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Two-Act In-Progress Play: Nobody goes to Gary
Author(s):
Gloria Lee McMillan
(see profile)
Date:
2018
Group(s):
Ecocriticism
,
Economics & Literature
,
GS Drama and Performance
,
RCWS Creative Writing
,
Urban Cultural Studies
Subject(s):
Playwriting
,
Urban creativity
,
Industrial sociology
,
Satire
,
Drama
Item Type:
Other
Tag(s):
tragi-comedy
,
Economics of Culture
"It Happens in Ballads": Scotland, Utopia, and Traditional Song in The Strange Undoing of Prudencia Hart
Author(s):
Stephe Harrop
(see profile)
Date:
2018
Group(s):
Ethnomusicology
Subject(s):
Balladry
,
Dramatic literature
,
Folk music
,
Playwriting
,
Theater
Item Type:
Book chapter
Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum
Author(s):
Stephe Harrop
(see profile)
Date:
2018
Group(s):
Ethnomusicology
Subject(s):
Theater
,
Drama
,
Playwriting
,
Music
,
Scotland
Item Type:
Book chapter
Grounded
,
Heracles
and the Gorgon's Gaze
Author(s):
Stephe Harrop
(see profile)
Date:
2015
Group(s):
Ancient Greece & Rome
,
Classical Tradition
,
Performance Studies
Subject(s):
Classical reception
,
Greek and Roman drama
,
Greek mythology
,
Playwriting
,
Theatre and politics
Item Type:
Article
China Doll: A Conversation with Marjorie Chan
Author(s):
Antje Budde
,
Jacqueline Taucar
(see profile)
Date:
2011
Group(s):
Performance Studies
Subject(s):
Canadian studies
,
Ethnology
,
Intercultural communication
,
Modern theatre
,
Playwriting
Item Type:
Interview
Tag(s):
A Doll's House (Adaptation)
,
chinese diaspora
,
Henrik Ibsen
,
intercultural theatre
,
performativity
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