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• Satan, Subliminals, and Suicide: The Formation and Development of an Antirock Discourse in the United States During the 1980s

  Author(s):

  John Brackett (see profile)

  Date:

  2019

  Subject(s):

  Musicology, Popular Music Studies, 20th-century American music, Satan

  Item Type:

  Article

  Tag(s):

  Popular music, satanism, American music, Moral panic

  
  

• Review of Phillip Auslander's

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Date:

  2014

  Subject(s):

  Performance studies, Popular Music Studies

  Item Type:

  Book review

  Tag(s):

  glam rock, Philip Auslander, popular music and gender, popular music and performance

  
  

• FYTA: Conceptual Songwriting

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Athanasios Anagnostopoulos

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  Popular music, post-punk

  
  

• Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Anagnostopoulos Athanasios

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  conceptual art, conceptual songwriting, Popular music, post-punk

  
  

• Η Λένα Πλάτωνος και οι ραγισμένες μας καρδιές [Lena Platonos and our broken hearts]

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Date:

  2018

  Subject(s):

  Cultural musicology, Popular Music Studies, Queer and feminist performance

  Item Type:

  Presentation

  Tag(s):

  avant-pop, Greek popular music, Lena Platonos

  
  

• Histories

  Author(s):

  Gil Rodman (see profile)

  Date:

  1999

  Group(s):

  Cultural Studies

  Subject(s):

  Popular Music Studies, Historiography, Cultural studies, Popular culture studies

  Item Type:

  Book chapter

  Tag(s):

  Elvis Presley

  
  

• A Polyphony of Belongings. (Turbo) Folk, Power and Migrants

  Author(s):

  Wladimir Fischer-Nebmaier (see profile)

  Date:

  2005

  Group(s):

  Bosnian, Croatian, Serbian Studies, Global & Transnational Studies

  Subject(s):

  Music, Migration, Comparative cultural studies, Popular culture, Popular Music Studies, Austria, Yugoslavia

  Item Type:

  Article

  Tag(s):

  Identification, identity politics

  
  

• A New Approach to the Analysis of Timbre

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Musicology, Music technology, Music theory, Popular Music Studies

  Item Type:

  Dissertation

  Tag(s):

  1980s, fm synthesis, synthesizers, timbre, yamaha dx7

  
  

• Pop Music Recordings and Related Ephemera at the British Library: Past, Present and Future Challenges

  Author(s):

  Ian Moore (see profile)

  Date:

  2017

  Group(s):

  CityLIS

  Subject(s):

  Library and information science, Music libraries, Popular culture, Popular Music Studies

  Item Type:

  Dissertation

  Tag(s):

  CityLIS

  
  

• The Bolero Rhythm in Rock

  Author(s):

  Mark Yeary (see profile)

  Date:

  2013

  Subject(s):

  Popular Music Studies, Semiotics

  Item Type:

  Conference paper

  
  

• A Typology of Sampling in Hip-Hop

  Author(s):

  Amanda Sewell (see profile)

  Date:

  2013

  Subject(s):

  Musicology, Hip-hop studies, Ethnomusicology, Popular Music Studies

  Item Type:

  Dissertation

  Tag(s):

  typology, African American music, sampling, sample-based hip-, musical borrowing

  
  

• A Dream Deferred: Nina Simone and the Work of Mourning

  Author(s):

  Richard Elliott (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Popular Music Studies, Civil rights, History, Voice, Popular culture

  Item Type:

  Presentation

  Tag(s):

  Nina Simone, late voice, mourning, experience, age

  
  

• “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone

  Author(s):

  Richard Elliott (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Music, Popular Music Studies, Age studies, Voice, Celebrity studies

  Item Type:

  Conference paper

  Tag(s):

  Nina Simone, Janis Ian, cover version, stardom

  
  

• A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice

  Author(s):

  Richard Elliott (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Popular Music Studies, Cultural studies, Cultural studies of age, Voice

  Item Type:

  Conference paper

  Tag(s):

  pop culture, female voice, age, experience, Taylor Swift

  
  

• “Time and Distance Are No Object”

  Author(s):

  Richard Elliott (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Music, Popular culture, Material culture, Popular Music Studies, Cultural studies, Translation, Representation

  Item Type:

  Article

  Tag(s):

  exotica, pop culture, nostalgia

  
  

• Where I Come From: Place, Race, Memory and Experience in Rap and Country Music – A Comparative Study

  Author(s):

  Richard Elliott (see profile)

  Date:

  2002

  Subject(s):

  Popular Music Studies, Hip Hop, Country music, Memory studies, Cultural studies, Race, Place, Memory

  Item Type:

  Dissertation

  Tag(s):

  authenticity, experience

  
  

• Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity

  Author(s):

  Gil Rodman (see profile)

  Date:

  2006

  Group(s):

  Cultural Studies

  Subject(s):

  Popular Music Studies, Hip-hop studies, Race, Media studies, Cultural studies

  Item Type:

  Article

  Tag(s):

  Eminem, moral panics, Authorship, authenticity, whiteness

  
  

• “That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline

  Author(s):

  Jake Johnson (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  20th-century American music, Age studies, Musical theatre, Musicology, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  aging, American music, american musical theater, regionalism

  
  

• Calling out the nameless: CocoRosie's Posthuman sound world

  Author(s):

  Jake Johnson (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, Popular Music Studies, Queer and feminist performance, Sound studies, Voice

  Item Type:

  Article

  Tag(s):

  Popular music, posthumanism, Queer Studies, sound studies, voice

  
  

• The Late Voice (Introduction)

  Author(s):

  Richard Elliott (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Music and Sound, Philosophy

  Subject(s):

  Popular culture, Popular Music Studies, Time and eternity, Memory studies

  Item Type:

  Book section

  Tag(s):

  Time and temporality, age, gerontology, aesthetic experience, Song

  
  

• The Nerk Twins Separated---examples

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  The Beatles, John Lennon, Paul McCartney

  
  

• The Nerk Twins Separated

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  The Beatles, John Lennon, Paul McCartney

  
  

• i know the name Max Martin today

  Author(s):

  paul bali (see profile)

  Date:

  2017

  Subject(s):

  Popular Music Studies, Race/ethnicity, Satan

  Item Type:

  Article

  
  

• American Folk Rock Cattle Raid: The Decemberists’s The Tain

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

• Song of Myself: Autobiography in Pop Music

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society, TC Women’s and Gender Studies

  Subject(s):

  Historical musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

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