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Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
- Author(s):
- Elizabeth Zeman Kolkovich (see profile)
- Date:
- 2019
- Subject(s):
- Motion pictures, Masculinity, Shakespeare, William, 1564-1616
- Item Type:
- Article
- Tag(s):
- bbc, Henry IV, Queer Performance, Royal Shakespeare Company, Adaptation, Film, Performance, Queer studies, Shakespeare
- Permanent URL:
- http://dx.doi.org/10.17613/5dtk-p570
- Abstract:
- Although scholars have overlooked the minor character Ned Poins, I argue that he is central to the construction of masculinity in Shakespeare’s Henry IV plays. I analyze Poins in two cultural moments in the context of shifting ideas about male friendship and same-sex desire: the sixteenth-century texts and two twenty-first-century productions, the first series of the BBC’s The Hollow Crown (2012) and the Royal Shakespeare Company’s “King and Country: Shakespeare’s Great Cycle of Kings” (2014-16), directed by Gregory Doran. I propose that Poins is a queer figure according to both early modern and modern definitions. In an early modern context, he is effeminate and possibly a sodomite whose corruption threatens to contaminate Hal; in the modern productions, he becomes a queer hero whose loving relationship with Hal must be swept aside to enable Hal’s rise. A focus on Poins can bolster existing readings of the Henriad as a sequence that eradicates female and queer difference, but a memorable, sympathetic Poins can also undermine the notion that Hal journeys toward a positive conclusion. The otherwise conservative BBC and RSC productions used Poins to offer a modern take on the Henriad, making it a story of same-sex desire and loss that entangled past and present notions about queerness and encouraged audiences to critique a society that expects heteronormativity and narrowly defined masculinity.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Pub. DOI:
- 10.1353/shb.2018.0060
- Publisher:
- Project Muse
- Pub. Date:
- 2019-1-27
- Journal:
- Shakespeare Bulletin
- Volume:
- 36
- Issue:
- 4
- Page Range:
- 635 - 656
- ISSN:
- 1931-1427
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- Attribution-NonCommercial-ShareAlike
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Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"