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• The web is alive with the sound of music: an analysis of the history and future of virtual ensemble performances as performance documents

  Author(s):

  Arianna Dahlia (see profile)

  Date:

  2021

  Group(s):

  CityLIS

  Subject(s):

  Documentation, Music, Performance, Performing arts, Theater

  Item Type:

  Dissertation

  Tag(s):

  performance document, theatre, virtial ensemble

  
  

• SOMOGYI.wpp

  Author(s):

  Ted SOMOGYI (see profile)

  Date:

  2021

  Group(s):

  Contemporary Art

  Subject(s):

  Performance, Contemporary art, Aesthetics

  Item Type:

  Documentary

  
  

• Reenacted prehistory today Preliminary remarks on a multidisciplinary research project

  Author(s):

  Stefanie Samida (see profile)

  Date:

  2012

  Group(s):

  Archaeology, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Performance, Museums, Museum education, Documentary, Prehistory, Archaeology

  Item Type:

  Article

  Tag(s):

  Reenactment, living history, open-air museum

  
  

• The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions

  Author(s):

  Mateus Yuri Passos (see profile)

  Date:

  2017

  Group(s):

  Narrative Studies, Opera in Recording, Opera Stagings, Opera Studies, Richard Wagner Studies

  Subject(s):

  History of opera, Opera, Opera staging, Performance, Performance art

  Item Type:

  Article

  Tag(s):

  Director's Theater, Opera recording, Regietheater, Richard Wagner

  
  

• Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders

  Author(s):

  Yaron Meron (see profile)

  Date:

  2020

  Group(s):

  Performance Studies

  Subject(s):

  Design (graphic), Design thinking, Ethnography, Performativity, Dramaturgy, Performance, Performance studies, Methodology

  Item Type:

  Article

  Tag(s):

  design research, creative practice

  
  

• Emotional quotient, work attitude and teaching performance of secondary school teachers

  Author(s):

  Edward C. Jimenez (see profile)

  Date:

  2020

  Group(s):

  Cultural Studies, Education and Pedagogy, Gender Studies, General Education, Open Educational Resources

  Subject(s):

  Education, Educational leadership, Performance, Sociology of work, Teaching

  Item Type:

  Article

  
  

• Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo”

  Author(s):

  Hugo Barreiro, Pablo Suárez (see profile)

  Date:

  2019

  Group(s):

  Ethnomusicology, Paper Music, Performance Studies

  Subject(s):

  Ethnomusicology, Humor studies, Performance

  Item Type:

  Article

  
  

• El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical

  Author(s):

  Hugo Barreiro, Pablo Suárez (see profile)

  Date:

  2018

  Group(s):

  Ethnomusicology, Paper Music, Performance Studies

  Subject(s):

  Humor studies, Intertextuality, Music, Performance

  Item Type:

  Article

  
  

• Performing the Past: Time Travels in Archaeological Open-Air Museums

  Author(s):

  Stefanie Samida (see profile)

  Date:

  2017

  Group(s):

  Archaeology, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Archaeology, Museums, Performance, Prehistory

  Item Type:

  Book chapter

  Tag(s):

  living history, open-air museum, Reenactment, time travel

  
  

• Some Tweeting Cleopatra: Crossing Borders on and off the Shakespearean Stage

  Author(s):

  Louise Geddes (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Shakespeare, TC Digital Humanities

  Subject(s):

  Shakespeare, Theatre theory, Performance

  Item Type:

  Book chapter

  Tag(s):

  Ivo Van hove, Roman Tragedies, Twitter

  
  

• La nuit genrée ou l’obscure clarté des scènes anglaises

  Author(s):

  Yan Brailowsky (see profile)

  Date:

  2015

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Drama, Early modern drama, Shakespeare, Performance, Early modern performance studies

  Item Type:

  Article

  Tag(s):

  night

  
  

• Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"

  Author(s):

  Elizabeth Zeman Kolkovich (see profile)

  Date:

  2019

  Subject(s):

  Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare

  Item Type:

  Article

  Tag(s):

  bbc, Henry IV, Queer Performance, Royal Shakespeare Company

  
  

• Modernity and Technology: Staging Timon of Athens in 2017

  Author(s):

  Elizabeth Zeman Kolkovich (see profile)

  Date:

  2018

  Subject(s):

  Performance, Shakespeare, Theater

  Item Type:

  Article

  Tag(s):

  Folger, performance review, Shakespeare in performance, Stratford Festival, Timon of Athens

  
  

• SOMOGYI.wpp

  Author(s):

  Ted SOMOGYI (see profile)

  Date:

  2020

  Group(s):

  Contemporary Art

  Subject(s):

  Aesthetics, Contemporary art, Performance

  Item Type:

  Performance

  Tag(s):

  Institutional Critique

  
  

• Pericles Wet presented by Portland Shakespeare Project at Artists Repertory Theatre

  Author(s):

  Elizabeth E. Tavares (see profile)

  Date:

  2018

  Subject(s):

  Performance, Shakespeare and early modern drama, Shakespeare performance

  Item Type:

  Review

  Tag(s):

  Pericles, William Shakespeare, Artists Repertory Theatre

  
  

• The Fourth Wall turns Pensive and VALIE EXPORT's Body Cinema

  Author(s):

  Mechtild Widrich (see profile)

  Date:

  2016

  Group(s):

  Art's Impact on Society, History of Art

  Subject(s):

  Art, Contemporary art, Feminist art history, Media theory, Performance, Performativity

  Item Type:

  Catalog

  Tag(s):

  Feminist Art

  
  

• Going gonzo: toward a performative practice in multimodal ethnography

  Author(s):

  Taylor R. Genovese (see profile)

  Date:

  2019

  Group(s):

  Cultural Studies

  Subject(s):

  Performance, Anthropology, Ethnography, Visual anthropology, Multimodality

  Item Type:

  Article

  Tag(s):

  phronesis, living history, historical re-enactment, gonzo ethnography

  
  

• “To Move the Spirits of the Beholder to Admiration”: Lively Passionate Performance on the Early Modern Stage

  Author(s):

  Jonathan Holmes (see profile)

  Date:

  2017

  Subject(s):

  Affect, Early modern drama, Performance, Shakespeare

  Item Type:

  Article

  Tag(s):

  emotion, liveliness, Mimesis, Passions

  
  

• Pilgrimage Itineraries: Seeing the Past through Rabbinic Eyes

  Author(s):

  Rachel Rafael Neis (see profile)

  Date:

  2013

  Group(s):

  Biblical Studies, Jewish History and Culture in Antiquity, Late Antiquity, Rabbinic Literature and Culture, Religious Studies

  Subject(s):

  Rabbinics, Jewish studies, Religious studies, Pilgrimage, Religions of late Antiquity, Performance, Talmud, Early Christianity, Ancient history

  Item Type:

  Article

  Tag(s):

  visuality

  
  

• REED London Online: Publish|Present|Discover|Read

  Author(s):

  Diane Jakacki (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, TC Digital Humanities

  Subject(s):

  Digital humanities, Digital scholarly editing, Scholarly publishers, Theatre history, London, Performance, Music

  Item Type:

  Presentation

  Tag(s):

  archival

  
  

• Teresa Carreño: Cien años más tarde | Teresa Carreño: One Hundred Years Later

  Author(s):

  Jesús Eloy Gutiérrez, Hermann Hudde, Anna Kijas (see profile) , David Coifman Michailos, Selene Quiroga, Clara Rodríguez, Juan Francisco Sans

  Date:

  2019

  Group(s):

  American Musicological Society, Music Library Association

  Subject(s):

  Latin American music, Venezuela, Musicology, Performance

  Item Type:

  Article

  Tag(s):

  nineteenth-century music, women composers, interviews

  
  

• Trav—erse

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2010

  Group(s):

  Contemporary Art, Networked Art

  Subject(s):

  Performance, Art

  Item Type:

  Book section

  Tag(s):

  networked art, sonic arts, audio-visual

  
  

• Unfixing Epic: Homeric Orality and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Poetics and Poetry

  Subject(s):

  Classical reception, Theater and film, Performance, Homer, Epic poetry

  Item Type:

  Book chapter

  
  

• Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

  Author(s):

  Christoph Lange (see profile)

  Date:

  2018

  Group(s):

  Anthropology, Performance Studies

  Subject(s):

  Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance

  Item Type:

  Book chapter

  
  

• “What does the data tell us?: Representation, Canon, and Music Encoding”

  Author(s):

  Anna Kijas (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Digital Humanists, Music Library Association, Open Music

  Subject(s):

  Performance, Digital musicology, History of archives, Open data, Digital humanities

  Item Type:

  Conference paper

  Tag(s):

  women composers, canon, Music encoding, Diversity

  
  

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