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Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
Author(s):
Elizabeth Zeman Kolkovich
(see profile)
Date:
2019
Subject(s):
Motion pictures
,
Masculinity
,
Shakespeare, William, 1564-1616
Item Type:
Article
Tag(s):
bbc
,
Henry IV
,
Queer Performance
,
Royal Shakespeare Company
,
Adaptation
,
Film
,
Performance
,
Queer studies
,
Shakespeare
Search term matches:
Tag
...
royal
shakespeare
company
...
Full Text
... ) and the
Royal
Shakespeare
Company
’s “King and Country: Shakespeare’s Great Cycle of Kings” (2014-16), directed ...
‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’
Author(s):
Kevin A. Quarmby
(see profile)
Date:
2013
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
,
Theater
,
Literature--Adaptations
Item Type:
Conference proceeding
Tag(s):
Shakespeare in performance
,
Royal Shakespeare Company
,
Shakespeare
,
Shakespeare performance
,
Global Shakespeare
Search term matches:
Tag
...
royal
shakespeare
company
...
Full Text
... , the renowned British actor, Sir Ian McKellen, enacted this scene in the
Royal
Shakespeare
Company
’s ...
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk
(see profile)
Date:
2019
Group(s):
Digital Humanists
,
Performance Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
,
Theater
Item Type:
Article
Tag(s):
digital economy
,
motion capture
,
Royal Shakespeare Company
,
Digital culture
,
Shakespearean institutions
,
Shakespeare performance
Search term matches:
Title
... Innovating Shakespeare: The Politics of Technological Partnership in the
Royal
Shakespeare
Company
...
Tag
...
royal
shakespeare
company
...
Full Text
... ; Published: 1 March 2019 ���������� ������� Abstract: This article examines the
Royal
Shakespeare
Company
’s ...
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