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MLA Deposits
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre
(see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub
,
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
Popular Music Studies
,
Early Modern
,
Early modern France
,
17th-century music
,
Music performance
,
Cultural studies
,
Performance studies
Item Type:
Dissertation
Tag(s):
popular music
,
Seventeenth-century
,
lute
Power and Authenticity: Tradition and Transgression in Extreme Metal Music
Author(s):
Steven Barnard
(see profile)
Date:
2020
Group(s):
Cultural Studies
,
Music Encoding Initiative
Subject(s):
Metal Music Studies
,
Popular Music Studies
Item Type:
Essay
Tag(s):
Popular music
Encoding Emotional Turbulence in the Music of Soundgarden: An Analysis of 'Outshined'
Author(s):
Steven Barnard
(see profile)
Date:
2019
Group(s):
Cultural Studies
,
Music Encoding Initiative
Subject(s):
Metal Music Studies
,
Popular Music Studies
Item Type:
Essay
Tag(s):
Popular music
Ritchie Blackmore: Divergence From the Blues Roots
Author(s):
Steven Barnard
(see profile)
Date:
2018
Group(s):
Cultural Studies
,
Music Encoding Initiative
Subject(s):
Metal Music Studies
,
Popular Music Studies
Item Type:
Essay
Tag(s):
electric guitar
,
Popular music
Music All Up and Down the Street: Listening to Childhood in James Baldwin's Little Man, Little Man
Author(s):
Kyle DeCoste
(see profile)
Date:
2019
Subject(s):
Affect
,
African-American popular music
,
African American literature
,
Black studies
,
Popular Music Studies
Item Type:
Article
Tag(s):
affect theory
,
childhood
,
innocence
,
James Baldwin
,
Popular music
Street Queens: New Orleans Brass Bands and the Problem of Intersectionality
Author(s):
Kyle DeCoste
(see profile)
Date:
2017
Subject(s):
African-American popular music
,
Black feminist theory
,
Ethnomusicology
,
Intersectionality
,
Jazz
,
Popular Music Studies
Item Type:
Article
Tag(s):
New Orleans
,
Popular music
The Frame and The Swerve: Music Video's Relationship to Dance
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music theory
,
Popular Music Studies
,
Dance
Item Type:
Article
Tag(s):
Lucretius
,
music video
Gabino Palomares: A History of Canto Nuevo in Mexico
Author(s):
Claudio Palomares-Salas
(see profile)
Date:
2018
Subject(s):
Mexican culture
,
Mexican studies
,
Mexico
,
Music and Society
,
Popular Music Studies
Item Type:
Article
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Game Studies
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games
,
Music theory
,
Popular Music Studies
,
Musicology
,
Ludomusicology
Item Type:
Book chapter
Tag(s):
sega
,
synthesizers
,
sound chips
,
new wave
,
michael jackson
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music history
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Review
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach
(see profile)
Date:
1998
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music history
,
Musicology
,
Popular Music Studies
Item Type:
Review
"(Per)Form in(g) Rock: A Response"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
"Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
African-American popular music
,
Music theory
,
Popular Music Studies
Item Type:
Article
"Introduction: The Rock (Academic) Circus"
Author(s):
Mark Spicer
(see profile)
Date:
2011
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"The Electric Light Orchestra and the Anxiety of the Beatles' Influence."
Author(s):
Mark Spicer
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2009
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
"'Reggatta de Blanc': Analyzing Style in the Music of the Police."
Author(s):
Mark Spicer
(see profile)
Date:
2010
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
"Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."
Author(s):
Mark Spicer
(see profile)
Date:
2008
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Popular Music Studies
Item Type:
Book chapter
"(Ac)cumulative Form in Pop-Rock Music."
Author(s):
Mark Spicer
(see profile)
Date:
2004
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Article
Rhythmic and Metric Theorisation in Rock Music
Author(s):
Nicole Biamonte
(see profile)
Date:
2020
Subject(s):
Music theory
,
Popular Music Studies
Item Type:
Book chapter
Tag(s):
Meter
,
Rhythm
“George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
“Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.
Author(s):
John Covach
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology
,
Popular Music Studies
Item Type:
Book chapter
"Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.
Author(s):
John Covach
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Book chapter
“The Way We Were: Rethinking the Popular in a Flat World,” Analitica/Rivista di Analisi e Teoria Musicale, 2016, vol. 1/2, 59-72.
Author(s):
John Covach
(see profile)
Date:
2016
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
American cultural history
,
American cultural studies
,
Musicology
,
Popular Music Studies
Item Type:
Article
“Rock Me, Maestro,” Chronicle of Higher Education (February 2, 2015)
Author(s):
John Covach
(see profile)
Date:
2015
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music
,
Music education
,
Musicology
,
Music theory
,
Popular Music Studies
Item Type:
Article
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