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Musical, Textual, and Visual Meanings in Bang on a Can's "Lost Objects"
- Author(s):
- Sean Atkinson (see profile)
- Date:
- 2014
- Subject(s):
- Musicology, Music theory
- Item Type:
- Article
- Permanent URL:
- http://dx.doi.org/10.17613/M6SB3WZ05
- Abstract:
- This article explores the relationship between the visual staging and the musical score in "Lost Objects," a staged oratorio by Bang on a Can composers Julia Wolfe, David Lang, and Michael Gordon. A unique vertical staging coupled with a multi-aggregate, double-interval cycle in two of the movements create added meaning through their juxtaposition.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Publisher:
- Indiana University Press
- Pub. Date:
- 2014
- Journal:
- Indiana Theory Review
- Volume:
- 30
- Issue:
- 2
- Page Range:
- 1 - 26
- ISSN:
- 0271-8022
- Status:
- Published
- Last Updated:
- 5 years ago
- License:
- Attribution-NonCommercial-ShareAlike
- Share this: