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• Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"

  Author(s):

  Elizabeth Zeman Kolkovich (see profile)

  Date:

  2019

  Subject(s):

  Motion pictures, Masculinity, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  bbc, Henry IV, Queer Performance, Royal Shakespeare Company, Adaptation, Film, Performance, Queer studies, Shakespeare

  Search term matches:

  Tag

  ... royal shakespeare company ...

  Full Text

  ... ) and the Royal Shakespeare Company’s “King and Country: Shakespeare’s Great Cycle of Kings” (2014-16), directed ...

  
  

• ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’

  Author(s):

  Kevin A. Quarmby (see profile)

  Date:

  2013

  Group(s):

  LLC Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, Theater, Literature--Adaptations

  Item Type:

  Conference proceeding

  Tag(s):

  Shakespeare in performance, Royal Shakespeare Company, Shakespeare, Shakespeare performance, Global Shakespeare

  Search term matches:

  Tag

  ... royal shakespeare company ...

  Full Text

  ... , the renowned British actor, Sir Ian McKellen, enacted this scene in the Royal Shakespeare Company’s ...

  
  

• Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

  Author(s):

  Amy Borsuk (see profile)

  Date:

  2019

  Group(s):

  Digital Humanists, Performance Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, Theater

  Item Type:

  Article

  Tag(s):

  digital economy, motion capture, Royal Shakespeare Company, Digital culture, Shakespearean institutions, Shakespeare performance

  Search term matches:

  Title

  ... Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company ...

  Tag

  ... royal shakespeare company ...

  Full Text

  ... ; Published: 1 March 2019 ���������� ������� Abstract: This article examines the Royal Shakespeare Company’s ...

  
  

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