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The Fourth Wall turns Pensive and VALIE EXPORT's Body Cinema
- Author(s):
- Mechtild Widrich (see profile)
- Date:
- 2016
- Group(s):
- Art's Impact on Society, History of Art
- Subject(s):
- Art, Art, Modern, Twenty-first century, Feminism and art, History, Performative (Philosophy)
- Item Type:
- Catalog
- Tag(s):
- Feminist Art, Contemporary art, Feminist art history, Media theory, Performance, Performativity
- Permanent URL:
- http://dx.doi.org/10.17613/svaa-ra34
- Abstract:
- A text on feminist 1970s avant-garde performance for the camera (Hannah Wilke, Birgit Jürgenssen, Ana Mendieta, Eleanor Antin) and the implications of the "wall" (lense) for the relationship between work and audience, as well as a text on VALIE EXPORT's Touch Cinema (1968).
- Metadata:
- xml
- Published as:
- Book chapter Show details
- Publisher:
- Prestel
- Pub. Date:
- 2016
- Book Title:
- The Feminist Avant-Garde
- Author/Editor:
- Edited by Gabriele Schor
- ISBN:
- 978-3-7913-5446-0
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- All Rights Reserved
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