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Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
Author(s):
Elizabeth Zeman Kolkovich
(see profile)
Date:
2019
Subject(s):
Adaptation
,
Film
,
Masculinity
,
Performance
,
Queer studies
,
Shakespeare
Item Type:
Article
Tag(s):
bbc
,
Henry IV
,
Queer Performance
,
Royal Shakespeare Company
Search term matches:
Tag
...
royal
shakespeare
company
...
Full Text
... BBC?s The Hollow Crown (2012) and the
Royal
Shakespeare
Company
?s ?King and Country: Shakespeare?s ...
‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’
Author(s):
Kevin A. Quarmby
(see profile)
Date:
2013
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare
,
Shakespeare performance
,
Global Shakespeare
Item Type:
Conference proceeding
Tag(s):
Shakespeare in performance
,
Royal Shakespeare Company
Search term matches:
Tag
...
royal
shakespeare
company
...
Full Text
... , the fact that ?Ian McKellen drops his trousers [?] sums up? the
Royal
Shakespeare
Company
?s ?whole ...
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk
(see profile)
Date:
2019
Group(s):
Digital Humanists
,
Performance Studies
,
Shakespeare
Subject(s):
Digital culture
,
Shakespearean institutions
,
Shakespeare performance
Item Type:
Article
Tag(s):
digital economy
,
motion capture
,
Royal Shakespeare Company
Search term matches:
Title
... Innovating Shakespeare: The Politics of Technological Partnership in the
Royal
Shakespeare
Company
...
Tag
...
royal
shakespeare
company
...
Full Text
... ; Published: 1 March 2019 ?????????? ??????? Abstract: This article examines the
Royal
Shakespeare
Company
?s ...
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