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MLA Deposits
One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams
Author(s):
Marc Edward Hannaford
(see profile)
Date:
2019
Group(s):
Society for Music Theory
,
Society for Music Theory – Jazz Interest Group
Subject(s):
Critical race and ethnic studies
,
Embodied cognition
,
Jazz studies
,
Music analysis
,
Music theory
Item Type:
Dissertation
Tag(s):
AACM
,
Analysis
,
experimental music
,
Improvisation
Enacting Musical Time: The Bodily Experience of New Music
Author(s):
Mariusz Kozak
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music and Sound
,
Performance Studies
,
SMT Dance and Movement Interest Group
,
Society for Music Theory
Subject(s):
Music theory
,
Musicology
,
Embodied cognition
,
Phenomenology
Item Type:
Book
Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime
Author(s):
William O'Hara
(see profile)
Date:
2018
Group(s):
Society for Music Theory
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Music analysis
,
Popular Music Studies
,
Media studies
,
Internet/web-based media
Item Type:
Article
Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills Acquisition
Author(s):
David Mosher
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz studies
,
Music
,
Music cognition
,
Music theory
,
Pedagogy
Item Type:
Dissertation
Tag(s):
jazz aural skills
,
jazz ear-training
,
music cognition and perception
,
music theory pedagogy
,
statistical learning
Ladders of Thirds and Tonal Jazz Melody
Author(s):
Stefan Caris Love
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
Item Type:
Article
Tag(s):
African American music
,
harmony and voice-leading
,
Improvisation
,
Melody
Review of Kevin Holm-Hudson: Music Theory Remixed
Author(s):
Brad Osborn
(see profile)
Date:
2019
Group(s):
Society for Music Theory
Subject(s):
Pedagogy
,
Music theory
,
Textbooks
Item Type:
Review
review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Society for Music Theory
Subject(s):
Musicology
,
Music theory
Item Type:
Review
Introduction to Research Materials in Music Theory
Author(s):
William O'Hara
(see profile)
Editor(s):
Mallory Jallas
Date:
2019
Group(s):
Society for Music Theory
Subject(s):
Music theory
,
Musicology
,
Research methods
Item Type:
Course material or learning objects
A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)
Author(s):
Frank Lehman
(see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Music
,
Film music
,
Music theory
,
Film
Item Type:
Catalog
Tag(s):
Music Cataloging
,
Music cataloguing
Chord-Scale Networks in the Music and Improvisations of Wayne Shorter
Author(s):
Garrett Michaelsen
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
Item Type:
Article
Tag(s):
Improvisation
,
Transformational theory
,
Wayne Shorter
Rhythm Changes, Improvisation, and Chromaticism: Who Could Ask for Anything More?
Author(s):
Garrett Michaelsen
(see profile)
Date:
2016
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz
,
Music theory
,
Pedagogy
Item Type:
Article
Tag(s):
Improvisation
Improvising to Learn/Learning to Improvise: Designing Scaffolded Group Improvisations for the Music Theory Classroom
Author(s):
Garrett Michaelsen
(see profile)
Date:
2014
Subject(s):
Music theory
,
Pedagogy
Item Type:
Article
Tag(s):
Improvisation
The Conservatoire Américain: a History
Author(s):
Kendra Leonard
(see profile)
Date:
2007
Group(s):
American Musicological Society
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
20th-century American music
,
Music theory
Item Type:
Book
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
MS Opera and Musical Performance
,
MS Screen Arts and Culture
,
Music Library Association
,
Society for Music Theory
Subject(s):
Musicology
,
Film music
,
Music theory
Item Type:
Review
Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421
Author(s):
William O'Hara
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Society for Music Theory
Subject(s):
Mozart
,
Musicology
,
Music theory
Item Type:
Article
Tag(s):
chamber music
Review of Steven Rings, Tonality and Transformation
Author(s):
William O'Hara
(see profile)
Date:
2012
Group(s):
Society for Music Theory
Subject(s):
Music theory
,
Phenomenology
Item Type:
Book review
Tag(s):
tonality
,
Transformational theory
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music
Author(s):
Olivia Lucas
(see profile)
Date:
2016
Subject(s):
Ecocriticism
,
Extreme metal music
,
Music analysis
,
Music theory
,
Sound studies
Item Type:
Dissertation
HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS
Author(s):
Brad Osborn
(see profile)
Date:
2013
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Book chapter
Tag(s):
iceland
,
music video
,
Popular music
,
rock harmony
,
björk
BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES
Author(s):
Brad Osborn
(see profile)
Date:
2010
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
rhythm and meter
,
Rhythm
,
meter
,
math rock
,
radiohead
Becoming-Music, Becoming-Intimate, Becoming-Imperceptible
Author(s):
Brad Osborn
(see profile)
Date:
2012
Group(s):
Society for Music Theory
Subject(s):
Music theory
,
Deleuze
,
Musicology
Item Type:
Article
Tag(s):
Gilles Deleuze
,
sigur ros
,
rock music
Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres
Author(s):
Brad Osborn
(see profile)
Date:
2011
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form
,
rock music
,
radiohead
,
art rock
,
post-rock
Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms
Author(s):
Brad Osborn
(see profile)
Date:
2014
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
maximally even
,
Rhythm
,
rhythm and meter
,
Meter
,
radiohead
Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music
Author(s):
Brad Osborn
(see profile)
Date:
2013
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form
,
rock music
,
radiohead
ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD
Author(s):
Brad Osborn
(see profile)
Date:
2017
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
harmony and voice-leading
,
rock harmony
,
Popular music
,
radiohead
Redeeming the Betrayer: Elgar's Portrayal of Judas in 'The Apostles'
Author(s):
Ryan Taycher
(see profile)
Date:
2013
Subject(s):
Music analysis
,
Music theory
Item Type:
Thesis
Tag(s):
Edward Elgar
,
Schenkerian analysis
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