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MLA Deposits
Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations
Author(s):
Mariusz Kozak
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music and Sound
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music theory
,
Musicology
,
Phenomenography
,
Temporality
,
Affect
,
Embodiment
Item Type:
Video
Tag(s):
rhythm and meter
,
Time and temporality
Leo Brouwer’s Hika: In Memoriam Toru Takemitsu: an Analysis of Musical Contour and Form
Author(s):
Julio Orlando Quimbayo-Bolaños
(see profile)
Date:
2019
Subject(s):
Music analysis
,
Music theory
,
Western classical music
Item Type:
Thesis
Tag(s):
Classical Guitar
,
Contour Theory
,
Leo Brouwer
,
Toru Takemitsu
The Volta: A Galant Gesture of Culmination
Author(s):
Nathaniel Mitchell
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
History of opera
,
Musicology
,
Music theory
Item Type:
Article
Tag(s):
abnegation
,
chromaticism
,
clausula
,
Cleofide
,
galant
,
Hasse
,
Koch
,
Pergolesi
,
schema
,
Vinci
Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between
Author(s):
Megan Lavengood
(see profile)
Date:
2020
Group(s):
Open Music Theory — Instructor Community
,
Society for Music Theory (SMT)
,
Society for Music Theory – Jazz Interest Group
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Pedagogy
,
Music theory
Item Type:
Article
Tag(s):
modular curricula
,
music theory pedagogy
Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)
Author(s):
Mariusz Kozak
(see profile)
Date:
2016
Group(s):
American Musicological Society
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music cognition
,
Embodied cognition
,
Music theory
Item Type:
Book review
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music theory
,
Music history
Item Type:
Book chapter
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music theory
,
Music history
Item Type:
Book chapter
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies
,
Music history
,
Music theory
Item Type:
Book chapter
Transforming Space: The Production of Contemporary Syrian Art Music
Author(s):
Shayna Silverstein
(see profile)
Date:
2013
Group(s):
Ethnomusicology
,
Global & Transnational Studies
,
Global Musical Modernisms
Subject(s):
Arabic music
,
Avant-garde
,
Ethnomusicology
,
Modernity
,
Music theory
Item Type:
Book chapter
The Frame and The Swerve: Music Video's Relationship to Dance
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Music theory
,
Popular Music Studies
,
Dance
Item Type:
Article
Tag(s):
Lucretius
,
music video
Enacting Musical Time: Chapter 1: Meaning
Author(s):
Mariusz Kozak
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music theory
,
Music analysis
,
Phenomenology
,
Philosophy of time
,
Ecological humanities
Item Type:
Book chapter
Tag(s):
affordances
,
Edmund Husserl
,
Merleau-Pony
Tinctoris’s Minimum opus
Author(s):
Rob C. Wegman
(see profile)
Date:
2020
Group(s):
Medieval Polyphony
Subject(s):
Medieval music
,
Music theory
Item Type:
Article
Oberlin's "Music by Ear" Program
Author(s):
Arnie Cox
,
Megan Kaes Long
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills
,
ear training
,
online teaching
,
music theory pedagogy
Tonality in Steve Reich's Nagoya Marimbas
Author(s):
Sean Atkinson
(see profile)
Date:
2020
Subject(s):
Music theory
,
Musicology
Item Type:
Article
Tag(s):
minimalism
,
steve reich
,
tonality
Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"
Author(s):
Brad Osborn
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory
,
Cinematography
Item Type:
Book chapter
Tag(s):
musical form
,
Rihanna
,
Calvin Harris
,
Emil Nava
,
music video
De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Medieval Studies
,
Society for Music Theory (SMT)
Subject(s):
Medieval music
,
Music theory
,
Music analysis
,
Music history
Item Type:
Dissertation
Tag(s):
History of Music Theory
,
Counterpoint
,
Ars nova
Music, Language, and the Deceptive Charms of Recursive Grammars
Author(s):
Lodewijk Muns
(see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music
,
Music and philosophy
,
Music theory
Item Type:
Conference paper
Tag(s):
Generative Theory
,
music and language
,
recursion
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns
(see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music cognition
,
Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl
,
heinrich schenker
,
music cognition and perception
,
Ray Jackendoff
Schubert, Valses sentimentales, D. 779, no. 13, Waltz in A major: A Collection of Readings
Author(s):
David Neumeyer
(see profile)
Date:
2015
Subject(s):
Music analysis
,
Music theory
Item Type:
Article
Early Music Sight Singing Packet
Author(s):
Megan Kaes Long
(see profile)
Date:
2019
Subject(s):
Early music
,
Music theory
Item Type:
Course material or learning objects
Tag(s):
ear training
,
aural skills
,
sight singing
,
musicianship
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Game Studies
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games
,
Music theory
,
Popular Music Studies
,
Musicology
,
Ludomusicology
Item Type:
Book chapter
Tag(s):
sega
,
synthesizers
,
sound chips
,
new wave
,
michael jackson
Aural Skills 3 - Film Score Dictation Project
Author(s):
Megan Kaes Long
(see profile)
Date:
2019
Subject(s):
Film music
,
Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills
,
ear training
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach
(see profile)
Date:
1991
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
Subject(s):
Aesthetics
,
Music history
,
Musicology
,
Music theory
,
Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach
(see profile)
Date:
1995
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics
,
Music history
,
Musicology
,
Music theory
,
Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach
(see profile)
Date:
1996
Group(s):
American Musicological Society
,
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis
,
Musicology
,
Music theory
,
Philosophy and the arts
Item Type:
Book review
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