Executive Committee:

Laura Halperin, Jan. 2018 (2017-Jan. 2018 Ch.)
Olga Herrera, Jan. 2019 (2017-Jan. 2018 Sec.)
Richard T. Rodríguez, Jan. 2020
José Navarro, Jan 2021
Jackie Cuevas, Jan. 2022

The LLC Chicana and Chicano forum promotes scholarship on and the teaching of Chicana/o literature and encourages conversation about the relationship between Chicana/o and US Latina/o studies.

But what, exactly, is an MLA forum supposed to do?

MLA forums—formerly divisions and discussion groups—encompass the scholarly and professional concerns of the association. They promote scholarly and professional activities within their areas of concern.

Each forum is governed by an elected executive committee whose five members serve terms of five convention years. A convention year begins after the close of one convention and continues through the close of the next; it is named for the convention that concludes the year.

You may reach any one of the executive committee members at any time via MLACommons.

Just published: Lin-Manuel Miranda and the Politics of US Latinx Twitter

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    Elena Machado Sáez
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    @machadosaez

    If you\’re interested, check out the essay I recently published in issue #4 of archipelagos: a journal of Caribbean digital praxis, edited by Kaiama L. Glover and Alex Gil: http://archipelagosjournal.org/issue04/machado-gratitude.html

     

    In “Debt of Gratitude: Lin-Manuel Miranda and the Politics of US Latinx Twitter,” I engage in an analysis of Lin-Manuel Miranda’s invocation of “for you” on Twitter in comparison to those of twelve other US Latinx writers, has two goals: to identify broader key trends in the discursive strategies used on Latinx Twitter and to make the case for the urgent need to ethically document and archive contemporary Latinx Twitter production. The author moves in the direction of generating a public academic archive of Latinx Twitter by publishing online a limited corpus of Miranda’s “for you” tweets as well as comparative visualizations of how Miranda’s use of “for you” in tweets parallels and differs from other Latinx writers’. In addition to modeling the flawed process of archive-building in the hopes of encouraging other scholars to thoughtfully share their own Twitter archive processes, this essay analyzes the strategies used by some US Latinx creative writers to navigate Twitter and how these strategies may speak to the writers’ understanding of the relationship between institutions, audiences, and aesthetics. It specifically highlights the digital work of Cuban American playwright Marissa Chibas, Puerto Rican poet Rich Villar, and Puerto Rican writer Charlie Vázquez on Twitter as a counternarrative to Miranda’s aesthetics. Much work remains to be done in order to understand how Twitter acts as a vehicle for Miranda and the multitude of US Latinx writers who connect with audiences and each other as a means of translating emotion into action or profit or something else altogether.

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