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• Noh as Intermedia: A Web-Based Publication and Research Environment

  Author(s):

  Takanori Fujita, Jaroslaw Kapuscinski (see profile) , François Rose

  Date:

  2021

  Subject(s):

  Digital humanities, East Asian studies, Intermedia, Japanese music, Japanese theatre, Performance studies, Theater

  Item Type:

  Presentation

  Tag(s):

  Noh

  
  

• Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders

  Author(s):

  Yaron Meron (see profile)

  Date:

  2020

  Group(s):

  Performance Studies

  Subject(s):

  Design (graphic), Design thinking, Ethnography, Performativity, Dramaturgy, Performance, Performance studies, Methodology

  Item Type:

  Article

  Tag(s):

  design research, creative practice

  
  

• Análisis del Génesis Según Virulo (2001) del cantautor cubano-mexicano Alejandro García Villalón: performance, intertextualidad y humorismo

  Author(s):

  Pablo Suárez (see profile)

  Date:

  2018

  Group(s):

  Paper Music

  Subject(s):

  Humor studies, Intertextuality, Performance studies, Sound recording technologies

  Item Type:

  Thesis

  
  

• Algunas consideraciones analíticas sobre el performance musical

  Author(s):

  Pablo Suárez (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology, Performance Studies

  Subject(s):

  Music analysis, Performance studies

  Item Type:

  Article

  
  

• [POSTER] Noh as Intermedia: Interactive Multi-Scale, Multimedia Analyses of Full-Length Noh Theater Performances

  Author(s):

  Vijoy Abraham, Scott Bailey, Peter Broadwell (see profile) , Javier de la Rosa, Takanori Fujita, Jarosław Kapuściński, Juan Pablo López Franco, François Rose, Simon Wiles, Glen Worthey

  Date:

  2020

  Group(s):

  DH2020

  Subject(s):

  Digital humanities, Multimedia, Musicology, Performance studies

  Item Type:

  Other

  Tag(s):

  interactive, Japanese Art History

  
  

• The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2014

  Group(s):

  Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies

  Item Type:

  Dissertation

  Tag(s):

  popular music, Seventeenth-century, lute

  
  

• Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2018

  Group(s):

  Open Access Books Network, Renaissance / Early Modern Studies, The Renaissance Society of America

  Subject(s):

  Early music, Music education, Organology, Performance practice, Performance studies

  Item Type:

  Book

  
  

• Recreation at stake

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2019

  Group(s):

  Anarchism, Cultural Studies, Feminist Humanities, Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies

  Subject(s):

  Cultural politics, Popular culture, Performance studies, Organization theory, Culture and capitalism

  Item Type:

  Book chapter

  Tag(s):

  recreation, creative industries, Audre Lorde, playground, antiwork politics

  
  

• Escuchar lo justo

  Author(s):

  Edwin Culp (see profile)

  Date:

  2016

  Group(s):

  Performance Studies

  Subject(s):

  Performance studies, Representation

  Item Type:

  Book chapter

  Tag(s):

  interdisciplinary ethics

  
  

• Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos

  Author(s):

  Willamae Boling (see profile)

  Date:

  2015

  Group(s):

  Performance Studies

  Subject(s):

  Critical race studies, Performance studies, Popular culture studies

  Item Type:

  Thesis

  Tag(s):

  Beyoncé, critical whiteness studies

  
  

• Hamlet (RSC, 2016) and representations of diasporic blackness

  Author(s):

  Lesley Feracho, Sujata Iyengar (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Performance studies, Theories of race and ethnicity, African diaspora, Shakespeare, Afrofuturism

  Item Type:

  Article

  Tag(s):

  Hamlet, RSC, Basquiat, postcoloniality, transnationalism

  
  

• CFP II Historical Soundscapes Meeting - Évora 2019

  Editor(s):

  Antónia Fialho Conde, Rita Faleiro, Luís Henriques (see profile) , Vanda de Sá

  Date:

  2019

  Group(s):

  Digital Humanists, Historical Soundscape Studies, Music and Sound, Music in Évora studies, Urban Studies

  Subject(s):

  Musicology, Music, Musical instruments, Performance studies, Sacred music

  Item Type:

  Other

  Tag(s):

  Soundscapes, Instrumental Music, Secular music

  
  

• Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2018

  Subject(s):

  Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies

  Item Type:

  Essay

  Tag(s):

  Collective Actions

  
  

• Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling

  Author(s):

  Jesse A. Goldberg (see profile)

  Date:

  2015

  Group(s):

  GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century American, TC Law and the Humanities, TC Race and Ethnicity Studies

  Subject(s):

  Policing, Violence, Critical race and ethnic studies, Performance studies, American studies

  Item Type:

  Article

  
  

• Review of Phillip Auslander's

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Date:

  2014

  Subject(s):

  Performance studies, Popular Music Studies

  Item Type:

  Book review

  Tag(s):

  glam rock, Philip Auslander, popular music and gender, popular music and performance

  
  

• FYTA: Conceptual Songwriting

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Athanasios Anagnostopoulos

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  Popular music, post-punk

  
  

• Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Anagnostopoulos Athanasios

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  conceptual art, conceptual songwriting, Popular music, post-punk

  
  

• Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2013

  Subject(s):

  Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies

  Item Type:

  Article

  Tag(s):

  Collective Actions, late-Soviet

  
  

• Towards a theory of prefigurative practices

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2017

  Group(s):

  Anarchism, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture, Political Philosophy & Theory

  Subject(s):

  Avant-garde, Art theory, Literature of social movements, Performance and politics, Performance studies, Critical theory

  Item Type:

  Article

  Tag(s):

  prefiguration, political activism

  
  

• Migritude’s Decolonial Lessons

  Author(s):

  Neelofer Qadir (see profile)

  Date:

  2018

  Group(s):

  CLCS Global South, LLC African since 1990, LLC South Asian and South Asian Diasporic

  Subject(s):

  Indian ocean studies, Feminist criticism, Migration studies, Contemporary literature, Performance studies

  Item Type:

  Article

  
  

• Good Night, Sleep Tight (Remix)

  Author(s):

  Joseph Dunne (see profile)

  Date:

  2018

  Group(s):

  CityLIS, Library & Information Science, Performance Studies

  Subject(s):

  Information science, Performing arts, Virtual reality, Performance studies

  Item Type:

  Article

  Tag(s):

  Audience Participation, Immersive Theatre

  
  

• Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies

  Subject(s):

  Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism

  Item Type:

  Book chapter

  
  

• "'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics

  Item Type:

  Article

  
  

• Proceedings from DocPerform Editorial: Is the World After All Just a Dream?

  Author(s):

  Joseph Dunne (see profile) , Lyn Robinson

  Date:

  2018

  Group(s):

  CityLIS, Library & Information Science, Performance Studies

  Subject(s):

  Performance studies, Archives, Documentation, Library and information science, Information behaviour, Performance

  Item Type:

  Article

  Tag(s):

  performance document, library and information

  
  

• Dares as Ethical Operations.

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance

  Item Type:

  Book chapter

  Tag(s):

  dare

  
  

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