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• El público de las traducciones alemanas de "Celestina"

  Author(s):

  Amaranta Saguar García (see profile)

  Date:

  2019

  Group(s):

  Late Medieval History

  Subject(s):

  Celestina, Reception

  Item Type:

  Conference paper

  Tag(s):

  Christof Wirsung, Spanish-German Relations

  
  

• Repercusión de la Edad Media hispánica en la música popular contemporánea

  Author(s):

  Amaranta Saguar García (see profile)

  Date:

  2018

  Subject(s):

  Medieval Iberia, Medieval Iberian literature, Popular Music Studies, Reception

  Item Type:

  Catalog

  Tag(s):

  Popular music

  
  

• Edoardo Sanguineti's New Dante

  Author(s):

  David Geoffrey Lummus (see profile)

  Date:

  2013

  Subject(s):

  Italian literature, 20th-century Italian literature, Dante, Reception

  Item Type:

  Book chapter

  Tag(s):

  Sanguineti

  
  

• Dante's Inferno: Critical Reception and Influence

  Author(s):

  David Geoffrey Lummus (see profile)

  Date:

  2011

  Subject(s):

  Dante, Italian literature, Reception, Dante studies, Criticism

  Item Type:

  Book chapter

  
  

• The Portrait Potential: Gender, Identity, and Devotion in Manuscript Owner Portraits, 1230–1320

  Author(s):

  Maeve Doyle (see profile)

  Date:

  2015

  Subject(s):

  Art history, Illuminated manuscripts, Gender studies, Medieval studies, Medieval art, Reception

  Item Type:

  Dissertation

  Tag(s):

  portraiture, Patronage

  
  

• The Status and Interpretation of Jubilees in 4Q390

  Author(s):

  Todd Hanneken (see profile)

  Date:

  2012

  Group(s):

  Ancient Jew Review, Biblical Studies

  Subject(s):

  Dead Sea scrolls, Pseudepigrapha, Reception

  Item Type:

  Article

  Tag(s):

  Book of Jubilees

  
  

• Dancing Greek Antiquity in Private and Public: Isadora Duncan's Early Patronage in Paris

  Author(s):

  Samuel Dorf (see profile)

  Date:

  2012

  Subject(s):

  Musicology, Dance history, Queer and gender studies, Reception

  Item Type:

  Article

  Tag(s):

  Isadora Duncan, Queer Performance

  
  

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