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CORE Search Results Start Search Over

  • All Deposits 0
  • MLA Deposits
  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music history, Music theory
    Item Type:
    Book chapter

  • The Punk Arab: Demystifying Omar Souleyman’s Techno-Dabke

    Author(s):
    Shayna Silverstein (see profile)
    Date:
    2016
    Group(s):
    Ethnomusicology
    Subject(s):
    Popular Music Studies, Ethnomusicology, Middle Eastern studies, Arabic music, Arab Middle East
    Item Type:
    Book chapter

  • Panorama de la música popular cubana en los Premios Lucas 2016

    Author(s):
    Pablo Suárez (see profile)
    Date:
    2018
    Group(s):
    Ethnomusicology, Paper Music
    Subject(s):
    Cuban American culture, Ethnomusicology, Popular Music Studies
    Item Type:
    Article

  • Virtual Space, Voice, and Gender in Recorded Popular Music from 2008–2018

    Author(s):
    Michèle Duguay (see profile)
    Date:
    2020
    Group(s):
    DH2020
    Subject(s):
    Gender, Music, Popular Music Studies, Sound recording technologies, Sound studies
    Item Type:
    Video
    Tag(s):
    Popular music, popular music and gender

  • The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2014
    Group(s):
    Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
    Subject(s):
    Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies
    Item Type:
    Dissertation
    Tag(s):
    popular music, Seventeenth-century, lute

  • Power and Authenticity: Tradition and Transgression in Extreme Metal Music

    Author(s):
    Steven Barnard (see profile)
    Date:
    2020
    Group(s):
    Cultural Studies, Music Encoding Initiative
    Subject(s):
    Metal Music Studies, Popular Music Studies
    Item Type:
    Essay
    Tag(s):
    Popular music

  • Encoding Emotional Turbulence in the Music of Soundgarden: An Analysis of 'Outshined'

    Author(s):
    Steven Barnard (see profile)
    Date:
    2019
    Group(s):
    Cultural Studies, Music Encoding Initiative
    Subject(s):
    Metal Music Studies, Popular Music Studies
    Item Type:
    Essay
    Tag(s):
    Popular music

  • Ritchie Blackmore: Divergence From the Blues Roots

    Author(s):
    Steven Barnard (see profile)
    Date:
    2018
    Group(s):
    Cultural Studies, Music Encoding Initiative
    Subject(s):
    Metal Music Studies, Popular Music Studies
    Item Type:
    Essay
    Tag(s):
    electric guitar, Popular music

  • Music All Up and Down the Street: Listening to Childhood in James Baldwin's Little Man, Little Man

    Author(s):
    Kyle DeCoste (see profile)
    Date:
    2019
    Subject(s):
    Affect, African-American popular music, African American literature, Black studies, Popular Music Studies
    Item Type:
    Article
    Tag(s):
    affect theory, childhood, innocence, James Baldwin, Popular music

  • Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

    Author(s):
    Kyle DeCoste (see profile)
    Date:
    2017
    Subject(s):
    African-American popular music, Black feminist theory, Ethnomusicology, Intersectionality, Jazz, Popular Music Studies
    Item Type:
    Article
    Tag(s):
    New Orleans, Popular music

  • The Frame and The Swerve: Music Video's Relationship to Dance

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies, Dance
    Item Type:
    Article
    Tag(s):
    Lucretius, music video

  • Gabino Palomares: A History of Canto Nuevo in Mexico

    Author(s):
    Claudio Palomares-Salas (see profile)
    Date:
    2018
    Subject(s):
    Mexican culture, Mexican studies, Mexico, Music and Society, Popular Music Studies
    Item Type:
    Article

  • Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
    Item Type:
    Book chapter
    Tag(s):
    sega, synthesizers, sound chips, new wave, michael jackson

  • Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory, Popular Music Studies
    Item Type:
    Review

  • Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music history, Musicology, Popular Music Studies
    Item Type:
    Review

  • "(Per)Form in(g) Rock: A Response"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Article

  • "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    African-American popular music, Music theory, Popular Music Studies
    Item Type:
    Article

  • "Introduction: The Rock (Academic) Circus"

    Author(s):
    Mark Spicer (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "The Electric Light Orchestra and the Anxiety of the Beatles' Influence."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2009
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Article

  • "'Reggatta de Blanc': Analyzing Style in the Music of the Police."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2010
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2008
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Popular Music Studies
    Item Type:
    Book chapter

  • "(Ac)cumulative Form in Pop-Rock Music."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2004
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Popular Music Studies
    Item Type:
    Article

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