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• Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime

  Author(s):

  William O'Hara (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory, Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Music analysis, Popular Music Studies, Media studies, Internet/web-based media

  Item Type:

  Article

  
  

• Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills Acquisition

  Author(s):

  David Mosher (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory – Jazz Interest Group

  Subject(s):

  Jazz studies, Music, Music cognition, Music theory, Pedagogy

  Item Type:

  Dissertation

  Tag(s):

  jazz aural skills, jazz ear-training, music cognition and perception, music theory pedagogy, statistical learning

  
  

• Ladders of Thirds and Tonal Jazz Melody

  Author(s):

  Stefan Caris Love (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Jazz Interest Group

  Subject(s):

  Jazz, Music theory

  Item Type:

  Article

  Tag(s):

  African American music, harmony and voice-leading, Improvisation, Melody

  
  

• Review of Kevin Holm-Hudson: Music Theory Remixed

  Author(s):

  Brad Osborn (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory

  Subject(s):

  Pedagogy, Music theory, Textbooks

  Item Type:

  Review

  
  

• review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory

  Subject(s):

  Musicology, Music theory

  Item Type:

  Review

  
  

• Introduction to Research Materials in Music Theory

  Author(s):

  William O'Hara (see profile)

  Editor(s):

  Mallory Jallas

  Date:

  2019

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory, Musicology, Research methods

  Item Type:

  Course material or learning objects

  
  

• A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)

  Author(s):

  Frank Lehman (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society

  Subject(s):

  Music, Film music, Music theory, Film

  Item Type:

  Catalog

  Tag(s):

  Music Cataloging, Music cataloguing

  
  

• Chord-Scale Networks in the Music and Improvisations of Wayne Shorter

  Author(s):

  Garrett Michaelsen (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Jazz Interest Group

  Subject(s):

  Jazz, Music theory

  Item Type:

  Article

  Tag(s):

  Improvisation, Transformational theory, Wayne Shorter

  
  

• Rhythm Changes, Improvisation, and Chromaticism: Who Could Ask for Anything More?

  Author(s):

  Garrett Michaelsen (see profile)

  Date:

  2016

  Group(s):

  Society for Music Theory – Jazz Interest Group

  Subject(s):

  Jazz, Music theory, Pedagogy

  Item Type:

  Article

  Tag(s):

  Improvisation

  
  

• Improvising to Learn/Learning to Improvise: Designing Scaffolded Group Improvisations for the Music Theory Classroom

  Author(s):

  Garrett Michaelsen (see profile)

  Date:

  2014

  Subject(s):

  Music theory, Pedagogy

  Item Type:

  Article

  Tag(s):

  Improvisation

  
  

• The Conservatoire Américain: a History

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2007

  Group(s):

  American Musicological Society, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, 20th-century American music, Music theory

  Item Type:

  Book

  
  

• Review: Recomposing the Past: Representations of Early Music on Stage and Screen

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, Film music, Music theory

  Item Type:

  Review

  
  

• Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421

  Author(s):

  William O'Hara (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Society for Music Theory

  Subject(s):

  Mozart, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  chamber music

  
  

• Review of Steven Rings, Tonality and Transformation

  Author(s):

  William O'Hara (see profile)

  Date:

  2012

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory, Phenomenology

  Item Type:

  Book review

  Tag(s):

  tonality, Transformational theory

  
  

• Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music

  Author(s):

  Olivia Lucas (see profile)

  Date:

  2016

  Subject(s):

  Ecocriticism, Extreme metal music, Music analysis, Music theory, Sound studies

  Item Type:

  Dissertation

  
  

• HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS

  Author(s):

  Brad Osborn (see profile)

  Date:

  2013

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory

  Item Type:

  Book chapter

  Tag(s):

  iceland, music video, Popular music, rock harmony, björk

  
  

• BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES

  Author(s):

  Brad Osborn (see profile)

  Date:

  2010

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  rhythm and meter, Rhythm, meter, math rock, radiohead

  
  

• Becoming-Music, Becoming-Intimate, Becoming-Imperceptible

  Author(s):

  Brad Osborn (see profile)

  Date:

  2012

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory, Deleuze, Musicology

  Item Type:

  Article

  Tag(s):

  Gilles Deleuze, sigur ros, rock music

  
  

• Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres

  Author(s):

  Brad Osborn (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  form, rock music, radiohead, art rock, post-rock

  
  

• Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms

  Author(s):

  Brad Osborn (see profile)

  Date:

  2014

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  maximally even, Rhythm, rhythm and meter, Meter, radiohead

  
  

• Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music

  Author(s):

  Brad Osborn (see profile)

  Date:

  2013

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  form, rock music, radiohead

  
  

• ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD

  Author(s):

  Brad Osborn (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  harmony and voice-leading, rock harmony, Popular music, radiohead

  
  

• Redeeming the Betrayer: Elgar's Portrayal of Judas in 'The Apostles'

  Author(s):

  Ryan Taycher (see profile)

  Date:

  2013

  Subject(s):

  Music analysis, Music theory

  Item Type:

  Thesis

  Tag(s):

  Edward Elgar, Schenkerian analysis

  
  

• Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf

  Author(s):

  Ryan Taycher (see profile)

  Date:

  2012

  Subject(s):

  Lieder, Music analysis, Music theory

  Item Type:

  Article

  Tag(s):

  Hugo Wolf, Schenkerian analysis

  
  

• Musical Mimesis in Orphans of the Storm

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Screen Arts and Culture

  Subject(s):

  Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film

  Item Type:

  Article

  
  

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