CORE Search Results Start Search Over

• Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in the Azores studies

  Subject(s):

  Music, Musicology, 17th century, Sacred music, Polyphony

  Item Type:

  Article

  Tag(s):

  soundscapes, Angra Cathedral, Angra do Heroísmo, Choirbook

  
  

• Listening to the Old City: Street Cries and Urbanization in Paris, ca. 1860

  Author(s):

  Jack Blaszkiewicz (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, French, Music and Society, French music, Urban history

  Item Type:

  Article

  Tag(s):

  Second Empire, nineteenth-century music

  
  

• Annotated Bibliography of African American Carillon Music

  Author(s):

  Tiffany Ng (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Music and Sound, Open Music

  Subject(s):

  Campanology, African American cultural studies, Diversity studies, Musicology, Music performance, Classical music

  Item Type:

  Bibliography

  Tag(s):

  racial equity, Negro spirituals, gospel music, ragtime

  
  

• The Vernacular Tune Book Collection of Samuel P. Bayard at The Pennsylvania State University

  Author(s):

  Carl Rahkonen (see profile)

  Date:

  2015

  Group(s):

  Music Library Association

  Subject(s):

  19th-century music, British music, Folk music, Music history, Musicology, Music publishing

  Item Type:

  Article

  Tag(s):

  Pennsylvania State University, Popular music, Samuel Bayard, Tune books, vernacular music

  
  

• Appendix 6 - African American Art Song Resource List

  Author(s):

  Caroline Helton, Emery Stephens (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Ethnomusicology, Music Library Association

  Subject(s):

  African American culture, Harlem Renaissance, Music composition, Music libraries, Musicology, Music performance

  Item Type:

  Online publication

  Tag(s):

  African American music, Black poetry, Music bibliographies, Music composers

  
  

• Tonality in Steve Reich's Nagoya Marimbas

  Author(s):

  Sean Atkinson (see profile)

  Date:

  2020

  Subject(s):

  Music theory, Musicology

  Item Type:

  Article

  Tag(s):

  minimalism, steve reich, tonality

  
  

• 'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)

  Author(s):

  Neil Gregor (see profile) , Thomas Irvine

  Date:

  2019

  Group(s):

  Cultural Studies, History, Music and Sound

  Subject(s):

  Music history, Musicology, Transnational history, Nationalism, German studies, Music, Film, Queer studies, European history

  Item Type:

  Book chapter

  Tag(s):

  Theatre Studies

  
  

• Repurposing 'com-provisation' (script/pre-print of conference paper)

  Author(s):

  Dimitris Papageorgiou (see profile)

  Date:

  2019

  Group(s):

  Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)

  Subject(s):

  Music and philosophy, Music notation, Music performance, Musicology, Composition

  Item Type:

  Conference paper

  Tag(s):

  assemblage, usership, Improvisation, comprovisation as sun-schediasmos

  
  

• Ecos da Sé de Angra" em Angra do Heroísmo

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Subject(s):

  Musicology, Music, Exhibtions, Polyphony, Sacred music

  Item Type:

  Article

  Tag(s):

  Plainchant

  
  

• Matéria e Transcendência: Espiritualidade na Música e nas Artes Plásticas dos séculos XX e XXI

  Author(s):

  Telles Ana, Luís Henriques (see profile) , Afonso Luís, Leão Ricardo Sá, Leandro Sandra

  Date:

  2019

  Subject(s):

  Musicology, Music, Composition, Art history, 20th century, 21st century, Painting

  Item Type:

  Abstract

  Tag(s):

  Instrumental Music

  
  

• Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology

  Item Type:

  Book chapter

  Tag(s):

  sega, synthesizers, sound chips, new wave, michael jackson

  
  

• A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Historical Soundscape Studies, Music and Sound, Music in Évora studies

  Subject(s):

  Musicology, Music, 18th century, Sacred music

  Item Type:

  Book chapter

  Tag(s):

  soundscapes, Évora Cathedral, Mabinogi

  
  

• Um órgão para a Igreja do Carmo: Exemplo de uma nova dinâmica musical nas instituições religiosas da Horta na segunda metade do século XIX

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in the Azores studies

  Subject(s):

  Musicology, Music, Organology, 19th century, Sacred music

  Item Type:

  Article

  Tag(s):

  Organ, Instrumental Music, azores

  
  

• I EINEM - Encontro Internacional de Investigação de Estudantes em Música e Musicologia

  Author(s):

  CESEM/UÉvora (see profile)

  Editor(s):

  Rita Faleiro, Luís Henriques, Eduardo Lopes, João Silva

  Date:

  2019

  Subject(s):

  Musicology, Music, Cultural musicology

  Item Type:

  Abstract

  Tag(s):

  University of Évora, Évora

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory, Popular Music Studies

  Item Type:

  Review

  
  

• Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music history, Musicology, Popular Music Studies

  Item Type:

  Review

  
  

• Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

  Author(s):

  John Covach (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music education, Music history, Musicology, Music theory

  Item Type:

  Review

  
  

• “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory

  Item Type:

  Article

  
  

• “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.

  Author(s):

  John Covach (see profile)

  Date:

  1994

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

Viewing item 1 to 25 (of 378 items)

1 2 … 16 →