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• ‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’

  Author(s):

  Kevin A. Quarmby (see profile)

  Date:

  2013

  Group(s):

  LLC Shakespeare

  Subject(s):

  Shakespeare, Shakespeare performance, Global Shakespeare

  Item Type:

  Conference proceeding

  Tag(s):

  Shakespeare in performance, Royal Shakespeare Company

  Search term matches:

  Tag

  ... royal shakespeare company ...

  Full Text

  ... , the fact that ?Ian McKellen drops his trousers [?] sums up? the Royal Shakespeare Company?s ?whole ...

  
  

• Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)

  Author(s):

  Amy Borsuk (see profile)

  Date:

  2019

  Group(s):

  Digital Humanists, Performance Studies, Shakespeare

  Subject(s):

  Digital culture, Shakespearean institutions, Shakespeare performance

  Item Type:

  Article

  Tag(s):

  digital economy, motion capture, Royal Shakespeare Company

  Search term matches:

  Title

  ... Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company ...

  Tag

  ... royal shakespeare company ...

  Full Text

  ... ; Published: 1 March 2019 ?????????? ??????? Abstract: This article examines the Royal Shakespeare Company?s ...

  
  

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