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• How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy

  Author(s):

  Douglas Shadle (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society

  Subject(s):

  Music, United States, Nineteenth century, Slavery, Musicology, Printing--Social aspects

  Item Type:

  Article

  Tag(s):

  Eduard Hanslick, Music Aesthetics, Richard Storrs Willis, Santa Claus, William Henry Fry, 19th-century American music, 19th-century music, Abolition, Print culture

  Search term matches:

  Tag

  ... eduard hanslick ...

  Full Text

  ... and Eduard Hanslick (1825–1904) of Vienna. Wagner and Liszt, like Fry, argued in favor of new musical forms ...

  
  

• On the Musically Beautiful and "Absolute Music"

  Author(s):

  SANNA PEDERSON (see profile)

  Date:

  2018

  Subject(s):

  Music, History, Aesthetics, Musical criticism

  Item Type:

  Conference paper

  Tag(s):

  Hanslick, absolute music, Dvorak, Bruckner, Music history, Music criticism

  Search term matches:

  Tag

  ... hanslick ...

  Full Text

  ... There is no doubt that Eduard Hanslick´s Vom Musikalisch-Schönen of 1854 made a big impact on the world of musical ...

  
  

• Absolute Music

  Author(s):

  SANNA PEDERSON (see profile)

  Date:

  2016

  Subject(s):

  Aesthetics, Romanticism, Germany, Romanticism in music

  Item Type:

  Book chapter

  Tag(s):

  Eduard Hanslick, Ludwig van Beethoven, Nietzsche, German Romanticism, Musical romanticism

  Search term matches:

  Tag

  ... eduard hanslick ...

  Full Text

  ... in Beethoven's music to Wagner's artwork (i.e., opera) of the future. Hanslick The _mos~ resp:c~ed music ...

  
  

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