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• A New Approach to the Analysis of Timbre

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2017

  Subject(s):

  Musicology, Music technology, Music theory, Popular Music Studies

  Item Type:

  Dissertation

  Tag(s):

  1980s, fm synthesis, synthesizers, timbre, yamaha dx7

  
  

• Pop Music Recordings and Related Ephemera at the British Library: Past, Present and Future Challenges

  Author(s):

  Ian Moore (see profile)

  Date:

  2017

  Group(s):

  CityLIS

  Subject(s):

  Library and information science, Music libraries, Popular culture, Popular Music Studies

  Item Type:

  Dissertation

  Tag(s):

  CityLIS

  
  

• The Bolero Rhythm in Rock

  Author(s):

  Mark Yeary (see profile)

  Date:

  2013

  Subject(s):

  Popular Music Studies, Semiotics

  Item Type:

  Conference paper

  
  

• A Typology of Sampling in Hip-Hop

  Author(s):

  Amanda Sewell (see profile)

  Date:

  2013

  Subject(s):

  Musicology, Hip-hop studies, Ethnomusicology, Popular Music Studies

  Item Type:

  Dissertation

  Tag(s):

  typology, African American music, sampling, sample-based hip-, musical borrowing

  
  

• A Dream Deferred: Nina Simone and the Work of Mourning

  Author(s):

  Richard Elliott (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Popular Music Studies, Civil rights, History, Voice, Popular culture

  Item Type:

  Presentation

  Tag(s):

  Nina Simone, late voice, mourning, experience, age

  
  

• “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone

  Author(s):

  Richard Elliott (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Music, Popular Music Studies, Age studies, Voice, Celebrity studies

  Item Type:

  Conference paper

  Tag(s):

  Nina Simone, Janis Ian, cover version, stardom

  
  

• A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice

  Author(s):

  Richard Elliott (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Popular Music Studies, Cultural studies, Cultural studies of age, Voice

  Item Type:

  Conference paper

  Tag(s):

  pop culture, female voice, age, experience, Taylor Swift

  
  

• “Time and Distance Are No Object”

  Author(s):

  Richard Elliott (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Music, Popular culture, Material culture, Popular Music Studies, Cultural studies, Translation, Representation

  Item Type:

  Article

  Tag(s):

  exotica, pop culture, nostalgia

  
  

• Where I Come From: Place, Race, Memory and Experience in Rap and Country Music – A Comparative Study

  Author(s):

  Richard Elliott (see profile)

  Date:

  2002

  Subject(s):

  Popular Music Studies, Hip Hop, Country music, Memory studies, Cultural studies, Race, Place, Memory

  Item Type:

  Dissertation

  Tag(s):

  authenticity, experience

  
  

• Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity

  Author(s):

  Gil Rodman (see profile)

  Date:

  2006

  Group(s):

  Cultural Studies

  Subject(s):

  Popular Music Studies, Hip-hop studies, Race, Media studies, Cultural studies

  Item Type:

  Article

  Tag(s):

  Eminem, moral panics, Authorship, authenticity, whiteness

  
  

• “That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline

  Author(s):

  Jake Johnson (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  20th-century American music, Age studies, Musical theatre, Musicology, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  aging, American music, american musical theater, regionalism

  
  

• Calling out the nameless: CocoRosie's Posthuman sound world

  Author(s):

  Jake Johnson (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Musicology, Popular Music Studies, Queer and feminist performance, Sound studies, Voice

  Item Type:

  Article

  Tag(s):

  Popular music, posthumanism, Queer Studies, sound studies, voice

  
  

• The Late Voice (Introduction)

  Author(s):

  Richard Elliott (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Music and Sound, Philosophy

  Subject(s):

  Popular culture, Popular Music Studies, Time and eternity, Memory studies

  Item Type:

  Book section

  Tag(s):

  Time and temporality, age, gerontology, aesthetic experience, Song

  
  

• The Nerk Twins Separated---examples

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  The Beatles, John Lennon, Paul McCartney

  
  

• The Nerk Twins Separated

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  The Beatles, John Lennon, Paul McCartney

  
  

• i know the name Max Martin today

  Author(s):

  paul bali (see profile)

  Date:

  2017

  Subject(s):

  Popular Music Studies, Race/ethnicity, Satan

  Item Type:

  Article

  
  

• American Folk Rock Cattle Raid: The Decemberists’s The Tain

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

• Song of Myself: Autobiography in Pop Music

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society, TC Women’s and Gender Studies

  Subject(s):

  Historical musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

• Heavy Metal Elves

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, MS Screen Arts and Culture

  Subject(s):

  Historical musicology, Musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

• Bossa Nova and Twenty-First Century Commerce: Branded Ubiquitous Music and the Global Bourgeoisie

  Author(s):

  Kariann Goldschmitt (see profile)

  Date:

  2017

  Subject(s):

  Ethnomusicology, Musicology, Popular Music Studies

  Item Type:

  Book chapter

  Tag(s):

  Brand, Brazil, marketing, music industry

  
  

• Anarchy for the UK

  Author(s):

  Alison Baker (see profile)

  Date:

  2017

  Group(s):

  Speculative and Science Fiction

  Subject(s):

  British history, Children's literature, History and literature, Popular culture studies, Popular Music Studies, Young adult literature

  Item Type:

  Conference paper

  Tag(s):

  protest, punk, squatting, Thatcherism

  
  

• “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde

  Author(s):

  John Brackett (see profile)

  Date:

  2018

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory, Popular Music Studies

  Item Type:

  Book chapter

  Tag(s):

  Blonde, drugs, Frank Ocean, marijuana

  
  

• ‘Hand in Glove’ and the Development of The Smiths’ Sound

  Author(s):

  John Brackett (see profile)

  Date:

  2013

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Hand in Glove, Johnny Marr, Morrissey, Recording Technology, The Smiths

  
  

• Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style

  Author(s):

  John Brackett (see profile)

  Date:

  2008

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Led Zeppelin, Meter, Popular music, Rhythm, Style Analysis

  
  

• A Hero to Most?: Elvis, Myth, and the Politics of Race

  Author(s):

  Gil Rodman (see profile)

  Date:

  1994

  Group(s):

  Cultural Studies

  Subject(s):

  American studies, Communications, Cultural studies, Media studies, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Popular music, Race, Cultural appropriation, Elvis Presley, Mythologies

  
  

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