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• Continuidade do repertório polifónico na Catedral de Évora no século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Polyphony, Sacred music, Music, Musicology, Stile Antico

  Item Type:

  Book chapter

  Tag(s):

  Évora Cathedral

  
  

• Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in the Azores studies

  Subject(s):

  Music, Musicology, 17th century, Sacred music, Polyphony

  Item Type:

  Article

  Tag(s):

  soundscapes, Angra Cathedral, Angra do Heroísmo, Choirbook

  
  

• The Segovia Manuscript: Another Look at the ‘Flemish Hypothesis’

  Author(s):

  Rob C. Wegman (see profile)

  Date:

  2020

  Group(s):

  Medieval Polyphony

  Subject(s):

  Flemish language, Medieval manuscripts, Medieval music, Medieval Spanish Literature, Polyphony

  Item Type:

  Book chapter

  
  

• Rubrication Patterns in Two Old Nubian Manuscripts from Serra East

  Author(s):

  Vincent van Gerven Oei (see profile)

  Date:

  2020

  Group(s):

  Union for Nubian Studies

  Subject(s):

  Nubian studies, Manuscript studies, Polyphony

  Item Type:

  Article

  Tag(s):

  Old Nubian, rubrication, Biblical citations, Serra East

  
  

• Ecos da Sé de Angra" em Angra do Heroísmo

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Subject(s):

  Musicology, Music, Exhibtions, Polyphony, Sacred music

  Item Type:

  Article

  Tag(s):

  Plainchant

  
  

• A nova igreja do Convento do Carmo de Évora: uma perspetiva da sua paisagem sonora na segunda metade do século XVII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Historical Soundscape Studies, Music in Évora studies

  Subject(s):

  Musicology, Music, 17th-century music, 17th century, Polyphony

  Item Type:

  Article

  Tag(s):

  Carmelites, Évora, plainchant, Soundscapes

  
  

• Visita Paisagem Sonora Histórica

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Music, Historical musicology, Musicology, 16th century, 17th century, Sacred music, Polyphony

  Item Type:

  Other

  Tag(s):

  Soundscapes, Évora, tour

  
  

• Algumas notas sobre o motete memento homo de Diogo Dias Melgaz

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Music, 17th century, Polyphony, Sacred music

  Item Type:

  Magazine section

  Tag(s):

  motet, Évora Cathedral, Évora

  
  

• A musicologia histórica no contexto eborense: uma perspetiva e potencialidades interdisciplinares

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Music, History, Sacred music, Polyphony, Art history, Architecture

  Item Type:

  Abstract

  
  

• A música na Catedral de Évora no limiar de setecentos: Aspetos de transição na obra de Diogo Dias Melgaz e Pedro Vaz Rego

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Music, 17th-century music, 17th century, 18th century, Polyphony, Sacred music, Stile Antico

  Item Type:

  Abstract

  Tag(s):

  Stile Concertato, Évora Cathedral

  
  

• Música a Norte: Barroco Católico e Protestante

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Polyphony, 18th century, Sacred music

  Item Type:

  Other

  Tag(s):

  Évora Cathedral, Concert, programme, Grupo Vocal Olisipo

  
  

• A atividade litúrgico-musical da ermida de Nossa Senhora dos Remédios: Expressão de uma identidade nobiliárquica da cidade de Angra nos séculos XVI e XVII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in the Azores studies

  Subject(s):

  17th century, 16th century, Sacred music, Musicology, Music, Polyphony

  Item Type:

  Article

  Tag(s):

  Soundscapes, Plainchant, Azores

  
  

• O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Historical Soundscape Studies

  Subject(s):

  Music, Musicology, 17th-century music, 17th century, Sacred music, Polyphony

  Item Type:

  Article

  Tag(s):

  processions, Soundscapes, Plainchant

  
  

• Francisco Martins: Confitebor tibi Domine; Dixit Dominus

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Subject(s):

  Musicology, Music, Polyphony, 17th century

  Item Type:

  Other

  Tag(s):

  sheet music, Music Edition, psalm

  
  

• Acerca do motete Heu me Domine de Vicente Lusitano

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Renaissance / Early Modern Studies

  Subject(s):

  Musicology, Music, Music analysis, 16th century, Sacred music, Polyphony

  Item Type:

  Online publication

  Tag(s):

  motet, chromaticism

  
  

• Duarte Lobo: Uma nota biográfica

  Author(s):

  Luís Henriques (see profile)

  Date:

  2013

  Subject(s):

  Music, Musicology, 17th century, Biography, Polyphony, Sacred music

  Item Type:

  Newspaper article

  Tag(s):

  Composer

  
  

• Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  Music, Musicology, Sacred music, Polyphony, 18th century

  Item Type:

  Abstract

  Tag(s):

  Évora Cathedral, Litanies, Novenas, Antiphon

  
  

• O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  Music, Musicology, 17th-century music, 17th century, Polyphony, Sacred music

  Item Type:

  Abstract

  Tag(s):

  Évora Cathedral, motet

  
  

• António Pinheiro: Uma nota biográfica

  Author(s):

  Luís Henriques (see profile)

  Date:

  2014

  Subject(s):

  Music, Musicology, 16th-century music, Biography, Polyphony, Sacred music

  Item Type:

  Newspaper article

  Tag(s):

  Composer

  
  

• O Officium Defunctorum de Morago na Sé Catedral de Évora

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  17th century, Music, Musicology, Polyphony

  Item Type:

  Review

  Tag(s):

  concert, Évora Cathedral

  
  

• Lobo, Cardoso e Pedro de Cristo na Sé de Évora

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  17th century, Musicology, Music, Polyphony

  Item Type:

  Review

  Tag(s):

  concert, Évora Cathedral

  
  

• A atividade litúrgico-musical no convento de Nossa Senhora dos Remédios de Évora: o seu papel na paisagem sonora da cidade durante o século XVII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Polyphony, 17th century

  Item Type:

  Article

  Tag(s):

  Discalced Carmelites, Soundscapes, Évora, plainchant

  
  

• The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah

  Author(s):

  Doris Hambuch (see profile)

  Date:

  2016

  Group(s):

  MS Screen Arts and Culture, MS Visual Culture

  Subject(s):

  Film and society, Film criticism, world cinema, Polyphony, Film, Film studies

  Item Type:

  Article

  Tag(s):

  film discourse, Arab cinema, polyglossia

  
  

• The Circulation of Palestrinian Polyphony in the South of Portugal during the Eighteenth Century: The Repertories of Évora, Elvas and Vila Viçosa

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Music, Manuscript studies, Sacred music, Polyphony, 18th century

  Item Type:

  Abstract

  Tag(s):

  Palestrina, motet, Paraphrase Mass, Parody mass

  
  

• A música sacra na Sé de Évora no início do século XVIII: Uma abordagem inicial aos repertórios, espaços e intervenientes

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, 18th century, Polyphony, Sacred music, Architecture

  Item Type:

  Abstract

  Tag(s):

  Évora Cathedral

  
  

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