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• Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

  Author(s):

  Joshua Neumann (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies

  Subject(s):

  Data visualization, History and philosophy of science and technology, Opera, Performance practice

  Item Type:

  Article

  Tag(s):

  Creative process, Data analysis

  
  

• ‘It Would Be without Error’: Automated Technology and the Pursuit of Correct Performance in the French Enlightenment

  Author(s):

  Rebecca Cypess (see profile)

  Date:

  2017

  Subject(s):

  Performance practice, Musicology

  Item Type:

  Article

  Tag(s):

  automatons, mechanical music, French Enlightenment

  
  

• KEYBOARD-DUO ARRANGEMENTS IN EIGHTEENTH-CENTURY MUSICAL LIFE

  Author(s):

  Rebecca Cypess (see profile)

  Date:

  2017

  Subject(s):

  Musicology, Performance practice, Music history

  Item Type:

  Article

  Tag(s):

  instruments, arrangements

  
  

• The Paper Cinema's Odyssey and The Factory, The Odyssey

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classical reception, Greek and Latin poetry, Performance, Performance practice, Theater

  Item Type:

  Article

  
  

• Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery

  Author(s):

  Alison Loram (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Music and Sound, Music Librarians

  Subject(s):

  Human body, Medicine, Movement, Music performance, Performance, Performance practice, Performing arts

  Item Type:

  Thesis

  
  

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