• Encoding Scores for Electronic Music

    Author(s):
    Michael Oehler, Philip Schwarzbauer, Florian Zwißler
    Editor(s):
    Stefan Münnich (see profile) , David Rizo
    Date:
    2022
    Group(s):
    Music Encoding Initiative
    Subject(s):
    Digital humanities, Music, Ontology
    Item Type:
    Conference proceeding
    Conf. Title:
    Music Encoding Conference 2021
    Conf. Org.:
    University of Alicante
    Conf. Loc.:
    On-Site & Online
    Conf. Date:
    19–22 July 2021
    Tag(s):
    Electronic Music, Realization Score
    Permanent URL:
    https://doi.org/10.17613/kmca-m064
    Abstract:
    A perspective on the specific issues of music encoding dealing with Electronic Music is presented. In many cases the works to be discussed exist in a fixed media format and hence no prescriptive score is necessary to facilitate a ‘valid’ performance. While there are a number of descriptive scores for pieces of Electronic Music, these are to be treated differently, as they are purely aimed at analysis and therefore contain a certain information bias. Data that is more comparable to instrumental scores is contained in rare examples of so-called realization scores. It is argued that these realization scores can be identified as the main subject for encoding of Electronic Music works. For this we will discuss an example from one such score by Karlheinz Stockhausen. For his piece KONTAKTE, Stockhausen released a realization score that unfolds a very detailed documentation of all steps made within the studio production of that work, including the complex patching of studio devices and the specific transformation processes achieved by the use of tape machines. The paper presents an approach to formalize and encode all these steps within the framework of a semantic database. Using technology like the semantic web standard, Linked Data and the corresponding RDF/OWL framework, an Electronic Music production setup and its usage can be encoded, stored, and analyzed.
    Notes:
    The MEC 2021 was hosted at Universidad de Alicante. It was sponsored by the Conselleria de Innovación, Universidades, Ciencia y Sociedad Digital de la Generalitat Valenciana (ref. AORG/2021/095), the Instituto de Investigación Informática de la Universidad de Alicante (IUII), co-sponsored with the Instituto Superior de Enseñanzas Artísticas de la Comunidad Valenciana (ISEA.CV), and generously supported by the Social Sciences and Humanities Research Council of the Government of Canada (SSHRC).
    Metadata:
    Status:
    Published
    Last Updated:
    4 months ago
    License:
    Attribution-NonCommercial-NoDerivatives
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