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	<title>MLA Commons | EMDC: The Early Modern Digital Collaboratory | Activity</title>
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				<title>Michael Ullyot deposited “Wear your eyes thus”:  Toward a Cognitive Ecology of VR Shakespeare in the group EMDC: The Early Modern Digital Collaboratory</title>
				<link>https://mla.hcommons.org/activity/p/1638096/</link>
				<pubDate>Sat, 13 Apr 2019 16:40:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>How will immersive virtual reality (VR) cognitively affect the audiences who interface with it to interpret Shakespeare performances? Current theories of performance and cognition are based on theatre and film audiences, but VR performances combine features of both media: a disembodied spectral presence, like a theatrical audience; and a flexible&hellip;<span class="activity-read-more" id="activity-read-more-1638096"><a href="https://mla.hcommons.org/activity/p/1638096/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Ullyot deposited Course Outline: Revenge Tragedy in the group EMDC: The Early Modern Digital Collaboratory</title>
				<link>https://mla.hcommons.org/activity/p/1638091/</link>
				<pubDate>Sat, 13 Apr 2019 16:29:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>English 412 is, in its official description, &#8220;A survey of drama from 1558 to 1603, including works by William Shakespeare and Christopher Marlowe.&#8221; In this version from 2017, students focused on six revenge tragedies, the blockbuster genre of the Elizabethan theatre: plays filled with bloody violence, elevated rhetoric, and ghosts imploring&hellip;<span class="activity-read-more" id="activity-read-more-1638091"><a href="https://mla.hcommons.org/activity/p/1638091/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Whitney Sperrazza deposited Patterns of Violence: Critical Making and the She/Her/Hers of Early Modern Poetry in the group EMDC: The Early Modern Digital Collaboratory</title>
				<link>https://mla.hcommons.org/activity/p/1628058/</link>
				<pubDate>Sun, 06 Jan 2019 03:49:14 -0500</pubDate>

									<content:encoded><![CDATA[<p>Short paper presented for MLA 2019 Session 417 &#8211; &#8220;Critical Computation: What&#8217;s Next?&#8221;</p>
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				<title>Eric Dunnum deposited Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of  Epicene in the group EMDC: The Early Modern Digital Collaboratory</title>
				<link>https://mla.hcommons.org/activity/p/1589332/</link>
				<pubDate>Thu, 23 Nov 2017 05:38:53 -0500</pubDate>

									<content:encoded><![CDATA[<p>This paper argues that Epicene, Jonson&#8217;s first public play after being made official court masque writer, is unusually optimistic about the possibilities of drama. The play explores the possibility of creating an authentic personality through performance, an idea that Jonson is often hostile towards. However, Jonson&#8217;s flirtation with this&hellip;<span class="activity-read-more" id="activity-read-more-1589332"><a href="https://mla.hcommons.org/activity/p/1589332/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Ullyot posted an update in the group EMDC: The Early Modern Digital Collaboratory: One day after our creation and the EMDC has 7 new members!</title>
				<link>https://mla.hcommons.org/activity/p/17864/</link>
				<pubDate>Thu, 14 Feb 2013 17:43:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>One day after our creation and the EMDC has 7 new members! </p>
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				<title>Michael Ullyot created the group EMDC: The Early Modern Digital Collaboratory</title>
				<link>https://mla.hcommons.org/activity/p/17813/</link>
				<pubDate>Wed, 13 Feb 2013 15:57:39 -0500</pubDate>

				
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