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• Two-Act In-Progress Play: Nobody goes to Gary

  Author(s):

  Gloria Lee McMillan (see profile)

  Date:

  2018

  Group(s):

  Ecocriticism, Economics & Literature, GS Drama and Performance, RCWS Creative Writing, Urban Cultural Studies

  Subject(s):

  Playwriting, Urban creativity, Industrial sociology, Satire, Drama

  Item Type:

  Other

  Tag(s):

  tragi-comedy, Economics of Culture

  
  

• "It Happens in Ballads": Scotland, Utopia, and Traditional Song in The Strange Undoing of Prudencia Hart

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology

  Subject(s):

  Balladry, Dramatic literature, Folk music, Playwriting, Theater

  Item Type:

  Book chapter

  
  

• Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology

  Subject(s):

  Theater, Drama, Playwriting, Music, Scotland

  Item Type:

  Book chapter

  
  

• Grounded, Heracles and the Gorgon's Gaze

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2015

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Performance Studies

  Subject(s):

  Classical reception, Greek and Roman drama, Greek mythology, Playwriting, Theatre and politics

  Item Type:

  Article

  
  

• China Doll: A Conversation with Marjorie Chan

  Author(s):

  Antje Budde, Jacqueline Taucar (see profile)

  Date:

  2011

  Group(s):

  Performance Studies

  Subject(s):

  Canadian studies, Ethnology, Intercultural communication, Modern theatre, Playwriting

  Item Type:

  Interview

  Tag(s):

  A Doll's House (Adaptation), chinese diaspora, Henrik Ibsen, intercultural theatre, performativity

  
  

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