Register Log In

An online community for MLA members

MLA Commons
  • News Feed
  • Members
  • Groups and Forums
  • Sites and Blogs
  • CORE Repository
  • Help
  • MLA Online Publications
  • mla.org
  • HC Societies
    • HC
    • AJS
    • ASEEES
    • CAA
Register Login
  • News Feed
  • Members
  • Groups and Forums
  • Sites and Blogs
  • CORE Repository
  • Help
  • MLA Online Publications
  • mla.org
  • HC Societies
    • HC
    • AJS
    • ASEEES
    • CAA

CORE Search Results Start Search Over

  • All Deposits 0
  • MLA Deposits
  • Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

    Author(s):
    Joshua Neumann (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
    Subject(s):
    Data visualization, History and philosophy of science and technology, Opera, Performance practice
    Item Type:
    Article
    Tag(s):
    Creative process, Data analysis

  • ‘It Would Be without Error’: Automated Technology and the Pursuit of Correct Performance in the French Enlightenment

    Author(s):
    Rebecca Cypess (see profile)
    Date:
    2017
    Subject(s):
    Performance practice, Musicology
    Item Type:
    Article
    Tag(s):
    automatons, mechanical music, French Enlightenment

  • KEYBOARD-DUO ARRANGEMENTS IN EIGHTEENTH-CENTURY MUSICAL LIFE

    Author(s):
    Rebecca Cypess (see profile)
    Date:
    2017
    Subject(s):
    Musicology, Performance practice, Music history
    Item Type:
    Article
    Tag(s):
    instruments, arrangements

  • The Paper Cinema's Odyssey and The Factory, The Odyssey

    Author(s):
    Stephe Harrop (see profile)
    Date:
    2013
    Group(s):
    Ancient Greece & Rome, Classical Tradition
    Subject(s):
    Classical reception, Greek and Latin poetry, Performance, Performance practice, Theater
    Item Type:
    Article

  • Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery

    Author(s):
    Alison Loram (see profile)
    Date:
    2013
    Group(s):
    American Musicological Society, Music and Sound, Music Librarians
    Subject(s):
    Human body, Medicine, Movement, Music performance, Performance, Performance practice, Performing arts
    Item Type:
    Thesis

Viewing item 1 to 5 (of 5 items)

  • Author
    • Alison Loram 1X
    • Joshua Neumann 1X
    • Rebecca Cypess 2X
    • Stephe Harrop 1X
    • more>>
  • Group
    • American Musicological Society 2X
    • Ancient Greece & Rome 1X
    • Classical Tradition 1X
    • Digital Humanists 1X
    • Digital Pedagogy 1X
    • Music Librarians 1X
    • Music and Sound 1X
    • Performance Studies 1X
    • more>>
  • Subject
    • Classical reception 1X
    • Data visualization 1X
    • Greek and Latin poetry 1X
    • History and philosophy of science and technology 1X
    • Human body 1X
    • Medicine 1X
    • Movement 1X
    • Music history 1X
    • Music performance 1X
    • Musicology 2X
    • Opera 1X
    • Performance 2X
    • Performance practice 5X
    • Performing arts 1X
    • Theater 1X
    • more>>
  • Item Type
    • Article 4X
    • Thesis 1X
  • Date
    • 2018 1X
    • 2017 2X
    • 2013 2X
    • more>>
  • File Type
    • Text 4X

Contact Us

Modern Language Association
85 Broad Street, suite 500
New York, NY 10004

On the Web: mla.org

E-mail: commons@mla.org

Phone: 646 576-5151

FAQ

How do I set e-mail notifications?
What is CORE?
What can the Commons do for my forum?
Why do unwanted characters appear in my post, comment, or page?
More FAQ

User Guides and Support

Getting Started

Groups on the Commons

Sites, Blogs, and WordPress

More MLA Commons Support
COPYRIGHT © 2019 HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

@

Not recently active