• Performance systems: making vs. exploiting

    Editor(s):
    Garrett Lynch (see profile)
    Date:
    2014
    Group(s):
    Contemporary Art, Networked Art
    Subject(s):
    Contemporary art, New media arts
    Item Type:
    Conference proceeding
    Conf. Title:
    Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance
    Conf. Org.:
    University of South Wales
    Conf. Loc.:
    Wales
    Conf. Date:
    11th and 12th of April 2013
    Tag(s):
    Networked Art, Networked Performance, New Media Art, Systems Studies
    Permanent URL:
    http://dx.doi.org/10.17613/M61N7XM2V
    Abstract:
    On the second and final day of the conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance proceedings closed with a roundtable discussion entitled Performance Systems: Making vs. Exploiting. The purpose of the roundtable was to explore performance systems used by artists and to compare/contrast strategies of making custom technologies vs. exploiting or hacking pre-existing technologies. The roundtable members were largely gathered from the second half of the conference which placed a thematic emphasis on systems in networked performance art. Members consisted of three speakers; Marc Garrett (MG), Erik Geelhoed (EG) and Ian Biscoe (IB), and two performers; Prof. Dr. Stahl Stenslie (SS) and Paula Crutchlow (PC) who each researched or worked with a number of diverse systems, techniques, media and approaches. The roundtable was chaired by Garrett Lynch (GL). Additional contributions were made by conference speakers or performers in attendance and members of the public. These included; Annie Abrahams (AA), Elena Perez (EP), Elif Ayitar (EA), Kate Genevieve (KG) and Matthew Jarvis (MJ).
    Metadata:
    Published as:
    Online publication    
    Status:
    Published
    Last Updated:
    1 year ago
    License:
    Attribution-ShareAlike
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