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• "Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare

  Subject(s):

  Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies

  Item Type:

  Article

  Tag(s):

  Africanism, political theatre

  
  

• Dancing with Knives: American Cold War Ideology in the Dances of West Side Story

  Author(s):

  Daniel Belgrad (see profile) , Zhu Ying

  Date:

  2016

  Group(s):

  Performance Studies, War Studies

  Subject(s):

  Affect, Choreography, Dance, Ideology, Performance and politics, War and society

  Item Type:

  Article

  
  

• Arte de Conducta: On Tania Bruguera’s Tatlin’s Whisper series (2006-present)

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2017

  Subject(s):

  Contemporary art, Art history, Performance and politics, Performance art

  Item Type:

  Book chapter

  Tag(s):

  Tania Bruguera, Behaviour Art, Arte de Conducta, Cuba

  
  

• Walking the Walled City. Gender and the Dérive as Urban Ethnography

  Author(s):

  Sharanya Murali (see profile)

  Date:

  2016

  Group(s):

  GeoHumanities, Urban Studies

  Subject(s):

  Ethnography, Gender studies, Performance and politics, South Asia, Urban geography

  Item Type:

  Article

  Tag(s):

  Situationist International, walking

  
  

• Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus

  Author(s):

  Roberta Mock (see profile)

  Date:

  2010

  Group(s):

  Cultural Studies, Performance Studies

  Subject(s):

  Gender and sexualities, Performance and politics, Performance art, Queer theatre

  Item Type:

  Book chapter

  Tag(s):

  Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies

  
  

• Outspoken Indigenes and Nostalgic Migrants: Maori and Samoan Educating Performances in an Aotearoa New Zealand Cultural Festival

  Author(s):

  Ilana Gershon (see profile)

  Date:

  2017

  Group(s):

  Anthropology

  Subject(s):

  Arts education, Cultural anthropology, Performance, Performance and politics, Performance studies

  Item Type:

  Article

  Tag(s):

  #maori, #Samoan migrants, #New Zealand, @migrants

  
  

• Publics and Audiences in Ancient Greece

  Author(s):

  David Roselli (see profile)

  Date:

  2013

  Subject(s):

  Ancient Greek history, Greek theatre, Performance and politics

  Item Type:

  Book chapter

  Tag(s):

  Ancient Athenian Politics, Ancient theatre, audience, Greek drama

  
  

• Social Class

  Author(s):

  David Roselli (see profile)

  Date:

  2014

  Group(s):

  Ancient Greece & Rome, Performance Studies

  Subject(s):

  Classical Greek culture, Comedy arts, Marxist sociology, Performance and politics, Theatre and society

  Item Type:

  Book chapter

  Tag(s):

  Ancient theatre, audience, Greek drama, greek history, social history

  
  

• Regenerating the Live: The Archive as the Genesis of a Performance Practice

  Author(s):

  Joseph Dunne (see profile)

  Date:

  2015

  Group(s):

  CityLIS, Library & Information Science, Performance Studies

  Subject(s):

  Archives, Performance and politics, Performance studies

  Item Type:

  Thesis

  Tag(s):

  archives, documentation, Site specific theatre, historical re-enactment

  
  

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