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MLA Deposits
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Game Studies
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games
,
Music theory
,
Popular Music Studies
,
Musicology
,
Ludomusicology
Item Type:
Book chapter
Tag(s):
sega
,
synthesizers
,
sound chips
,
new wave
,
michael jackson
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music history
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Review
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach
(see profile)
Date:
1998
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music history
,
Musicology
,
Popular Music Studies
Item Type:
Review
"(Per)Form in(g) Rock: A Response"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
"Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
African-American popular music
,
Music theory
,
Popular Music Studies
Item Type:
Article
"Introduction: The Rock (Academic) Circus"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"The Electric Light Orchestra and the Anxiety of the Beatles' Influence."
Author(s):
Mark Spicer
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2009
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
"'Reggatta de Blanc': Analyzing Style in the Music of the Police."
Author(s):
Mark Spicer
(see profile)
Date:
2010
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."
Author(s):
Mark Spicer
(see profile)
Date:
2008
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Popular Music Studies
Item Type:
Book chapter
"(Ac)cumulative Form in Pop-Rock Music."
Author(s):
Mark Spicer
(see profile)
Date:
2004
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
Rhythmic and Metric Theorisation in Rock Music
Author(s):
Nicole Biamonte
(see profile)
Date:
2020
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
Tag(s):
Meter
,
Rhythm
“George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
“Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology
,
Popular Music Studies
Item Type:
Book chapter
"Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.
Author(s):
John Covach
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
“The Way We Were: Rethinking the Popular in a Flat World,” Analitica/Rivista di Analisi e Teoria Musicale, 2016, vol. 1/2, 59-72.
Author(s):
John Covach
(see profile)
Date:
2016
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
American cultural history
,
American cultural studies
,
Musicology
,
Popular Music Studies
Item Type:
Article
“Rock Me, Maestro,” Chronicle of Higher Education (February 2, 2015)
Author(s):
John Covach
(see profile)
Date:
2015
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music
,
Music education
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Article
“To MOOC or Not to MOOC?” Music Theory Online 19/3 (September 2013)
Author(s):
John Covach
(see profile)
Date:
2013
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology
,
Online education
,
Popular Music Studies
Item Type:
Article
“The Hippie Aesthetic: Cultural Positioning and Musical Ambition in Early Progressive Rock,” in Composition and Experimentation in British Rock 1966–1976, a special issue of Philomusica Online (2007); reprinted in The Ashgate Library of Essays on Popular Music: Rock, ed. Mark Spicer (Ashgate publishing, 2012), 65-75.
Author(s):
John Covach
(see profile)
Date:
2007
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Article
“Leiber and Stoller, the Coasters, and the ‘Dramatic AABA’ Form,” in Sounding Out Pop: Analytical Essays in Rock Music, ed. Covach and Spicer (University of Michigan Press, 2010)., 1-17.
Author(s):
John Covach
(see profile)
Date:
2010
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
Pop/Rock Tonalities
Author(s):
Nicole Biamonte
(see profile)
Date:
2017
Subject(s):
Popular Music Studies
Item Type:
Book chapter
Tag(s):
harmony
,
tonality
“Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970s American Progressive Rock,” in W. Everett, ed., Rock Music: Critical Essays on Composition, Performance, Analysis, and Reception (Garland Publishing, 1999), 113-34. Reprinted in the second edition (2007).
Author(s):
John Covach
(see profile)
Date:
1999
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
“From Craft to Art: Formal Structure in the Music of the Beatles,” in Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four, ed. Ken Womack and Todd F. Davis (SUNY Press, 2006), 37-53.
Author(s):
John Covach
(see profile)
Date:
2006
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
Rhythmic Functions in Pop-Rock Music
Author(s):
Nicole Biamonte
(see profile)
Date:
2019
Subject(s):
Popular Music Studies
Item Type:
Book chapter
Tag(s):
form
,
musical texture
,
phrase
,
Rhythm
,
rhythmic dissonance
,
rock music
“We Won’t Get Fooled Again: Rock Music and Musical Analysis,” reprinted and updated in Interdisciplinary Studies in Musicology 5 (2005), 225-46. Originally appeared in In Theory Only 13/1-4 (1997): 119-41; and in A. Kassabian, D. Schwarz, and L. Siegel, eds., Keeping Score: Music, Disciplinarity, Culture (University Press of Virginia, 1997), 75-89.
Author(s):
John Covach
(see profile)
Date:
1997
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music theory
,
Popular Music Studies
Item Type:
Article
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