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• The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist

  Author(s):

  Anna Kijas (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music Library Association

  Subject(s):

  Musicology, Music performance, Women and performance, Biography

  Item Type:

  Article

  Tag(s):

  women composers, women pianists, Latin American musicians

  
  

• “This Is Ghetto Row”: Musical Segregation in American College Football

  Author(s):

  John Michael McCluskey (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Ethnomusicology, Music and Sound

  Subject(s):

  Music, Musicology, Ethnomusicology, Sport, Higher education, Race, Politics, Ethnography

  Item Type:

  Article

  Tag(s):

  College Football, Soundscapes

  
  

• An interactive multimedia companion to Wagner’s Lohengrin: encoding and visualising a motivic study - video of demonstration

  Author(s):

  Laurence Dreyfus, David Lews, Kevin Page (see profile)

  Date:

  2020

  Group(s):

  DH2020, Linked Open Data

  Subject(s):

  Digital musicology, Linked open data, Music, Musicology

  Item Type:

  Video

  
  

• An interactive multimedia companion to Wagner’s Lohengrin: encoding and visualising a motivic study

  Author(s):

  Laurence Dreyfus, David Lewis, Kevin Page (see profile)

  Date:

  2020

  Group(s):

  DH2020

  Subject(s):

  Digital musicology, Linked open data, Music, Musicology

  Item Type:

  Conference poster

  
  

• [POSTER] Noh as Intermedia: Interactive Multi-Scale, Multimedia Analyses of Full-Length Noh Theater Performances

  Author(s):

  Vijoy Abraham, Scott Bailey, Peter Broadwell (see profile) , Javier de la Rosa, Takanori Fujita, Jarosław Kapuściński, Juan Pablo López Franco, François Rose, Simon Wiles, Glen Worthey

  Date:

  2020

  Group(s):

  DH2020

  Subject(s):

  Digital humanities, Multimedia, Musicology, Performance studies

  Item Type:

  Other

  Tag(s):

  interactive, Japanese Art History

  
  

• Music by Zbigniew Preisner? Fictional composers and compositions in the Kieślowski collaborations

  Author(s):

  Jonathan Godsall (see profile)

  Date:

  2017

  Subject(s):

  Music, Film music, Musicology

  Item Type:

  Book chapter

  Tag(s):

  Preisner, Fictional authors, Composer

  
  

• Continuidade do repertório polifónico na Catedral de Évora no século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Polyphony, Sacred music, Music, Musicology, Stile Antico

  Item Type:

  Book chapter

  Tag(s):

  Évora Cathedral

  
  

• Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in the Azores studies

  Subject(s):

  Music, Musicology, 17th century, Sacred music, Polyphony

  Item Type:

  Article

  Tag(s):

  soundscapes, Angra Cathedral, Angra do Heroísmo, Choirbook

  
  

• Listening to the Old City: Street Cries and Urbanization in Paris, ca. 1860

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, French, Music and Society, French music, Urban history

  Item Type:

  Article

  Tag(s):

  Second Empire, nineteenth-century music

  
  

• Annotated Bibliography of African American Carillon Music

  Author(s):

  Tiffany Ng (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Open Music

  Subject(s):

  Campanology, African American cultural studies, Diversity studies, Musicology, Music performance, Classical music

  Item Type:

  Bibliography

  Tag(s):

  racial equity, Negro spirituals, gospel music, ragtime

  
  

• The Vernacular Tune Book Collection of Samuel P. Bayard at The Pennsylvania State University

  Author(s):

  Carl Rahkonen (see profile)

  Date:

  2015

  Group(s):

  Music Library Association

  Subject(s):

  19th-century music, British music, Folk music, Music history, Musicology, Music publishing

  Item Type:

  Article

  Tag(s):

  Pennsylvania State University, Popular music, Samuel Bayard, Tune books, vernacular music

  
  

• Appendix 6 - African American Art Song Resource List

  Author(s):

  Caroline Helton, Emery Stephens (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Ethnomusicology, Music Library Association

  Subject(s):

  African American culture, Harlem Renaissance, Music composition, Music libraries, Musicology, Music performance

  Item Type:

  Online publication

  Tag(s):

  African American music, Black poetry, Music bibliographies, Music composers

  
  

• Tonality in Steve Reich's Nagoya Marimbas

  Author(s):

  Sean Atkinson (see profile)

  Date:

  2020

  Subject(s):

  Music theory, Musicology

  Item Type:

  Article

  Tag(s):

  minimalism, steve reich, tonality

  
  

• 'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)

  Author(s):

  Neil Gregor (see profile) , Thomas Irvine

  Date:

  2019

  Group(s):

  Cultural Studies, History, Music and Sound

  Subject(s):

  Music history, Musicology, Transnational history, Nationalism, German studies, Music, Film, Queer studies, European history

  Item Type:

  Book chapter

  Tag(s):

  Theatre Studies

  
  

• Repurposing 'com-provisation' (script/pre-print of conference paper)

  Author(s):

  Dimitris Papageorgiou (see profile)

  Date:

  2019

  Group(s):

  Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music and philosophy, Music notation, Music performance, Musicology, Composition

  Item Type:

  Conference paper

  Tag(s):

  assemblage, usership, Improvisation, comprovisation as sun-schediasmos

  
  

• Ecos da Sé de Angra" em Angra do Heroísmo

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Subject(s):

  Musicology, Music, Exhibtions, Polyphony, Sacred music

  Item Type:

  Article

  Tag(s):

  Plainchant

  
  

• Matéria e Transcendência: Espiritualidade na Música e nas Artes Plásticas dos séculos XX e XXI

  Author(s):

  Telles Ana, Luís Henriques (see profile) , Afonso Luís, Leão Ricardo Sá, Leandro Sandra

  Date:

  2019

  Subject(s):

  Musicology, Music, Composition, Art history, 20th century, 21st century, Painting

  Item Type:

  Abstract

  Tag(s):

  Instrumental Music

  
  

• Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology

  Item Type:

  Book chapter

  Tag(s):

  sega, synthesizers, sound chips, new wave, michael jackson

  
  

• A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Historical Soundscape Studies, Music and Sound, Music in Évora studies

  Subject(s):

  Musicology, Music, 18th century, Sacred music

  Item Type:

  Book chapter

  Tag(s):

  soundscapes, Évora Cathedral, Mabinogi

  
  

• Um órgão para a Igreja do Carmo: Exemplo de uma nova dinâmica musical nas instituições religiosas da Horta na segunda metade do século XIX

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in the Azores studies

  Subject(s):

  Musicology, Music, Organology, 19th century, Sacred music

  Item Type:

  Article

  Tag(s):

  Organ, Instrumental Music, azores

  
  

• I EINEM - Encontro Internacional de Investigação de Estudantes em Música e Musicologia

  Author(s):

  CESEM/UÉvora (see profile)

  Editor(s):

  Rita Faleiro, Luís Henriques, Eduardo Lopes, João Silva

  Date:

  2019

  Subject(s):

  Musicology, Music, Cultural musicology

  Item Type:

  Abstract

  Tag(s):

  University of Évora, Évora

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory, Popular Music Studies

  Item Type:

  Review

  
  

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