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  • Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"

    Author(s):
    Elizabeth Zeman Kolkovich (see profile)
    Date:
    2019
    Subject(s):
    Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare
    Item Type:
    Article
    Tag(s):
    bbc, Henry IV, Queer Performance, Royal Shakespeare Company
    Search term matches:
    Tag
    ... royal shakespeare company ...
    Full Text
    ... BBC?s The Hollow Crown (2012) and the Royal Shakespeare Company?s ?King and Country: Shakespeare?s ...

  • ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’

    Author(s):
    Kevin A. Quarmby (see profile)
    Date:
    2013
    Group(s):
    LLC Shakespeare
    Subject(s):
    Shakespeare, Shakespeare performance, Global Shakespeare
    Item Type:
    Conference proceeding
    Tag(s):
    Shakespeare in performance, Royal Shakespeare Company
    Search term matches:
    Tag
    ... royal shakespeare company ...
    Full Text
    ... , the fact that ?Ian McKellen drops his trousers [?] sums up? the Royal Shakespeare Company?s ?whole ...

  • Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

    Author(s):
    Amy Borsuk (see profile)
    Date:
    2019
    Group(s):
    Digital Humanists, Performance Studies, Shakespeare
    Subject(s):
    Digital culture, Shakespearean institutions, Shakespeare performance
    Item Type:
    Article
    Tag(s):
    digital economy, motion capture, Royal Shakespeare Company
    Search term matches:
    Title
    ... Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company ...
    Tag
    ... royal shakespeare company ...
    Full Text
    ... ; Published: 1 March 2019 ?????????? ??????? Abstract: This article examines the Royal Shakespeare Company?s ...

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  • Subject
    • Adaptation 1X
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    • Film 1X
    • Global Shakespeare 1X
    • Masculinity 1X
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