1870902/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Regenia Gagnier deposited The Futures of English: Introduction from the UK in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1870893/</link>
				<pubDate>Sat, 13 Jan 2024 03:10:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Will students raised on social media still read English literature?<br />
• What is the role of English/American literature in the PRC, India,<br />
Australasia, the USA?<br />
• What is the role of English language in relation to other global<br />
and local languages?<br />
• What is the role of decolonising efforts?<br />
• How do our respective state apparatuses affect&hellip;<span class="activity-read-more" id="activity-read-more-1870893"><a href="https://mla.hcommons.org/activity/p/1870893/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Shashi Bhusan Nayak started the topic Call For Book Chapters: Beyond Networks of Domination: Rethinking Machinic Media in the discussion TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/call-for-book-chapters-beyond-networks-of-domination-rethinking-machinic-media/</link>
				<pubDate>Sat, 30 Dec 2023 10:47:52 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>Call For Book Chapters: Beyond Networks of Domination: Rethinking Machinic Media, Digitality &amp; Cinema of our Times</strong></p>
<p><strong>Editors: Ananya Roy Pratihar(IMIS,Bhubaneswar), Saswat Samay Das (IIT, Kharagpur) &amp; Shashibhushan Nayak(GP Nayagarh)</strong></p>
<p>The biopolitical schemas for restructuring machinic networks of Media, Digital, and cinema do not stand as&hellip;<span class="activity-read-more" id="activity-read-more-1869434"><a href="https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/call-for-book-chapters-beyond-networks-of-domination-rethinking-machinic-media/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Fatma Fulya Tepe started the topic New creative feminist work: A Misogynist Triptych from 1945 in the discussion TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945/</link>
				<pubDate>Tue, 05 Dec 2023 14:28:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Dear Colleagues,</p>
<p>I , Assoc. Prof. Dr. Fatma Fulya Tepe, from Istanbul Aydin University, Faculty of Education and Emeritus Prof. Dr. Per Bauhn from Sweden’s Linnaeus University prepared “A Misogynist Triptych from 1945” based on cartoon material coming from the Turkish Boşboğaz (Bigmouth) Humor Gazette from 1945. This project was supported by the&hellip;<span class="activity-read-more" id="activity-read-more-1866819"><a href="https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/new-creative-feminist-work-a-misogynist-triptych-from-1945/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited How Memories Become Literature in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1858169/</link>
				<pubDate>Tue, 12 Sep 2023 01:18:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Cognitive science can help literary scholars formulate specific questions to be answered by archival research. This essay takes as its starting point embedded mental states (that is, mental states about mental states) and their role in generating literary subjectivity. It then follows the transformation of embedded mental states throughout several&hellip;<span class="activity-read-more" id="activity-read-more-1858169"><a href="https://mla.hcommons.org/activity/p/1858169/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited “Why Reasonable Children Don’t Think that Nutcracker is Alive or that the Mouse King is Real" in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1856309/</link>
				<pubDate>Thu, 24 Aug 2023 01:27:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Zunshine’s essay draws on recent research in developmental psychology and cognitive evolutionary anthropology to examine emotional responses to supernatural events by the child and adult characters of E. T. A. Hoffmann’s The Nutcracker and the Mouse King (1816), as well as to revisit the traditional literary critical view of those responses, acc&hellip;<span class="activity-read-more" id="activity-read-more-1856309"><a href="https://mla.hcommons.org/activity/p/1856309/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alberto Ribas-Casasayas started the topic CfP ACLA seminar "Promises and Perils of the Psychedelic Renaissance" in the discussion TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/cfp-acla-seminar-promises-and-perils-of-the-psychedelic-renaissance/</link>
				<pubDate>Fri, 11 Aug 2023 17:35:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>For distribution among scholars in: Comparative Literature, English, Cultural Studies, Communications, Spanish/Portuguese, Latin American Studies, Medical Humanities.</p>
<p>Ana Luengo (San Francisco State U) and Alberto Ribas (Santa Clara University) are organizing a seminar for the American Comparative Literature Association conference in Montréal,&hellip;<span class="activity-read-more" id="activity-read-more-1854610"><a href="https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/cfp-acla-seminar-promises-and-perils-of-the-psychedelic-renaissance/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amel Abbady deposited Investigating the Postcolonial Grotesque in Martin McDonaghʼs A Very Very Very Dark Matter in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1841282/</link>
				<pubDate>Thu, 13 Apr 2023 04:28:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>McDonagh is arguably one of the most celebrated yet most controversial of contemporary Anglo-Irish playwrights. His plays have received mixed reviews from critics and audiences alike, mostly for featuring graphic violence and obscene dialogues. Even though comedy is mostly seen as an inferior genre compared to tragedy, McDonagh, among many&hellip;<span class="activity-read-more" id="activity-read-more-1841282"><a href="https://mla.hcommons.org/activity/p/1841282/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited Do Queer Theory and Victorian Studies Still Have Anything to Learn from Each Other? in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1838063/</link>
				<pubDate>Tue, 21 Mar 2023 03:54:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that an antiracist, anticolonialist Victorian studies must remain open to universalizing claims of the kind found in early works of queer theory, particularly Eve Kosofsky Sedgwick&#8217;s Epistemology of the Closet (1990). Although recent work in queer studies (as well as literary studies generally) finds inspiration in Sedgwick&#8217;s&hellip;<span class="activity-read-more" id="activity-read-more-1838063"><a href="https://mla.hcommons.org/activity/p/1838063/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Amel Abbady deposited "'You cannot assimilate Indian ghosts' : a magical realist reading of Louise Erdrich's The Night Watchman" in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1788679/</link>
				<pubDate>Tue, 26 Jul 2022 03:54:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>In The Night Watchman (2020), Louise Erdrich continues to blur the lines between history and fiction as she has done in several of her novels. Erdrich introduces the reader to several magical elements that appear to be entirely real: two ghosts, a dog that talks, and an unearthly powwow with Jesus as one of the dancers. The main objective of this&hellip;<span class="activity-read-more" id="activity-read-more-1788679"><a href="https://mla.hcommons.org/activity/p/1788679/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Maria Truglio uploaded the file: Call for Poposals: Comparative Literature Studies to TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1773640/</link>
				<pubDate>Wed, 02 Mar 2022 13:37:47 -0500</pubDate>

									<content:encoded><![CDATA[<p>Call for 500-word article proposals for a special issue of the &#8216;Comparative Literature Studies&#8217; entitled &#8220;Redesigning Modernities.&#8217; The issue seeks studies that identify and explore new paradigms for understanding “modernity”—in all its unevenness and inequities— across the globe, and constructing new cartographies of cultural creation and circulation.</p>
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				<title>Maria Truglio uploaded the file: Call for Poposals: Comparative Literature Studies to TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1773639/</link>
				<pubDate>Wed, 02 Mar 2022 13:36:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>Call for 500-word article proposals for a special issue of the &#8216;Comparative Literature Studies&#8217; entitled &#8220;Redesigning Modernities.&#8217; The issue seeks studies that identify and explore new paradigms for understanding “modernity”—in all its unevenness and inequities— across the globe, and constructing new cartographies of cultural creation and circulation.</p>
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				<title>Dustin Friedman deposited “Sinister Exile”: Dionysus and the Aesthetics of Race in Walter Pater and Vernon Lee in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1769039/</link>
				<pubDate>Tue, 25 Jan 2022 04:16:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>The aestheticism of Walter Pater and Vernon Lee participated in a late-nineteenth-century discourse devoted to exploring the aesthetic&#8217;s role in producing and sustaining, as well as undermining, notions of racial difference. Pater&#8217;s “A Study of Dionysus: The Spiritual Form of Fire and Dew” (1876) and Lee&#8217;s “Dionea” (1890) partake of Immanue&hellip;<span class="activity-read-more" id="activity-read-more-1769039"><a href="https://mla.hcommons.org/activity/p/1769039/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited “The rarest, most complex &#38; most lately developed form of aestheticism”: Olive Schreiner, decadence, and the aesthetic education of the senses in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1769029/</link>
				<pubDate>Tue, 25 Jan 2022 03:52:44 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay focuses on Olive Schreiner’s personal correspondence and the allegories collected in Dreams (1890) to explore her complicated relationship to late-Victorian Decadence. I argue that Schreiner modified Decadent writers’ use of intersensoriality and synaesthesia to educate her readers into a new kind of common sense, one aligned with her&hellip;<span class="activity-read-more" id="activity-read-more-1769029"><a href="https://mla.hcommons.org/activity/p/1769029/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Ted Laros deposited Literature and the Law in South Africa, 1910–2010: The Long Walk to Artistic Freedom in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1752239/</link>
				<pubDate>Sat, 18 Sep 2021 02:25:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 1994, artistic freedom pertaining inter alia to literature was enshrined in the South African Constitution. Clearly, the establishment of this right was long overdue compared to other nations within the Commonwealth. Indeed, the legal framework and practices regarding the regulation of literature that were introduced following the nation’s t&hellip;<span class="activity-read-more" id="activity-read-more-1752239"><a href="https://mla.hcommons.org/activity/p/1752239/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Regenia Gagnier deposited From barbarism to decadence without the intervening civilization: or, living in the aftermath of anticipated futures in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1749993/</link>
				<pubDate>Wed, 25 Aug 2021 03:54:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>ABSTRACT<br />
The styles, moods, performances, and practices of decadence have been simultaneous with modernization, not least in the process of nation-building. This article considers the dialectics of decadence and modernization with particular attention to the roles and responses of women in the twentieth to twenty-first centuries.&hellip;<span class="activity-read-more" id="activity-read-more-1749993"><a href="https://mla.hcommons.org/activity/p/1749993/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dustin Friedman deposited E.M. Forster, the Clapham Sect, and the Secular Public Sphere in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1746902/</link>
				<pubDate>Wed, 21 Jul 2021 04:11:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>Critics have characterized E.M. Forster as an advocate of what Jürgen Habermas calls the “secular public sphere.” Yet Forster was critical of liberalism’s insistence that religious experiences should be translated into the language of secular rationality. The discussion of the Clapham Sect in “Henry Thornton” (1939) suggests that eighteenth&hellip;<span class="activity-read-more" id="activity-read-more-1746902"><a href="https://mla.hcommons.org/activity/p/1746902/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gloria Lee McMillan replied to the topic CFP Routledge Literary Handbook (Lit. and Class) in the discussion TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/cfp-routledge-literary-handbook-lit-and-class-31/#post-1026444</link>
				<pubDate>Sun, 21 Feb 2021 13:33:27 -0500</pubDate>

									<content:encoded><![CDATA[<p>Our text</p>
<p>The Routledge Companion to Literature and Class</p>
<p>. . . is now on its way to print. Due out in Jul-Aug.  It is dedicated to Aaron Barlow (essay contributor) and my mother, who both died in January 2021.</p>
<p>The editor used my illustration of 1890s London&#8217;s East End (although our text is global, we did have some essays of this place s and period.</p>
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				<title>Whit Frazier Peterson deposited A Magnificent Blond Beast: Exploring the Implications of Harlem Renaissance Writer Wallace Thurman as Ghostwriter of a Forgotten Celebrity Gossip Memoir in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1723210/</link>
				<pubDate>Fri, 15 Jan 2021 02:32:08 -0500</pubDate>

									<content:encoded><![CDATA[<p>In an early version of his article “Harlem Literati in the Twenties,” first published in the Saturday Evening Review in 1940, Langston Hughes offers the curious suggestion that Wallace Thurman was the ghostwriter of Men, Marriage and Me (erroneously written as Men, Women and Checks in Hughes’ article), the tell-all memoir ostensibly by the origi&hellip;<span class="activity-read-more" id="activity-read-more-1723210"><a href="https://mla.hcommons.org/activity/p/1723210/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Kate Pond deposited “Sapience” The (Attempted) Making of a Modern Myth: Storybuilding as a Component of Social Justice in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1719678/</link>
				<pubDate>Sat, 12 Dec 2020 02:32:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>This autoethnographic exploration, describes and reflects upon my attempt to crowdsource a modern myth on the origins of racism in America. It draws on my work in narrative studies with a special focus on stories and their role in human development. Part one is analysis of the ‘functions’ of story as both plot variables and sociological act&hellip;<span class="activity-read-more" id="activity-read-more-1719678"><a href="https://mla.hcommons.org/activity/p/1719678/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Dorothy Tsuruta deposited Diversity--To Be Or Not to Be--That is the Reality in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1707748/</link>
				<pubDate>Wed, 09 Sep 2020 02:23:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Article My reply to Jacob Sanders’ (Communication Associate of WalletHub 818 18th Street NW Suite 1020 Washington ,DC 20005) “Media Inquiry on “Most  &amp; Least Diverse States in America”</p>
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				<title>Steven Swarbrick deposited Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1707310/</link>
				<pubDate>Fri, 04 Sep 2020 02:28:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare scholarship has long been interested in the temporal dynamics of The Winter’s Tale, and has often turned to melancholic or traumatic time frames to explain the thematic persistence of lost time in Shakespeare’s romance. In this chapter, I argue that dance provides a key interpretive framework for understanding the play’s interest in bo&hellip;<span class="activity-read-more" id="activity-read-more-1707310"><a href="https://mla.hcommons.org/activity/p/1707310/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Mark Bracher deposited Compassion-Cultivating Pedagogy: Advancing Social Justice by Improving Social Cognition through Literary Study in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1705597/</link>
				<pubDate>Tue, 18 Aug 2020 03:55:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>Previous studies suggest that narrative fiction promotes social justice by increasing empathy, but critics have argued that the partiality of empathy severely limits its effectiveness as an engine of social justice, and that what needs to be developed is universal compassion rather than empathy. We created Compassion-Cultivating Pedagogy (CCP) to&hellip;<span class="activity-read-more" id="activity-read-more-1705597"><a href="https://mla.hcommons.org/activity/p/1705597/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Lisa Zunshine deposited Who Is He to Speak of My Sorrow? in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1702146/</link>
				<pubDate>Thu, 23 Jul 2020 03:52:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article suggests that comparative literature scholars may benefit from the awareness that different communities around the world subscribe to different models of mind and that works of fiction can thus be fruitfully analyzed in relation to those local ideologies of mind. Taking as her starting point the “opacity of mind” doctrine, the aut&hellip;<span class="activity-read-more" id="activity-read-more-1702146"><a href="https://mla.hcommons.org/activity/p/1702146/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Daniel Williams deposited Empty Houses: Theatrical Failure and the Novel, by David Kurnick in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1693076/</link>
				<pubDate>Wed, 24 Jun 2020 03:55:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>Review of Empty Houses: Theatrical Failure and the Novel, by David Kurnick</p>
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				<title>Lisa Zunshine deposited May 2020 Bibliography for Cognitive Literary Studies in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1688878/</link>
				<pubDate>Thu, 28 May 2020 04:00:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>a bibliography-in-progress for cognitive literary, film, theater, and media studies</p>
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				<guid isPermaLink="false">041fe0de4e34308302a19d11978d3403</guid>
				<title>Lisa Zunshine deposited Mindreading and Social Status in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1686506/</link>
				<pubDate>Thu, 07 May 2020 03:54:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Would you like to get better at mindreading (i.e., at inferring people’s beliefs, desires, and intentions, based on their behavior)? As it turns out, all you would have to do is lower your relative social status. Studies have shown that people in weaker social positions engage in more active and perceptive mindreading than do people in stronger s&hellip;<span class="activity-read-more" id="activity-read-more-1686506"><a href="https://mla.hcommons.org/activity/p/1686506/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited The Life Aquatic: Liquid Poetics and the Discourse of Friendship inThe Faerie Queene in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1685721/</link>
				<pubDate>Wed, 29 Apr 2020 16:32:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog&hellip;<span class="activity-read-more" id="activity-read-more-1685721"><a href="https://mla.hcommons.org/activity/p/1685721/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited In Anthropocene Air: Deleuze's Encounter with Shakespeare in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1685578/</link>
				<pubDate>Tue, 28 Apr 2020 16:32:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.</p>
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				<title>Martin Paul Eve deposited Close Reading with Computers: Textual Scholarship, Computational Formalism, and David Mitchell's Cloud Atlas in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1685170/</link>
				<pubDate>Fri, 24 Apr 2020 16:34:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This book is the first full-length monograph to bring a range of computational methods to bear in a sustained fashion, on a single novel, at the micro-level. While most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history – using their digital methods as a telescope – following calls by Alan Liu&hellip;<span class="activity-read-more" id="activity-read-more-1685170"><a href="https://mla.hcommons.org/activity/p/1685170/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Tempestuous Life: Ralegh's Ocean in Ruins in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1682433/</link>
				<pubDate>Mon, 30 Mar 2020 16:28:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>Turning to Walter Ralegh’s Discoverie of Guiana (1596) and The History of the World (1614), I reframe such biopolitical factors as Ralegh’s “dissability” around a concept that has less to do with human world-making and more to do with the “states of exception” (Giorgio Agamben) under which inhuman agencies come to matter for world history (of&hellip;<span class="activity-read-more" id="activity-read-more-1682433"><a href="https://mla.hcommons.org/activity/p/1682433/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Object-Oriented Disability: The Prosthetic Image in Paradise Lost in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1682118/</link>
				<pubDate>Thu, 26 Mar 2020 16:36:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>Though the verbal icon has a long and robust multisensory history extending beyond Milton, my goal here is to challenge ableist readings of Milton&#8217;s poetry by linking his poetic ekphrasis to the politics and aesthetics of disability.</p>
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				<title>Steven Swarbrick deposited Nature's Queer Negativity: Between Barad and Deleuze in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1682113/</link>
				<pubDate>Thu, 26 Mar 2020 16:26:33 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay offers a critique of the vitalist turn in queer and ecological theory, here represented by the work of Karen Barad. Whereas Barad advances an image of life geared towards meaningful connection with others, human and nonhuman, Deleuze advances an a-signifying ontology of self-dismissal. The point of this essay isn’t to separate their t&hellip;<span class="activity-read-more" id="activity-read-more-1682113"><a href="https://mla.hcommons.org/activity/p/1682113/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jay Rajiva deposited “Secrecy, Sacrifice, and God on the Island: Christianity and Colonialism in Coetzee’s Foe and Defoe’s Robinson Crusoe.” in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1676551/</link>
				<pubDate>Tue, 28 Jan 2020 16:25:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>This essay argues that the tension in Coetzee’s reading of Robinson Crusoe springs from the exposure of the Christian secret in both the colonial enterprises of the characters and the authorial presences of Defoe and Coetzee. My argument draws on Jacques Derrida’s The Gift of Death, which outlines how Christianity tacitly incorporates (but doe&hellip;<span class="activity-read-more" id="activity-read-more-1676551"><a href="https://mla.hcommons.org/activity/p/1676551/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>cynthia tompkins deposited call for papers in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1675037/</link>
				<pubDate>Sun, 12 Jan 2020 16:25:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>Call for Proposals</p>
<p>Media, Lingualisms, Translations: Technologies of Language and Power</p>
<p>Conference to be held November 13-14, 2020; hosted by the School of International Letters and Cultures, Arizona State University, Tempe.</p>
<p>Keynote speakers: 	Jean-Noël Robert (Collège de France, Paris)<br />
			Lourdes Ortega (Georgetown University, W&hellip;<span class="activity-read-more" id="activity-read-more-1675037"><a href="https://mla.hcommons.org/activity/p/1675037/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Scott Challener deposited Latinx Literatures and Cultures in the U.S. and Beyond in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1674804/</link>
				<pubDate>Fri, 10 Jan 2020 03:58:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>This course is a study of Latinx literatures and cultures produced in the twentieth and twenty-first centuries. We will concentrate our attention on works by Chicanos, Mexican Americans, Puerto Ricans, Cuban Americans, and Dominican Americans. We will consider how these works represent and participate in the upheavals that characterize the&hellip;<span class="activity-read-more" id="activity-read-more-1674804"><a href="https://mla.hcommons.org/activity/p/1674804/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joydeep Chakraborty deposited "Violence Has Changed Me" Private Trauma and Identity Crisis in Post-9/11 American Poetry in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1664635/</link>
				<pubDate>Fri, 27 Sep 2019 04:00:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article seeks to explore into the impact of 9/11 tragedy on the private lives of ordinary people and individuals and into the associated theme of identity crisis, as reflected in four important post-9/11 poems – “Someone Says They Looked Like Cartwheeling Birds” by Lyn Lifshin, “Making Love After September 11, 2001” by Aliki Barnstone&hellip;<span class="activity-read-more" id="activity-read-more-1664635"><a href="https://mla.hcommons.org/activity/p/1664635/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Jefferson Gatrall started the topic Crisis and Chronicity: International Conference in the Medical Humanities in the discussion TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/crisis-and-chronicity-international-conference-in-the-medical-humanities-2/</link>
				<pubDate>Fri, 02 Aug 2019 17:04:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Montclair State University <a href="https://www.montclair.edu/medical-humanities/" rel="nofollow ugc">Medical Humanities Program</a> and the <a href="http://waitingtimes.exeter.ac.uk/" rel="nofollow ugc">Waiting Times Research Group</a> are pleased to sponsor <strong>“Chronicity and Crisis: Time in the Medical Humanities.”</strong> Conference to be held at Montclair State University in Montclair, New Jersey, October 25–26, 2019.</p>
<p><strong>To register: please click </str&hellip;</strong><span class="activity-read-more" id="activity-read-more-1659375"><a href="https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/crisis-and-chronicity-international-conference-in-the-medical-humanities-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marisa Parham deposited Hughes, Cullen, and the In-sites of Loss in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1641716/</link>
				<pubDate>Wed, 05 Jun 2019 16:27:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>This essay explores how Pierre Nora&#8217;s sites of memory work a specific cultural function through what Melvin Dixon refers to as &#8220;a memory that ultimately rewrites history.&#8221; I look at two of the most well-known poems of the Harlem Renaissance, Langston Hughes&#8217;s &#8220;The Negro Speaks of Rivers&#8221; and Countee Cullen&#8217;s &#8220;Heritage,&#8221; one of which reveals a&hellip;<span class="activity-read-more" id="activity-read-more-1641716"><a href="https://mla.hcommons.org/activity/p/1641716/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gloria Lee McMillan replied to the topic CFP Routledge Literary Handbook (Lit. and Class) in the discussion TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/groups/literary-and-cultural-theory/forum/topic/cfp-routledge-literary-handbook-lit-and-class-31/#post-1021170</link>
				<pubDate>Wed, 29 May 2019 04:50:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>We have passed peer review. Theory will be important in this text. We are looking for essays involving literature viewed through class theory.  Let us see what you have!</p>
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				<title>Tom White deposited The Future Demands Work: William Morris’s utopian medievalism in an age of precarity, flexibility, and automation in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1641103/</link>
				<pubDate>Wed, 29 May 2019 03:50:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>IMC paper for panel 374 Medieval Futura 1: Now, sponsored by the Medieval Studies Institute, Indiana Univ.–Bloomington and organised by Dr Andrea Whitacre.</p>
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				<title>Marisa Parham deposited Saying “Yes”: Textual Traumas in Octavia Butler’s Kindred in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1640727/</link>
				<pubDate>Wed, 22 May 2019 16:28:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>The problem of the “yes,” of affirming an historical identity that is potentially harmful to oneself, troubles some of the imaginative leaps necessary to how readers desire to identify with texts. With that in mind, this article reads Octavia Butler&#8217;s 1979 novel Kindred as a story about memory, history, and embodiment as written both on and thr&hellip;<span class="activity-read-more" id="activity-read-more-1640727"><a href="https://mla.hcommons.org/activity/p/1640727/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Louise Bethlehem deposited Stenographic fictions: Mary Benson’s At the Still Point and the South African political trial in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1640469/</link>
				<pubDate>Sat, 18 May 2019 03:59:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>From the mid-1960s onward, compilations of the speeches and trial addresses of South African opponents of apartheid focused attention on the apartheid regime despite intensified repression in the wake of the Rivonia Trial. Mary Benson’s novel, At the Still Point, transposes the political trial into fiction. Its “stenographic” codes of repre&hellip;<span class="activity-read-more" id="activity-read-more-1640469"><a href="https://mla.hcommons.org/activity/p/1640469/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Edwige Tamalet Talbayev deposited CFP: Re-membering Hospitality in the Mediterranean International Conference (Toulouse, March 26-27, 2020) in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1639493/</link>
				<pubDate>Fri, 03 May 2019 03:58:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>We are inviting proposals for the forthcoming “Re-membering Hospitality in the Mediterranean” International Conference that will be held on March 26-27, 2020 in Toulouse, France (Université Toulouse Jean Jaurès).<br />
Abstracts (300 words) are due by September 15, 2019 to yasser elhariry (yasser.elhariry@dartmouth.edu), Isabelle Keller-Privat (isa.&hellip;<span class="activity-read-more" id="activity-read-more-1639493"><a href="https://mla.hcommons.org/activity/p/1639493/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Martin Paul Eve deposited Reading Redaction: Symptomatic Metadata, Erasure Poetry, and Mark Blacklock’s I’m Jack in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1633859/</link>
				<pubDate>Sat, 02 Mar 2019 16:31:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this article, through a reading of Mark Blacklock’s 2015 novel, I’m Jack, alongside the history of erasure poetry, I suggest that an apt literary-critical metaphor for reading redaction in contemporary literature comes from the term “metadata.” This article schematizes the ways in which redaction can work in literary contexts and points to the&hellip;<span class="activity-read-more" id="activity-read-more-1633859"><a href="https://mla.hcommons.org/activity/p/1633859/" rel="nofollow ugc">[Read more]</a></span></p>
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