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Arrogant Authorial Performances: Criseyde to Cressida
- Author(s):
- Wolfram Keller (see profile)
- Date:
- 2016
- Subject(s):
- Chaucer, Geoffrey, -1400, Renaissance, Reformation, Europe, Sixteenth century, Seventeenth century, Shakespeare, William, 1564-1616
- Item Type:
- Book chapter
- Tag(s):
- literary authorship, Matter of Troy, Troilus and Cressida, Chaucer, Geoffrey Chaucer, Late medieval English literature, Renaissance and reformation / early modern Europe, Shakespeare
- Permanent URL:
- http://dx.doi.org/10.17613/M6C56J
- Abstract:
- In this essay, I trace the poetological and literary-historical dimension of arrogance in Chaucer’s and Shakespeare’s treatments of the story of Troilus and Criseyde/Cressida. Both authors, I argue, utilize arrogance in their Troy stories to test notions of ‘counter-authorship’ by means of poet-playwright characters who self-consciously, albeit obliquely stage their own literary-historical predicaments, reflecting issues of temporality, of periodization.
- Metadata:
- xml
- Published as:
- Book chapter Show details
- Publisher:
- Manchester University Press
- Pub. Date:
- 2016
- Book Title:
- Love, history and emotion in Chaucer and Shakespeare: \"Troilus and Criseyde\" to \"Troilus and Cressida\"
- Author/Editor:
- Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf
- Chapter:
- 9
- Page Range:
- 141 - 156
- Status:
- Published
- Last Updated:
- 5 years ago
- License:
- All Rights Reserved
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