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• “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music history, Music theory

  Item Type:

  Book chapter

  
  

• The Punk Arab: Demystifying Omar Souleyman’s Techno-Dabke

  Author(s):

  Shayna Silverstein (see profile)

  Date:

  2016

  Group(s):

  Ethnomusicology

  Subject(s):

  Popular Music Studies, Ethnomusicology, Middle Eastern studies, Arabic music, Arab Middle East

  Item Type:

  Book chapter

  
  

• Panorama de la música popular cubana en los Premios Lucas 2016

  Author(s):

  Pablo Suárez (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology, Paper Music

  Subject(s):

  Cuban American culture, Ethnomusicology, Popular Music Studies

  Item Type:

  Article

  
  

• Virtual Space, Voice, and Gender in Recorded Popular Music from 2008–2018

  Author(s):

  Michèle Duguay (see profile)

  Date:

  2020

  Group(s):

  DH2020

  Subject(s):

  Gender, Music, Popular Music Studies, Sound recording technologies, Sound studies

  Item Type:

  Video

  Tag(s):

  Popular music, popular music and gender

  
  

• The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2014

  Group(s):

  Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies

  Item Type:

  Dissertation

  Tag(s):

  popular music, Seventeenth-century, lute

  
  

• Power and Authenticity: Tradition and Transgression in Extreme Metal Music

  Author(s):

  Steven Barnard (see profile)

  Date:

  2020

  Group(s):

  Cultural Studies, Music Encoding Initiative

  Subject(s):

  Metal Music Studies, Popular Music Studies

  Item Type:

  Essay

  Tag(s):

  Popular music

  
  

• Encoding Emotional Turbulence in the Music of Soundgarden: An Analysis of 'Outshined'

  Author(s):

  Steven Barnard (see profile)

  Date:

  2019

  Group(s):

  Cultural Studies, Music Encoding Initiative

  Subject(s):

  Metal Music Studies, Popular Music Studies

  Item Type:

  Essay

  Tag(s):

  Popular music

  
  

• Ritchie Blackmore: Divergence From the Blues Roots

  Author(s):

  Steven Barnard (see profile)

  Date:

  2018

  Group(s):

  Cultural Studies, Music Encoding Initiative

  Subject(s):

  Metal Music Studies, Popular Music Studies

  Item Type:

  Essay

  Tag(s):

  electric guitar, Popular music

  
  

• Music All Up and Down the Street: Listening to Childhood in James Baldwin's Little Man, Little Man

  Author(s):

  Kyle DeCoste (see profile)

  Date:

  2019

  Subject(s):

  Affect, African-American popular music, African American literature, Black studies, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  affect theory, childhood, innocence, James Baldwin, Popular music

  
  

• Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

  Author(s):

  Kyle DeCoste (see profile)

  Date:

  2017

  Subject(s):

  African-American popular music, Black feminist theory, Ethnomusicology, Intersectionality, Jazz, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  New Orleans, Popular music

  
  

• The Frame and The Swerve: Music Video's Relationship to Dance

  Author(s):

  Brad Osborn (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music theory, Popular Music Studies, Dance

  Item Type:

  Article

  Tag(s):

  Lucretius, music video

  
  

• Gabino Palomares: A History of Canto Nuevo in Mexico

  Author(s):

  Claudio Palomares-Salas (see profile)

  Date:

  2018

  Subject(s):

  Mexican culture, Mexican studies, Mexico, Music and Society, Popular Music Studies

  Item Type:

  Article

  
  

• Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology

  Item Type:

  Book chapter

  Tag(s):

  sega, synthesizers, sound chips, new wave, michael jackson

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory, Popular Music Studies

  Item Type:

  Review

  
  

• Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music history, Musicology, Popular Music Studies

  Item Type:

  Review

  
  

• "(Per)Form in(g) Rock: A Response"

  Author(s):

  Mark Spicer (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Article

  
  

• "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  African-American popular music, Music theory, Popular Music Studies

  Item Type:

  Article

  
  

• "Introduction: The Rock (Academic) Circus"

  Author(s):

  Mark Spicer (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Book chapter

  
  

• "The Electric Light Orchestra and the Anxiety of the Beatles' Influence."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Book chapter

  
  

• "Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2009

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Article

  
  

• "'Reggatta de Blanc': Analyzing Style in the Music of the Police."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2010

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Book chapter

  
  

• "Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2008

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Popular Music Studies

  Item Type:

  Book chapter

  
  

• "(Ac)cumulative Form in Pop-Rock Music."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2004

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Article

  
  

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