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• « L’attentat culturel est un jeu d’enfant. Entretien avec Pierre Pinoncelli »

  Author(s):

  Lambert Dousson (see profile) , Sarah Troche

  Date:

  2008

  Subject(s):

  Contemporary art, Performance art

  Item Type:

  Interview

  
  

• Il suono, la parola e l'azione di Giuseppe Chiari

  Author(s):

  Stefano Verri (see profile)

  Date:

  2020

  Subject(s):

  20th-century art, 20th century, Art, Art history, Contemporary art, Performance art

  Item Type:

  Catalog

  Tag(s):

  Contemporary Classical Music, contemporary critique

  
  

• The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions

  Author(s):

  Mateus Yuri Passos (see profile)

  Date:

  2017

  Group(s):

  Narrative Studies, Opera in Recording, Opera Stagings, Opera Studies, Richard Wagner Studies

  Subject(s):

  History of opera, Opera, Opera staging, Performance, Performance art

  Item Type:

  Article

  Tag(s):

  Director's Theater, Opera recording, Regietheater, Richard Wagner

  
  

• Audible Picasso

  Author(s):

  June Julian (see profile)

  Date:

  2020

  Subject(s):

  Sound/sound art, Music notation, Performance art, Contemporary art

  Item Type:

  Sound recording-non musical

  Tag(s):

  Picasso, Minotaur

  
  

• Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2018

  Subject(s):

  Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies

  Item Type:

  Essay

  Tag(s):

  Collective Actions

  
  

• Who Vibrates?

  Author(s):

  Christopher Swithinbank (see profile)

  Date:

  2019

  Subject(s):

  Music, New materialism, Critical race theory, Performance art, Sound studies

  Item Type:

  Article

  Tag(s):

  Carolyn Chen, experimental music, embodied difference, white aurality, race and aesthetics

  
  

• Invisible Exhibitions: Performance & the Archive in Moscow Conceptualism

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2009

  Subject(s):

  Performance art, Russian and Soviet art, Moscow conceptualism, Alternative cultures

  Item Type:

  Essay

  Tag(s):

  exhibition history, conceptual art, artist archives

  
  

• The Schizoid Objects of Moscow Conceptualism

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2016

  Subject(s):

  Moscow conceptualism, Sculpture, Performance art, Performing objects, Russian and Soviet art

  Item Type:

  Book chapter

  Tag(s):

  schizoid, performance objects, unofficial art

  
  

• Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2013

  Subject(s):

  Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies

  Item Type:

  Article

  Tag(s):

  Collective Actions, late-Soviet

  
  

• Christina McPhee: A Commonplace Book

  Editor(s):

  Eileen Joy (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Environmental Humanities, Feminist Humanities

  Subject(s):

  Art (studio), Cultural theory, Environmental aesthetics, Media arts, Performance art

  Item Type:

  Book

  
  

• Performance Art nach 1945. Intermedia und Aktionstheater.

  Author(s):

  Thomas Dreher (see profile)

  Date:

  2001

  Group(s):

  History of Art

  Subject(s):

  Intermedia, Performance art

  Item Type:

  Book

  Tag(s):

  Action Theatre, Happenings, Participation, Participation Art

  
  

• Dares as Ethical Operations.

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance

  Item Type:

  Book chapter

  Tag(s):

  dare

  
  

• Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance

  Author(s):

  Rea Dennis, Garrett Lynch (see profile)

  Date:

  2014

  Group(s):

  Networked Art

  Subject(s):

  Contemporary art, New media arts, Performance art

  Item Type:

  Conference proceeding

  Tag(s):

  Conference, Networked Art, Networked Performance, New Media Art

  
  

• HFT The Gardener: A Network of Financial Trading, Drugs and Botany

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2017

  Group(s):

  Networked Art

  Subject(s):

  Contemporary art, New media arts, Performance art

  Item Type:

  Review

  Tag(s):

  Exhibition Review, Networked Art, Suzanne Treister

  
  

• Remote Encounters: a report about networking practitioners

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2014

  Group(s):

  Networked Art

  Subject(s):

  New media arts, Performance art, Transdisciplinary research

  Item Type:

  Article

  Tag(s):

  Networked Art, Networking, New Media Art, Virtual Worlds

  
  

• Technology, Poetry, Mystery, and Pleasure

  Author(s):

  Anne Swartz (see profile)

  Date:

  2018

  Group(s):

  Women in the Arts

  Subject(s):

  Contemporary art, Performance art

  Item Type:

  Article

  
  

• Exhibition Review: 'Chinese Whispers', immersive installation-based performance directed by Rani Pramesti, Footscray, 2014

  Author(s):

  Karen Schamberger (see profile)

  Date:

  2015

  Subject(s):

  Indonesian/Malay culture, Migration studies, Oral history, Performance art, Race

  Item Type:

  Other

  Tag(s):

  anti-Chinese riots, Chinese Indonesians, Racism

  
  

• Arte de Conducta: On Tania Bruguera’s Tatlin’s Whisper series (2006-present)

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2017

  Subject(s):

  Contemporary art, Art history, Performance and politics, Performance art

  Item Type:

  Book chapter

  Tag(s):

  Tania Bruguera, Behaviour Art, Arte de Conducta, Cuba

  
  

• Mediating Gesture in Theory and Practice

  Author(s):

  Ana Hedberg Olenina, Irina Schulzki (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Film, Media studies, Body politics, Film theory, Performance art

  Item Type:

  Article

  Tag(s):

  gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies

  
  

• Canadian Winter

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2011

  Subject(s):

  Abstract expressionism, Critical making, Digital arts, Performance art, Theory

  Item Type:

  Image

  Tag(s):

  embodiment, affect, ecologies, perception, becoming

  
  

• Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus

  Author(s):

  Roberta Mock (see profile)

  Date:

  2010

  Group(s):

  Cultural Studies, Performance Studies

  Subject(s):

  Gender and sexualities, Performance and politics, Performance art, Queer theatre

  Item Type:

  Book chapter

  Tag(s):

  Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies

  
  

• Lynn Hershman and the Creation of Multiple Robertas

  Author(s):

  Roberta Mock (see profile)

  Date:

  2012

  Group(s):

  Performance Studies

  Subject(s):

  20th century, Art history, Gender studies, Performance art

  Item Type:

  Book chapter

  Tag(s):

  alter ego, digital performance, Lynn Hershman, second life

  
  

• Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009

  Editor(s):

  Roberta Mock (see profile)

  Date:

  2009

  Group(s):

  Performance Studies

  Subject(s):

  Performance art, Performance studies, Theatre and society, Theatre history, Theatre theory

  Item Type:

  Abstract

  Tag(s):

  Book of Abstracts, Conference, Performance Studies, Theatre Studies

  
  

• MayDay: VestAndPage Workshop Concept, Theory and Practice

  Author(s):

  Andrea Pagnes (see profile) , Verena Stenke, Valentin Torrens

  Date:

  2014

  Group(s):

  Education and Pedagogy

  Subject(s):

  Academic freedom, Art teacher education, Performance art, Performance studies, Performing arts

  Item Type:

  Book chapter

  Tag(s):

  collaborative learning, education, experimentation, performativity, teaching

  
  

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