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• Performing the Past: Time Travels in Archaeological Open-Air Museums

  Author(s):

  Stefanie Samida (see profile)

  Date:

  2017

  Group(s):

  Archaeology, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Archaeology, Museums, Performance, Prehistory

  Item Type:

  Book chapter

  Tag(s):

  living history, open-air museum, Reenactment, time travel

  
  

• Some Tweeting Cleopatra: Crossing Borders on and off the Shakespearean Stage

  Author(s):

  Louise Geddes (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Shakespeare, TC Digital Humanities

  Subject(s):

  Shakespeare, Theatre theory, Performance

  Item Type:

  Book chapter

  Tag(s):

  Ivo Van hove, Roman Tragedies, Twitter

  
  

• La nuit genrée ou l’obscure clarté des scènes anglaises

  Author(s):

  Yan Brailowsky (see profile)

  Date:

  2015

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Drama, Early modern drama, Shakespeare, Performance, Early modern performance studies

  Item Type:

  Article

  Tag(s):

  night

  
  

• Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"

  Author(s):

  Elizabeth Zeman Kolkovich (see profile)

  Date:

  2019

  Subject(s):

  Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare

  Item Type:

  Article

  Tag(s):

  bbc, Henry IV, Queer Performance, Royal Shakespeare Company

  
  

• Modernity and Technology: Staging Timon of Athens in 2017

  Author(s):

  Elizabeth Zeman Kolkovich (see profile)

  Date:

  2018

  Subject(s):

  Performance, Shakespeare, Theater

  Item Type:

  Article

  Tag(s):

  Folger, performance review, Shakespeare in performance, Stratford Festival, Timon of Athens

  
  

• SOMOGYI.wpp

  Author(s):

  Ted SOMOGYI (see profile)

  Date:

  2020

  Group(s):

  Contemporary Art

  Subject(s):

  Aesthetics, Contemporary art, Performance

  Item Type:

  Performance

  Tag(s):

  Institutional Critique

  
  

• Pericles Wet presented by Portland Shakespeare Project at Artists Repertory Theatre

  Author(s):

  Elizabeth E. Tavares (see profile)

  Date:

  2018

  Subject(s):

  Performance, Shakespeare and early modern drama, Shakespeare performance

  Item Type:

  Review

  Tag(s):

  Pericles, William Shakespeare, Artists Repertory Theatre

  
  

• The Fourth Wall turns Pensive and VALIE EXPORT's Body Cinema

  Author(s):

  Mechtild Widrich (see profile)

  Date:

  2016

  Group(s):

  Art's Impact on Society, History of Art

  Subject(s):

  Art, Contemporary art, Feminist art history, Media theory, Performance, Performativity

  Item Type:

  Catalog

  Tag(s):

  Feminist Art

  
  

• Going gonzo: toward a performative practice in multimodal ethnography

  Author(s):

  Taylor R. Genovese (see profile)

  Date:

  2019

  Group(s):

  Cultural Studies

  Subject(s):

  Performance, Anthropology, Ethnography, Visual anthropology, Multimodality

  Item Type:

  Article

  Tag(s):

  phronesis, living history, historical re-enactment, gonzo ethnography

  
  

• “To Move the Spirits of the Beholder to Admiration”: Lively Passionate Performance on the Early Modern Stage

  Author(s):

  Jonathan Holmes (see profile)

  Date:

  2017

  Subject(s):

  Affect, Early modern drama, Performance, Shakespeare

  Item Type:

  Article

  Tag(s):

  emotion, liveliness, Mimesis, Passions

  
  

• Pilgrimage Itineraries: Seeing the Past through Rabbinic Eyes

  Author(s):

  Rachel Rafael Neis (see profile)

  Date:

  2013

  Group(s):

  Biblical Studies, Jewish History and Culture in Antiquity, Late Antiquity, Rabbinic Literature and Culture, Religious Studies

  Subject(s):

  Rabbinics, Jewish studies, Religious studies, Pilgrimage, Religions of late Antiquity, Performance, Talmud, Early Christianity, Ancient history

  Item Type:

  Article

  Tag(s):

  visuality

  
  

• REED London Online: Publish|Present|Discover|Read

  Author(s):

  Diane Jakacki (see profile)

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, TC Digital Humanities

  Subject(s):

  Digital humanities, Digital scholarly editing, Scholarly publishers, Theatre history, London, Performance, Music

  Item Type:

  Presentation

  Tag(s):

  archival

  
  

• Teresa Carreño: Cien años más tarde | Teresa Carreño: One Hundred Years Later

  Author(s):

  Jesús Eloy Gutiérrez, Hermann Hudde, Anna Kijas (see profile) , David Coifman Michailos, Selene Quiroga, Clara Rodríguez, Juan Francisco Sans

  Date:

  2019

  Group(s):

  American Musicological Society, Music Library Association

  Subject(s):

  Latin American music, Venezuela, Musicology, Performance

  Item Type:

  Article

  Tag(s):

  nineteenth-century music, women composers, interviews

  
  

• Trav—erse

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2010

  Group(s):

  Contemporary Art, Networked Art

  Subject(s):

  Performance, Art

  Item Type:

  Book section

  Tag(s):

  networked art, sonic arts, audio-visual

  
  

• Unfixing Epic: Homeric Orality and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Poetics and Poetry

  Subject(s):

  Classical reception, Theater and film, Performance, Homer, Epic poetry

  Item Type:

  Book chapter

  
  

• Interspecies Performance. The Composition of the Arabian Show Horse as Living Sculpture

  Author(s):

  Christoph Lange (see profile)

  Date:

  2018

  Group(s):

  Anthropology, Performance Studies

  Subject(s):

  Ethnography, Social anthropology, Human-animal relationships, Middle East, Performance

  Item Type:

  Book chapter

  
  

• “What does the data tell us?: Representation, Canon, and Music Encoding”

  Author(s):

  Anna Kijas (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Digital Humanists, Music Library Association, Open Music

  Subject(s):

  Performance, Digital musicology, History of archives, Open data, Digital humanities

  Item Type:

  Conference paper

  Tag(s):

  women composers, canon, Music encoding, Diversity

  
  

• FYTA: Conceptual Songwriting

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Editor(s):

  Athanasios Anagnostopoulos

  Date:

  2017

  Subject(s):

  Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies

  Item Type:

  Book chapter

  Tag(s):

  Popular music, post-punk

  
  

• Notes for a Phenomenology of Musical Performance

  Author(s):

  Arnold Berleant (see profile)

  Date:

  1999

  Subject(s):

  Performance, Music

  Item Type:

  Article

  Tag(s):

  musical performance, music appreciation

  
  

• "Hoy comamos y bebamos": bebida, comida y celebración en las églogas de Antruejo de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  carnival theatre, Juan del Encina, teatro carnavalesco

  
  

• De aldeas, villas y palacios. Los espacios dramáticos en el teatro de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  dramatic space, espacio dramático, Juan del Encina

  
  

• Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  didascalias, Juan del Encina, Theatricality, égloga de Cristino y Febea

  
  

• "A las manos he la porra": violencia escénica en el Auto del repelón de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2016

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Golden Age theater, Performance

  Item Type:

  Book chapter

  Tag(s):

  Auto del repelón, Juan del Encina, scenic violence

  
  

• "A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2017

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Performance, Renaissance drama

  Item Type:

  Book chapter

  Tag(s):

  Juan del Encina, music and theatre, tan buen ganadico, Villancico, égloga en recuesta de unos amores

  
  

• Sayo, zurrón y cayado: vestimenta y atrezo en el teatro de Juan del Encina

  Author(s):

  Sara Sánchez-Hernández (see profile)

  Date:

  2015

  Group(s):

  Performance Studies, Renaissance / Early Modern Studies

  Subject(s):

  16th-century Spanish literature, Golden Age Spanish Literature, Performance

  Item Type:

  Article

  Tag(s):

  clothing, Juan del Encina, Networked Performance, Rustic shepherd, égloga dramática

  
  

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