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• CFP II Historical Soundscapes Meeting - Évora 2019

  Editor(s):

  Antónia Fialho Conde, Rita Faleiro, Luís Henriques (see profile) , Vanda de Sá

  Date:

  2019

  Group(s):

  Digital Humanists, Historical Soundscape Studies, Music and Sound, Music in Évora studies, Urban Studies

  Subject(s):

  Musicology, Music, Musical instruments, Performance studies, Sacred music

  Item Type:

  Other

  Tag(s):

  Soundscapes, Instrumental Music, Secular music

  
  

• Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2018

  Subject(s):

  Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies

  Item Type:

  Essay

  Tag(s):

  Collective Actions

  
  

• Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling

  Author(s):

  Jesse A. Goldberg (see profile)

  Date:

  2015

  Group(s):

  GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century American, TC Law and the Humanities, TC Race and Ethnicity Studies

  Subject(s):

  Policing, Violence, Critical race and ethnic studies, Performance studies, American studies

  Item Type:

  Article

  
  

• Review of Phillip Auslander's

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Date:

  2014

  Subject(s):

  Performance studies, Popular Music Studies

  Item Type:

  Book review

  Tag(s):

  glam rock, Philip Auslander, popular music and gender, popular music and performance

  
  

• FYTA: Conceptual Songwriting

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Athanasios Anagnostopoulos

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  Popular music, post-punk

  
  

• Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Anagnostopoulos Athanasios

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  conceptual art, conceptual songwriting, Popular music, post-punk

  
  

• Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2013

  Subject(s):

  Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies

  Item Type:

  Article

  Tag(s):

  Collective Actions, late-Soviet

  
  

• Towards a theory of prefigurative practices

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2017

  Group(s):

  Anarchism, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture, Political Philosophy & Theory

  Subject(s):

  Avant-garde, Art theory, Literature of social movements, Performance and politics, Performance studies, Critical theory

  Item Type:

  Article

  Tag(s):

  prefiguration, political activism

  
  

• Migritude’s Decolonial Lessons

  Author(s):

  Neelofer Qadir (see profile)

  Date:

  2018

  Group(s):

  CLCS Global South, LLC African since 1990, LLC South Asian and South Asian Diasporic

  Subject(s):

  Indian ocean studies, Feminist criticism, Migration studies, Contemporary literature, Performance studies

  Item Type:

  Article

  
  

• Good Night, Sleep Tight (Remix)

  Author(s):

  Joseph Dunne (see profile)

  Date:

  2018

  Group(s):

  CityLIS, Library & Information Science, Performance Studies

  Subject(s):

  Information science, Performing arts, Virtual reality, Performance studies

  Item Type:

  Article

  Tag(s):

  Audience Participation, Immersive Theatre

  
  

• Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies

  Subject(s):

  Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism

  Item Type:

  Book chapter

  
  

• "'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics

  Item Type:

  Article

  
  

• Proceedings from DocPerform Editorial: Is the World After All Just a Dream?

  Author(s):

  Joseph Dunne (see profile) , Lyn Robinson

  Date:

  2018

  Group(s):

  CityLIS, Library & Information Science, Performance Studies

  Subject(s):

  Performance studies, Archives, Documentation, Library and information science, Information behaviour, Performance

  Item Type:

  Article

  Tag(s):

  performance document, library and information

  
  

• Dares as Ethical Operations.

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance

  Item Type:

  Book chapter

  Tag(s):

  dare

  
  

• Hacerse el tonto: en el fracaso está la solución

  Author(s):

  Edwin Culp (see profile)

  Date:

  2016

  Group(s):

  Performance Studies

  Subject(s):

  Performance studies, Theatre and politics

  Item Type:

  Book chapter

  Tag(s):

  aesthetics and politics, Time and temporality

  
  

• Vernacular Soliloquy, Theatrical Gesture, and Embodied Consciousness in The Marrow of Tradition

  Author(s):

  Nicholas Rinehart (see profile)

  Date:

  2018

  Group(s):

  GS Prose Fiction, LLC 19th-Century American, LLC 20th- and 21st-Century American, LLC African American, LLC Late-19th- and Early-20th-Century American

  Subject(s):

  African American literature, Performance studies, Novel (genre), Narrative, African American culture, African American

  Item Type:

  Article

  Tag(s):

  Nineteenth-Century African American Literature, American novel, Theory of Narrative

  
  

• Acting for the Cameras: Performance in the Multi-Camera Sitcom

  Author(s):

  Christine Becker (see profile)

  Date:

  2008

  Subject(s):

  Television studies, Performance studies, Acting, Comedy (genre), Film production, Television

  Item Type:

  Online publication

  Tag(s):

  sitcoms, comedy

  
  

• Agorafobia: crítica: universidad: claves para otra historia y crítica de la dramaturgia chilena

  Author(s):

  Cristián Opazo (see profile)

  Date:

  2016

  Group(s):

  Performance Studies

  Subject(s):

  Drama, Latin American theatre, Performance studies

  Item Type:

  Article

  Tag(s):

  Performance Studies

  
  

• Glass Bellies and Artificial Wombs: Gender, Science, and Reproduction in Early Modern Alchemical Performance

  Author(s):

  Jennifer Park (see profile)

  Date:

  2017

  Subject(s):

  History of science, Performance studies, Early modern drama, Glass arts, Alchemy

  Item Type:

  Article

  
  

• "Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2017

  Group(s):

  CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare

  Subject(s):

  Shakespeare, Performance studies, Gender studies, Feminist critique, American theatre

  Item Type:

  Review

  Tag(s):

  Taming of the Shrew, Shakespeare in performance

  
  

• “Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”

  Author(s):

  Elena Garcia-Martin (see profile)

  Date:

  2017

  Group(s):

  GS Drama and Performance, Iberian Theater and Performance Network (ITPN), Interdisciplinary Approaches to Culture and Society, LLC 16th- and 17th-Century Spanish and Iberian Drama, LLC 20th- and 21st-Century Spanish and Iberian

  Subject(s):

  17th century, Aesthetics, Gender studies, Performance studies, Spanish theatre

  Item Type:

  Conference paper

  Tag(s):

  2018 MLA 217

  
  

• Digital Shoeboxes: the history and future of personal performance archiving

  Author(s):

  Adelaide Frances Robinson (see profile)

  Date:

  2017

  Group(s):

  CityLIS

  Subject(s):

  Collecting, Digital media, Library and Archival Studies, Performance studies, Private collections

  Item Type:

  Dissertation

  
  

• A Manifesto to Decolonise Walking

  Author(s):

  Sharanya Murali (see profile)

  Date:

  2017

  Group(s):

  GeoHumanities, Urban Studies

  Subject(s):

  Cultural geography, Performance studies, South Asia, Urban history

  Item Type:

  Abstract

  Tag(s):

  decolonial theory, delhi, walking

  
  

• "Indigested in the Scenes: Hamlet's Dramatic Theory and Ours"

  Author(s):

  Daniel Keegan (see profile)

  Date:

  2017

  Subject(s):

  Dramatic theory, Early modern theatre, Performance studies, Renaissance theater, Shakespeare

  Item Type:

  Article

  
  

• "Romeo and Juliet, Allegory, and the Ethnic Vocabularies of History." Shakespeare Studies 46 (2008): 6-19

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2008

  Group(s):

  East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Adaptation, Chinese theatre, Globalization, Performance studies, Shakespeare

  Item Type:

  Article

  Tag(s):

  adaptation, China, Global Shakespeare, historiography, intercultural theatre

  
  

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