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• Pilgrimage Itineraries: Seeing the Past through Rabbinic Eyes

  Author(s):

  Rachel Rafael Neis (see profile)

  Date:

  2013

  Group(s):

  Biblical Studies, Jewish History and Culture in Antiquity, Late Antiquity, Rabbinic Literature and Culture, Religious Studies

  Subject(s):

  Rabbinics, Jewish studies, Religious studies, Pilgrimage, Religions of late Antiquity, Performance, Talmud, Early Christianity, Ancient history

  Item Type:

  Article

  Tag(s):

  visuality

  
  

• REED London Online: Publish|Present|Discover|Read

  Author(s):

  Diane Jakacki (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, TC Digital Humanities

  Subject(s):

  Digital humanities, Digital scholarly editing, Scholarly publishers, Theatre history, London, Performance, Music

  Item Type:

  Presentation

  Tag(s):

  archival

  
  

• Teresa Carreño: Cien años más tarde | Teresa Carreño: One Hundred Years Later

  Author(s):

  Jesús Eloy Gutiérrez, Hermann Hudde, Anna Kijas (see profile) , David Coifman Michailos, Selene Quiroga, Clara Rodríguez, Juan Francisco Sans

  Date:

  2019

  Group(s):

  American Musicological Society, Music Library Association

  Subject(s):

  Latin American music, Venezuela, Musicology, Performance

  Item Type:

  Article

  Tag(s):

  nineteenth-century music, women composers, interviews

  
  

• Trav—erse

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2010

  Group(s):

  Contemporary Art, Networked Art

  Subject(s):

  Performance, Art

  Item Type:

  Book section

  Tag(s):

  networked art, sonic arts, audio-visual

  
  

• Unfixing Epic: Homeric Orality and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Poetics and Poetry

  Subject(s):

  Classical reception, Theater and film, Performance, Homer, Epic poetry

  Item Type:

  Book chapter

  
  

• Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

  Author(s):

  Christoph Lange (see profile)

  Date:

  2018

  Group(s):

  Anthropology, Performance Studies

  Subject(s):

  Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance

  Item Type:

  Book chapter

  
  

• “What does the data tell us?: Representation, Canon, and Music Encoding”

  Author(s):

  Anna Kijas (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Digital Humanists, Music Library Association, Open Music

  Subject(s):

  Performance, Digital musicology, History of archives, Open data, Digital humanities

  Item Type:

  Conference paper

  Tag(s):

  women composers, canon, Music encoding, Diversity

  
  

• FYTA: Conceptual Songwriting

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Athanasios Anagnostopoulos

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  Popular music, post-punk

  
  

• Notes for a Phenomenology of Musical Performance

  Author(s):

  Arnold Berleant (see profile)

  Date:

  1999

  Subject(s):

  Performance, Music

  Item Type:

  Article

  Tag(s):

  musical performance, music appreciation

  
  

• "Hoy comamos y bebamos": bebida, comida y celebración en las églogas de Antruejo de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  carnival theatre, Juan del Encina, teatro carnavalesco

  
  

• De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  dramatic space, espacio dramático, Juan del Encina

  
  

• Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  didascalias, Juan del Encina, Theatricality, égloga de Cristino y Febea

  
  

• "A las manos he la porra": violencia escénica en el Auto del repelón de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2016

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  Auto del repelón, Juan del Encina, scenic violence

  
  

• "A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2017

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Performance, Renaissance drama

  Item Type:

  Book chapter

  Tag(s):

  Juan del Encina, music and theatre, tan buen ganadico, Villancico, égloga en recuesta de unos amores

  
  

• Sayo, zurrón y cayado: vestimenta y atrezo en el teatro de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Performance

  Item Type:

  Article

  Tag(s):

  clothing, Juan del Encina, Networked Performance, Rustic shepherd, égloga dramática

  
  

• Amor cortés y amor rudo como componentes de teatralidad en la Comedia de Lucas Fernández

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2016

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Performance, Spanish theatre, Teatro prelopesco

  Item Type:

  Article

  Tag(s):

  Courtly love, farsas y églogas, Lucas Fernández, parody

  
  

• Imagines pietatis. Escenografía sacra en el primer teatro renacentista de Castilla y Portugal

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2018

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age theater, Iconography, Performance

  Item Type:

  Article

  Tag(s):

  passional spanish theatre, religious theatre

  
  

• "De crepusculares y garotas modernas: Las columnas travestidas de Alfonsina Storni y Clarice Lispector"

  Author(s):

  Mariela Mendez de Coudriet (see profile)

  Date:

  2018

  Group(s):

  CLCS 20th- and 21st-Century, LLC 20th- and 21st-Century Latin American

  Subject(s):

  Latin American cultural studies, Women's gender, and sexuality studies, Performance, Journalism

  Item Type:

  Article

  
  

• On the Unruly Power of Pain in Middle English Drama

  Author(s):

  Susan M. Nakley (see profile)

  Date:

  2015

  Group(s):

  CLCS Medieval, GS Drama and Performance, LLC Middle English, TC Philosophy and Literature, TC Postcolonial Studies

  Subject(s):

  Middle English, Drama, Postcolonial theatre, Medieval drama, Literature and medicine, Pain, Performance

  Item Type:

  Article

  Tag(s):

  empire, patriarchy

  
  

• Proceedings from DocPerform Editorial: Is the World After All Just a Dream?

  Author(s):

  Joseph Dunne (see profile) , Lyn Robinson

  Date:

  2018

  Group(s):

  CityLIS, Library & Information Science, Performance Studies

  Subject(s):

  Performance studies, Archives, Documentation, Library and information science, Information behaviour, Performance

  Item Type:

  Article

  Tag(s):

  performance document, library and information

  
  

• Further Ruminations on Music

  Author(s):

  Arnold Berleant (see profile)

  Date:

  2017

  Subject(s):

  Aesthetics, Music and philosophy, Music, Music performance, Perception, Performance

  Item Type:

  Article

  Tag(s):

  Music Aesthetics, aesthetic engagement, perceptual experience

  
  

• Dares as Ethical Operations.

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance

  Item Type:

  Book chapter

  Tag(s):

  dare

  
  

• On audience attitude in participative and interactive forms

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2018

  Group(s):

  Contemporary Art, Networked Art

  Subject(s):

  Contemporary art, New media arts, Performance

  Item Type:

  Conference paper

  Tag(s):

  Networked Art, New Media Art, Participation

  
  

• Scent of a Woman: Performing the Politics of Smell in Late Medieval and Early Modern England

  Author(s):

  Holly Dugan (see profile)

  Date:

  2008

  Subject(s):

  Sensory representations in literature, Shakespeare and early modern drama, Medieval drama, Gender and sexualities, Performance

  Item Type:

  Article

  Tag(s):

  Twelfth Night, Olfaction, smell, digby Mary Magdalene

  
  

• Disability in Piano Performance Pedagogy: Resources for the Classroom

  Author(s):

  Stefan Honisch (see profile)

  Date:

  2018

  Subject(s):

  Disability, Music, Performance

  Item Type:

  Course material or learning objects

  
  

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