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	<title>MLA Commons | Digital Humanities | Activity</title>
	<link>https://mla.hcommons.org/groups/digital-humanities-2014/</link>
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	<description>Activity feed for the group, Digital Humanities.</description>
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				<title>Brian Vetruba deposited Handbook for European Studies Librarians in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1894591/</link>
				<pubDate>Thu, 25 Jul 2024 03:01:32 -0400</pubDate>

									<content:encoded><![CDATA[<p>Open-access monograph of 30 chapters by 36 authors in three parts: &#8220;Resources and Tools for Regions of Europe,&#8221; &#8220;Resources on Underrepresented Groups in Europe,&#8221; and &#8220;Current Issues in European Studies Librarianship.&#8221; This handbook helps librarians new to collection development for regions of Europe get up to speed on key resources and offers&hellip;<span class="activity-read-more" id="activity-read-more-1894591"><a href="https://mla.hcommons.org/activity/p/1894591/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Inés Vañó García started the topic Newly extended CFP (through 07/21) – JITP Special Issue in the forum TC Digital Humanities</title>
				<link>https://mla.hcommons.org/groups/digital-humanities/forum/topic/newly-extended-cfp-through-07-21-jitp-special-issue-2/</link>
				<pubDate>Sun, 14 Jul 2024 10:15:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>&lt;div class=&quot;entry-content wp-block-post-content is-layout-constrained&quot;&gt;<br />
&lt;h4&gt;&lt;strong&gt;The Journal of Interactive Technology and Pedagogy&lt;/strong&gt;&lt;/h4&gt;<br />
&lt;h4 class=&quot;wp-block-heading&quot;&gt;&lt;strong&gt;Themed Issue 24:&lt;/strong&gt;&lt;/h4&gt;<br />
&lt;strong&gt;Digital Humanities: Labor, Political Economy, and Activism in the Age of Digital Mediation&lt;/strong&gt;</p>
<p>&lt;strong&gt;Issue&hellip;<span class="activity-read-more" id="activity-read-more-1891706"><a href="https://mla.hcommons.org/groups/digital-humanities/forum/topic/newly-extended-cfp-through-07-21-jitp-special-issue-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Inés Vañó García started the topic CFP: Submissions for JITP Special Issue -Labor, Political Economy, and Activism in the discussion TC Digital Humanities</title>
				<link>https://mla.hcommons.org/groups/digital-humanities/forum/topic/cfp-submissions-for-jitp-special-issue-labor-political-economy-and-activism-2/</link>
				<pubDate>Wed, 20 Mar 2024 18:31:13 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong>The Journal of Interactive Technology and Pedagogy</strong><br />
<strong>Themed Issue 24:</strong></p>
<p><strong>Digital Humanities: Labor, Political Economy, and Activism in the Age of Digital Mediation</strong></p>
<p><strong>Issue Editors:</strong></p>
<p>Matthew N. Hannah, Purdue University</p>
<p>Gabriel Hankins, Clemson University</p>
<p>Anna Alexis Larsson, Indiana University</p>
<p>The Journal of Interactive Technology and Pedagogy&hellip;<span class="activity-read-more" id="activity-read-more-1880151"><a href="https://mla.hcommons.org/groups/digital-humanities/forum/topic/cfp-submissions-for-jitp-special-issue-labor-political-economy-and-activism-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">22635ecf805080aaa8e8469804e76955</guid>
				<title>Amanda Licastro started the topic MLA 2025 emerging technologies in the discussion TC Digital Humanities</title>
				<link>https://mla.hcommons.org/groups/digital-humanities/forum/topic/mla-2025-emerging-technologies/</link>
				<pubDate>Tue, 20 Feb 2024 16:38:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>Please share and apply to our <a href="https://docs.google.com/document/d/12B7hMZFxnoLx51f_7z4-SdhxHu-q8MbvumoFh5Ov1z0/edit?usp=sharing" rel="nofollow ugc">CFP on emerging technologies</a> for <a href="https://www.facebook.com/hashtag/mla25?__eep__=6&amp;__tn__=*NK*F" rel="noopener noreferrer" rel="nofollow ugc">#MLA25</a>. This guaranteed panel sponsored by the Libraries and Research Executive Forum will feature initiatives, collaborations, and partnerships that support emerging technologies in academic libraries. We hope to make visible the labor and infrastructure necessary to adapt to and e&hellip;<span class="activity-read-more" id="activity-read-more-1877206"><a href="https://mla.hcommons.org/groups/digital-humanities/forum/topic/mla-2025-emerging-technologies/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c62385b67bc89ba2b7742e428c201301</guid>
				<title>Christopher Warren deposited The Early Modern Book of Numbers in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1855396/</link>
				<pubDate>Thu, 17 Aug 2023 01:13:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>A book&#8217;s a book, and numbers are numbers, right?  Well, maybe.  For the Shakespeare Association of America seminar on &#8220;Counting (in) Early Modern Drama,&#8221; I proposed to give myself the task of understanding and then communicating the technological underpinnings of a digital facsimile. One specific question I wanted to address, with the help of&hellip;<span class="activity-read-more" id="activity-read-more-1855396"><a href="https://mla.hcommons.org/activity/p/1855396/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">bf315f16d7f1e3ebcc66ad49ef0efbfe</guid>
				<title>Brian Croxall deposited The Invisible Labor of DH Pedagogy in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1847125/</link>
				<pubDate>Thu, 25 May 2023 02:25:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, we examine the invisibility of pedagogical labor in digital humanities. We argue that the complexities of teaching DH require modes of instruction and effort that are unusual, uncounted, and undertheorized. Unlike publications or citation counts, it is difficult to quantify or to review. Why does DH teaching involve so much extra&hellip;<span class="activity-read-more" id="activity-read-more-1847125"><a href="https://mla.hcommons.org/activity/p/1847125/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f942a7565156199c34d69af4477fcb10</guid>
				<title>Carol Chiodo deposited The Role of the ESU in Creating a Values-Driven DH Community in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1847121/</link>
				<pubDate>Thu, 25 May 2023 02:24:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this essay, we illustrate how the European Summer University in Digital Humanities at the University of Leipzig (hereafter referred to as “ESU”) under the leadership of Prof. Dr. Elisabeth Burr has set forth a set of values that have built and continue to model a collaborative, communal, and compassionate future for higher education. We ide&hellip;<span class="activity-read-more" id="activity-read-more-1847121"><a href="https://mla.hcommons.org/activity/p/1847121/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0978c2cd6a9cc7baf6a275af4df19e74</guid>
				<title>Sylvia Fernandez deposited Global North and South Collaborative Efforts towards an Anti-Colonial Digital Humanities in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1841603/</link>
				<pubDate>Sun, 16 Apr 2023 02:28:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>This presentation will discuss the pilot version of the “Urarina Digital Heritage Project,” a multilingual (English, Spanish and Urarina), Global North (United States) and South (Peru) collaborative effort between scholars and a digital humanities center at an R1 research institution in the United States and the Indigenous Urarina community in the&hellip;<span class="activity-read-more" id="activity-read-more-1841603"><a href="https://mla.hcommons.org/activity/p/1841603/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e322f3d3bd5551fef8034f13ed9fcd8a</guid>
				<title>Sylvia Fernandez deposited Global North &#38; South Collaborative Efforts towards an Anticolonial Digital Humanities in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1841598/</link>
				<pubDate>Sun, 16 Apr 2023 02:23:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This presentation will discuss the pilot version of the “Urarina Digital Heritage Project,” a multilingual (English, Spanish and Urarina), Global North (United States) and South (Peru) collaborative effort between scholars and a digital humanities center at an R1 research institution in the United States and the Indigenous Urarina community in the&hellip;<span class="activity-read-more" id="activity-read-more-1841598"><a href="https://mla.hcommons.org/activity/p/1841598/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Carol Chiodo deposited De nostri temporis studiorum ratione and the Digital Humanities in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1771184/</link>
				<pubDate>Thu, 10 Feb 2022 02:33:38 -0500</pubDate>

									<content:encoded><![CDATA[<p>Taking a page from eighteenth century philosopher Gianbattista Vico, this is a brief reflection on how Italian Studies scholars might view their work differently in light of the digital turn.</p>
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				<guid isPermaLink="false">e3a41f62b0429c257ff623a2cf9111f0</guid>
				<title>Christopher Warren deposited Canst Thou Draw Out Leviathan with Computational Bibliography? New Angles on Printing Thomas Hobbes’ “Ornaments” Edition in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1761566/</link>
				<pubDate>Wed, 15 Dec 2021 02:29:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>This article attributes one of the three “first” editions of Leviathan to the London printer John Richardson (fl. 1673–1703), revising Noel Malcolm’s attribution to a different printer in the recent Clarendon Edition of Leviathan. We lay out the mystery of Leviathan’s so-called “Ornaments” edition and use evidence from damaged type pieces to say&hellip;<span class="activity-read-more" id="activity-read-more-1761566"><a href="https://mla.hcommons.org/activity/p/1761566/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">acc8a4063fa94b79119b057869e67cbe</guid>
				<title>Anastasia Salter deposited Syllabus: Critical Making for Humanist Scholarship in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1747897/</link>
				<pubDate>Fri, 30 Jul 2021 02:25:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Fall 2021, fully online, asynchronous course: Critical making is a practice of making as scholarship, grounded in the humanities, that interweaves design, function, and theory towards born-digital scholarly practice. Engaging in scholarly communication through digital platforms demands attention to code, software, and hardware. This course&hellip;<span class="activity-read-more" id="activity-read-more-1747897"><a href="https://mla.hcommons.org/activity/p/1747897/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5f9fec1677ae8ceebeac42b91a34b59b</guid>
				<title>Brian Croxall deposited CFP: Debates in Digital Humanities Pedagogy in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1737110/</link>
				<pubDate>Tue, 04 May 2021 02:24:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is the Call for Papers for Debates in Digital Humanities Pedagogy, which was originally published in January 2019 at <a href="http://dhdebates.gc.cuny.edu/cfps/cfp_2019_pedagogy.html" rel="nofollow ugc">http://dhdebates.gc.cuny.edu/cfps/cfp_2019_pedagogy.html</a>. The site no longer exists, so we are depositing it here for archival and citational purposes.</p>
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				<guid isPermaLink="false">c5d7b26d2bbd9e6fd03c7f6c4a17507e</guid>
				<title>Mark Sample deposited ENG 296 - Science Fiction (Spring 2021) in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1725436/</link>
				<pubDate>Fri, 29 Jan 2021 02:24:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for science fiction course offered Spring 2021 in the English Department at Davidson College.</p>
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				<guid isPermaLink="false">08acf478fe08533fe88a9eabe1b53478</guid>
				<title>Gabrielle Dean started the topic Society for Textual Scholarship 2021 conference in the discussion TC Digital Humanities</title>
				<link>https://mla.hcommons.org/groups/digital-humanities/forum/topic/society-for-textual-scholarship-2021-conference-2/</link>
				<pubDate>Fri, 15 Jan 2021 15:19:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>Please consider submitting a proposal for the <a href="https://textualsociety.org/2021-sts-conference-call-for-papers/" rel="nofollow ugc">2021 conference of the Society for Textual Scholarship</a>, to be hosted virtually by The New School May 19-22, on the theme <strong>Reckonings, Recoveries, and Transitions</strong>. Proposals are due February 8, for presentations in a variety of formats. The Society is keen to welcome new participants and encourage&hellip;<span class="activity-read-more" id="activity-read-more-1723247"><a href="https://mla.hcommons.org/groups/digital-humanities/forum/topic/society-for-textual-scholarship-2021-conference-2/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">964c2d06b53ebe881467fc4c8230f3fa</guid>
				<title>Anastasia Salter deposited Texts &#38; Technology in History Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1721602/</link>
				<pubDate>Tue, 05 Jan 2021 02:30:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is the syllabus for the Spring 2021 section of Texts &amp; Technology in History, which will be taught synchronously via Zoom at UCF as part of the PhD in T&amp;T. This iteration of the course particularly considers whose texts are archived, who shapes our technologies, and which histories are preserved and retold.</p>
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				<guid isPermaLink="false">91db8105b43283b5e9bd20a7e5928c6e</guid>
				<title>Anastasia Salter deposited Theory &#38; Practice of Interactive Storytelling: Online Course Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1721587/</link>
				<pubDate>Tue, 05 Jan 2021 02:24:41 -0500</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the Spring 2021 asynchronous online course &#8220;Theory &amp; Practice of Interactive Storytelling,&#8221; which includes both critical and creative projects, and uses Twine, Inform 7, and Ren&#8217;Py.</p>
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				<guid isPermaLink="false">d64ef741f0b30c0f10bfcd3c0f68a230</guid>
				<title>Anastasia Salter deposited Crafting is So Hardcore: Masculinized Making in Gaming Representations of Labor in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1717056/</link>
				<pubDate>Tue, 17 Nov 2020 02:24:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this paper we examine the representation of crafts in video games, particularly in “crafting systems” – collections of mechanics that are described as crafting within a game&#8217;s narrative. Real world crafting practitioners value creativity, expression, and mastery of material, but the act of crafting itself is often viewed by society as repro&hellip;<span class="activity-read-more" id="activity-read-more-1717056"><a href="https://mla.hcommons.org/activity/p/1717056/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3929171462e508940c775825b3897162</guid>
				<title>Anastasia Salter deposited Syllabus: Social Media Research in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1705322/</link>
				<pubDate>Fri, 14 Aug 2020 02:23:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Social media is a key contemporary site of activity for politics, entertainment, and relationships, but how can we study it? This course combines theory and practice; students will both read canonical and contemporary social media research from leading scholars and learn to engage with social media platforms to collect and analyze their own data.&hellip;<span class="activity-read-more" id="activity-read-more-1705322"><a href="https://mla.hcommons.org/activity/p/1705322/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">bf8bde6ede085df9f940be6d051a62e4</guid>
				<title>Anastasia Salter deposited Syllabus: Intro to Texts &#38; Technology in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1704603/</link>
				<pubDate>Fri, 07 Aug 2020 02:25:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for the introductory course in the core sequence for PhD students in Texts &amp; Technology at the University of Central Florida, with an emphasis on introducing interdisciplinary humanist scholarship along with academic writing practices and web platform fundamentals. This iteration was redesigned to be taught via Zoom, using a mix of&hellip;<span class="activity-read-more" id="activity-read-more-1704603"><a href="https://mla.hcommons.org/activity/p/1704603/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d314777135a8fd965dae6c16302c3745</guid>
				<title>Katina Rogers deposited "Collaboration" (Digital Pedagogy in the Humanities) in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1703771/</link>
				<pubDate>Fri, 31 Jul 2020 02:24:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>Digital Pedagogy in the Humanities is a peer-reviewed, curated collection of reusable and remixable resources for teaching and research. Organized by keyword, the annotated artifacts can be saved in collections for future reference or sharing. Each keyword includes a curatorial statement and artifacts that exemplify that keyword. This focus of&hellip;<span class="activity-read-more" id="activity-read-more-1703771"><a href="https://mla.hcommons.org/activity/p/1703771/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f57ceab7fcd7421255838b93fd610f1b</guid>
				<title>Lee Skallerup Bessette deposited Online Teaching in the Humanities in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1701568/</link>
				<pubDate>Wed, 22 Jul 2020 02:33:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>What do you do when you are an instructional designer and also do DH? This paper shows the intersections of good online course design with digital humanities pedagogy.</p>
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				<guid isPermaLink="false">c6c9961c20db4851b566e7cd31103a83</guid>
				<title>Brian Croxall deposited Who Teaches When We Teach DH? Some Answers and More Quesions in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1698927/</link>
				<pubDate>Sat, 18 Jul 2020 02:26:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>At the 2019 Digital Humanities Conference in Utrecht, the authors launched a survey designed to answer the question “Who Teaches When We Teach DH?”. In this short talk, we will present and discuss some of the findings.</p>
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				<guid isPermaLink="false">1ee09cf12b9917a1f5123cea8060182a</guid>
				<title>Matthew K. Gold deposited Introduction to Digital Humanities Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1696621/</link>
				<pubDate>Sat, 11 Jul 2020 19:14:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>In this introduction to the digital humanities (DH), we will approach the field via a Caribbean Studies lens, exploring how an understanding of the digital based in the growing area of digital Caribbean studies might shape the larger field of DH. </p>
<p>The course aims to provide a landscape view of DH, paying attention to how its various approaches&hellip;<span class="activity-read-more" id="activity-read-more-1696621"><a href="https://mla.hcommons.org/activity/p/1696621/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">73b6b0a3c4e773f41a82e2786e0b3068</guid>
				<title>Matthew Kirschenbaum deposited Books.Files: Preservation of Digital Assets in the Contemporary Publishing Industry (A Report) in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1682249/</link>
				<pubDate>Fri, 27 Mar 2020 16:25:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>The book publishing industry is an important social, cultural, and economic institution whose records deserve to be preserved for the public good. Books.Files was an exploratory project funded in part by The Andrew W. Mellon Foundation aimed at assessing the archival value of digital assets in the contemporary publishing industry for stakeholders&hellip;<span class="activity-read-more" id="activity-read-more-1682249"><a href="https://mla.hcommons.org/activity/p/1682249/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d32f2f79f2d9d0be2f9650fe9a080ae5</guid>
				<title>Kathleen Fitzpatrick deposited Digital Wallace: Networked Pedagogies and Distributed Reading in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1676854/</link>
				<pubDate>Fri, 31 Jan 2020 16:26:39 -0500</pubDate>

									<content:encoded><![CDATA[<p>This is the peer-reviewed submission version of the essay, which focuses on the role that digital communication platforms can play in teaching and engaging with Wallace&#8217;s work.</p>
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				<guid isPermaLink="false">7f81fe1c0b52355c4ca4ac29beb597dd</guid>
				<title>Anastasia Salter deposited Theory and Practice of Interactive Storytelling Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1673663/</link>
				<pubDate>Sun, 29 Dec 2019 16:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Part of the Digital Media MA / Texts &amp; Technology PhD Digital Media track at the University of Central Florida. In this graduate course, we&#8217;ll engage with the making and critique of interactive works ranging from &#8220;Choose Your Own Adventure&#8221; comics to electronic literature and interactive fiction. Drawing on readings including Janet Murray&#8217;s Hamlet&hellip;<span class="activity-read-more" id="activity-read-more-1673663"><a href="https://mla.hcommons.org/activity/p/1673663/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">463b53c2258111e8c32b28fdf0a532a6</guid>
				<title>Mark Sample deposited "The Digital Humanities is not about Building, It’s about Sharing" in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1669110/</link>
				<pubDate>Fri, 01 Nov 2019 16:25:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>This short chapter began as a blog post arguing that collaboration and sharing is one of the defining aspects of the digital humanities.</p>
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				<guid isPermaLink="false">e3882f84ab677a5c23d8579ce1bd6083</guid>
				<title>Mark Sample deposited Death in the Digital Age Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1669052/</link>
				<pubDate>Thu, 31 Oct 2019 16:25:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>The syllabus for DIG 220: Death in the Digital Age, a course taught by Mark Sample at Davidson College in Spring 2019.</p>
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				<guid isPermaLink="false">d28917bfc45087abd7200acfa498edb1</guid>
				<title>Mark Sample deposited Code in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1668978/</link>
				<pubDate>Wed, 30 Oct 2019 16:26:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>A critical introduction to the keyword &#8220;code&#8221; as it relates to video games.</p>
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				<guid isPermaLink="false">de77f91faf8bc3d50d9c1fccbbbd78a8</guid>
				<title>Mark Sample deposited "Location Is Not Compelling (Until It Is Haunted)" in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1668884/</link>
				<pubDate>Tue, 29 Oct 2019 16:26:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>“Location Is Not Compelling (Until It Is Haunted).” The Mobile Story: Narrative Practices with Locative Technologies, ed. Jason Farman. New York: Routledge, 2013.</p>
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				<guid isPermaLink="false">784dfc6e81175259026244e497b10bb1</guid>
				<title>Matthew Kirschenbaum deposited "Poor Black Squares": Afterimages of the Floppy Disk in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1668448/</link>
				<pubDate>Thu, 24 Oct 2019 16:28:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>Chapter 21 of The Routledge Companion to Media Technology and Obsolescence, ed. Mark J.P. Wolf (New York and London: Routledge, 2019): 296-310.</p>
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				<guid isPermaLink="false">61a6473e4ff3f1c89af59b2942ba4d3d</guid>
				<title>Brian Croxall deposited Who Teaches When We Teach DH? A Survey in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1666268/</link>
				<pubDate>Sat, 12 Oct 2019 16:25:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>As the digital humanities have rapidly gained prominence and attention over the last decade, learning has shifted from individual experiences at training environments such as THATCamps and Institutes to more formal institutional instruction. This means that the number of people teaching digital humanities (DH) has had to increase. Who are these&hellip;<span class="activity-read-more" id="activity-read-more-1666268"><a href="https://mla.hcommons.org/activity/p/1666268/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e1d2fa57d7e41d0e3dd5bc9299ad3905</guid>
				<title>Anastasia Salter deposited But Does Pikachu Love You? Reproductive Labor in Casual and Hardcore Games in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1662005/</link>
				<pubDate>Fri, 30 Aug 2019 16:25:49 -0400</pubDate>

									<content:encoded><![CDATA[<p>Since the ﬁrst Pokémon game launched in Japan in 1996, the series has been a balancing act between casual and hardcore gaming. While the ﬁrst iteration and “core” series has emphasized a modiﬁed, accessible version of traditional JRPG mechanics, other titles have frequently emphasized so-called casual play; most recently, Pokémon Go lured in a&hellip;<span class="activity-read-more" id="activity-read-more-1662005"><a href="https://mla.hcommons.org/activity/p/1662005/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7c8ec04b9786d4ae42792f14f25a7538</guid>
				<title>Roger Whitson deposited DTC 356: Information Structures in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1660882/</link>
				<pubDate>Thu, 22 Aug 2019 03:49:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>DTC 356 explores the cultural, aesthetic, and political roles of information and data. Beginning with library classification systems and Wikipedia, the course then turns to the role of metadata in organizing collections and our lives before ending with a consideration of text-mining and topic modeling. The conclusion considers these techniques in&hellip;<span class="activity-read-more" id="activity-read-more-1660882"><a href="https://mla.hcommons.org/activity/p/1660882/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">72b33ed7a95261fcb2a60c8196a86ed2</guid>
				<title>Anastasia Salter deposited Introduction to Texts &#38; Technology in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1660262/</link>
				<pubDate>Wed, 14 Aug 2019 16:27:17 -0400</pubDate>

									<content:encoded><![CDATA[<p>Syllabus for the introductory course in UCF&#8217;s Texts &amp; Technology PhD program. Builds on a previous iteration of the course taught by Mel Stanfill.</p>
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				<guid isPermaLink="false">5a69fc9300673bb81459eab415eef269</guid>
				<title>Anastasia Salter deposited Building Interactive Stories in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1657401/</link>
				<pubDate>Thu, 11 Jul 2019 16:25:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>The integration of interactive stories into digital humanities practice has taken several forms. Interactive stories are certainly an object of study, and the intersection of digital humanities with media and games studies (as well as communities dedicated to making and studying interactive stories, such as the Electronic Literature Organization,&hellip;<span class="activity-read-more" id="activity-read-more-1657401"><a href="https://mla.hcommons.org/activity/p/1657401/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ad2363ed3ef155e30ae4f58ded278895</guid>
				<title>Alexander Gil created the doc Placing Césaire: Some Considerations on Cartography and Enumerative Bibliographies in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1633565/</link>
				<pubDate>Thu, 28 Feb 2019 18:44:54 -0500</pubDate>

				
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				<guid isPermaLink="false">32d9d056c3eb5df68bcf2577b2e877ae</guid>
				<title>Matthew Kirschenbaum deposited ENGL 759C BookLab: How to Do Things with Books in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1630618/</link>
				<pubDate>Tue, 29 Jan 2019 16:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Graduate-level syllabus for a seminar in the Department of English. Neither &#8220;history of the book&#8221; nor &#8220;media studies,&#8221; this course sits somewhere in-between combining the ethos of a makerspace with the hands-on resources of a letterpress and book arts studio.</p>
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				<guid isPermaLink="false">957d9f9d04f352a8ca6b38b86f140048</guid>
				<title>Matthew K. Gold deposited Issues of Labor, Credit, and Care in Peer-to-Peer Review Processes in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1628453/</link>
				<pubDate>Wed, 09 Jan 2019 16:26:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>This talk focuses on peer review models, considering issues of labor and credit within them. It then turns to the ethos of care to discuss how peer-to-peer review processes can be structure with care to ensure that participant labor is valued. The talk ends with a focus on the nature of the labor in peer-to-peer review, arguing that it is&hellip;<span class="activity-read-more" id="activity-read-more-1628453"><a href="https://mla.hcommons.org/activity/p/1628453/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">bc62e7e74f51fc3cc50f773c186d9204</guid>
				<title>Roger Whitson deposited DTC 392: Video Games Theory and History in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1628279/</link>
				<pubDate>Tue, 08 Jan 2019 03:53:26 -0500</pubDate>

									<content:encoded><![CDATA[<p>History and theory of video games with a focus on cultural impact. </p>
<p>DTC 392 explores the cultural and historical impact of video games. We will learn about these issues by engaging in a semester-long project where we will prototype a video game. Video games are not just entertainment: they can be art, a form of political resistance, even a way&hellip;<span class="activity-read-more" id="activity-read-more-1628279"><a href="https://mla.hcommons.org/activity/p/1628279/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4cd1dceaceff8deb261e92d32dfe4064</guid>
				<title>Spencer Keralis deposited Disrupting Labor in the Digital Humanities; or, The Classroom Is Not Your Crowd in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1628276/</link>
				<pubDate>Tue, 08 Jan 2019 03:51:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>Digital humanists have a labor problem, but it’s not what you might think. In this chapter, I describe the problem of student labor in digital humanities as I see it, and examine some of the structural issues that drive the use of student labor. I place the labor economy of digital humanities projects within the broader context of the innovation e&hellip;<span class="activity-read-more" id="activity-read-more-1628276"><a href="https://mla.hcommons.org/activity/p/1628276/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f576696df1189ec20bd8d3f5d48ab543</guid>
				<title>Ben Doyle started the topic *New Humanities programme and DH list - call for proposals* in the discussion TC Digital Humanities</title>
				<link>https://mla.hcommons.org/groups/digital-humanities/forum/topic/new-humanities-programme-and-dh-list-call-for-proposals/</link>
				<pubDate>Tue, 18 Dec 2018 14:31:57 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong>*NEW HUMANITIES PROGRAMME AND DH LIST: CALL FOR PROPOSALS! *</strong></p>
<p><a href="http://www.emeraldgrouppublishing.com/products/books/index.htm" rel="nofollow ugc">Emerald Publishing</a> (2018 IPG Academic &amp; Professional Publisher of the Year) is pleased to announce investment in a new Humanities book programme. Our commitment to interdisciplinary research means that we are moving into the Humanities for the first time, building new lists primarily in&hellip;<span class="activity-read-more" id="activity-read-more-1625994"><a href="https://mla.hcommons.org/groups/digital-humanities/forum/topic/new-humanities-programme-and-dh-list-call-for-proposals/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">466ddabfcae5c36500effd806a58ba3c</guid>
				<title>Christopher Warren deposited Historiography’s Two Voices: Data Infrastructure and History at Scale in the Oxford Dictionary of National Biography (ODNB) in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1624954/</link>
				<pubDate>Tue, 04 Dec 2018 16:25:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Behind the Oxford Dictionary of National Biography is a deep substrate that includes a vast data management system, highly detailed SGML markup conventions, extensive international labor, and the enormous cultural weight of the Victorian-era DNB.  In this article, I argue that it is only by investigating components of our historiographical&hellip;<span class="activity-read-more" id="activity-read-more-1624954"><a href="https://mla.hcommons.org/activity/p/1624954/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9331f9cca1749e32e7783a29038cc403</guid>
				<title>Brian Croxall deposited Introduction to Digital Humanities, Fall 2018 Syllabus in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1618072/</link>
				<pubDate>Wed, 12 Sep 2018 16:25:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>This syllabus is my fifth version of a course aimed at introducing the digital humanities at an undergraduate level. In consultation with my colleagues, I decided that this year&#8217;s version should also include a unit that looked at digital objects with a humanities perspective. The course is organized around four projects, each of which is oriented&hellip;<span class="activity-read-more" id="activity-read-more-1618072"><a href="https://mla.hcommons.org/activity/p/1618072/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">46a3fd749632bba639516eeeb10d7216</guid>
				<title>Roger Whitson deposited DTC 356: Information Structures (Fall 2018) in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1615867/</link>
				<pubDate>Sun, 19 Aug 2018 03:51:08 -0400</pubDate>

									<content:encoded><![CDATA[<p>Catalog Description<br />
356 Information Structures 3 Course Prerequisite: DTC 101. Social and cultural role of information; research with electronic sources; production, validation, storage, retrieval, evaluation, use, impact of electronic information. (Crosslisted course offered as DTC 356, ENGLISH 356).</p>
<p>Course Description<br />
DTC 356 explores the&hellip;<span class="activity-read-more" id="activity-read-more-1615867"><a href="https://mla.hcommons.org/activity/p/1615867/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c16c8d2df7ca2f4170444b7c60f57ebe</guid>
				<title>Roger Whitson deposited DTC 475: Digital Diversity (Fall 2018) in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1615864/</link>
				<pubDate>Sun, 19 Aug 2018 03:49:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Catalog Description<br />
475 [DIVR] Digital Diversity 3 Course Prerequisite: Junior standing. Cultural impact of digital media in cultural contexts; issues of race, class, gender, sexuality online. (Crosslisted course offered as AMER ST 475, DTC 475, ENGLISH 475).</p>
<p>Course Description<br />
DTC 475 is a continuation of the issues explored in DTC 206,&hellip;<span class="activity-read-more" id="activity-read-more-1615864"><a href="https://mla.hcommons.org/activity/p/1615864/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">611c3e1a1bfad86e4be6ef2ee1c7f470</guid>
				<title>Jentery Sayers deposited Optophonic Reading, Prototyping Optophones in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1615141/</link>
				<pubDate>Fri, 10 Aug 2018 15:19:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>This article details the contributions of blind readers to the development, design, and marketing of the optophone, a text-to-tone transcription machine introduced in the early twentieth century. We combine archival research with prototyping to investigate the dimensions involved in past coding and decoding practices. If archives provide&hellip;<span class="activity-read-more" id="activity-read-more-1615141"><a href="https://mla.hcommons.org/activity/p/1615141/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">13b477e4fdc2788b723978fd401395bf</guid>
				<title>Jentery Sayers deposited Studying Media through New Media in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1610964/</link>
				<pubDate>Sat, 16 Jun 2018 04:16:47 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Companion to Media Studies and Digital Humanities is about researching media through new media: for example, playing games to better understand their politics and mechanics, exhibiting new media art to witness how people engage it, building stories to become more familiar with their structures and narratives, making wearable technologies to&hellip;<span class="activity-read-more" id="activity-read-more-1610964"><a href="https://mla.hcommons.org/activity/p/1610964/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">19768e5fdfb0c8d7b7aad144b9525a80</guid>
				<title>Kathleen Fitzpatrick deposited Obsolescence and Innovation in the Age of the Digital in the group Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1608681/</link>
				<pubDate>Fri, 18 May 2018 04:12:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>The relationship between obsolescence and innovation in the digital age is a peculiar one, conveying not past and future but instead demonstrating their eternal simultaneity.</p>
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