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• Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music theory, Musicology, Phenomenography, Temporality, Affect, Embodiment

  Item Type:

  Video

  Tag(s):

  rhythm and meter, Time and temporality

  
  

• Leo Brouwer’s Hika: In Memoriam Toru Takemitsu: an Analysis of Musical Contour and Form

  Author(s):

  Julio Orlando Quimbayo-Bolaños (see profile)

  Date:

  2019

  Subject(s):

  Music analysis, Music theory, Western classical music

  Item Type:

  Thesis

  Tag(s):

  Classical Guitar, Contour Theory, Leo Brouwer, Toru Takemitsu

  
  

• The Volta: A Galant Gesture of Culmination

  Author(s):

  Nathaniel Mitchell (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  History of opera, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci

  
  

• Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2020

  Group(s):

  Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Pedagogy, Music theory

  Item Type:

  Article

  Tag(s):

  modular curricula, music theory pedagogy

  
  

• Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music cognition, Embodied cognition, Music theory

  Item Type:

  Book review

  
  

• “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music history, Music theory

  Item Type:

  Book chapter

  
  

• Transforming Space: The Production of Contemporary Syrian Art Music

  Author(s):

  Shayna Silverstein (see profile)

  Date:

  2013

  Group(s):

  Ethnomusicology, Global & Transnational Studies, Global Musical Modernisms

  Subject(s):

  Arabic music, Avant-garde, Ethnomusicology, Modernity, Music theory

  Item Type:

  Book chapter

  
  

• The Frame and The Swerve: Music Video's Relationship to Dance

  Author(s):

  Brad Osborn (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music theory, Popular Music Studies, Dance

  Item Type:

  Article

  Tag(s):

  Lucretius, music video

  
  

• Enacting Musical Time: Chapter 1: Meaning

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)

  Subject(s):

  Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities

  Item Type:

  Book chapter

  Tag(s):

  affordances, Edmund Husserl, Merleau-Pony

  
  

• Tinctoris’s Minimum opus

  Author(s):

  Rob C. Wegman (see profile)

  Date:

  2020

  Group(s):

  Medieval Polyphony

  Subject(s):

  Medieval music, Music theory

  Item Type:

  Article

  
  

• Oberlin's "Music by Ear" Program

  Author(s):

  Arnie Cox, Megan Kaes Long (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Music theory

  Item Type:

  Course material or learning objects

  Tag(s):

  aural skills, ear training, online teaching, music theory pedagogy

  
  

• Tonality in Steve Reich's Nagoya Marimbas

  Author(s):

  Sean Atkinson (see profile)

  Date:

  2020

  Subject(s):

  Music theory, Musicology

  Item Type:

  Article

  Tag(s):

  minimalism, steve reich, tonality

  
  

• Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

  Author(s):

  Brad Osborn (see profile)

  Date:

  2020

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Cinematography

  Item Type:

  Book chapter

  Tag(s):

  musical form, Rihanna, Calvin Harris, Emil Nava, music video

  
  

• De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint

  Author(s):

  Ryan Taycher (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Medieval Studies, Society for Music Theory (SMT)

  Subject(s):

  Medieval music, Music theory, Music analysis, Music history

  Item Type:

  Dissertation

  Tag(s):

  History of Music Theory, Counterpoint, Ars nova

  
  

• Music, Language, and the Deceptive Charms of Recursive Grammars

  Author(s):

  Lodewijk Muns (see profile)

  Date:

  2014

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Music, Music and philosophy, Music theory

  Item Type:

  Conference paper

  Tag(s):

  Generative Theory, music and language, recursion

  
  

• The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'

  Author(s):

  Lodewijk Muns (see profile)

  Date:

  2015

  Group(s):

  Society for Music Theory (SMT)

  Subject(s):

  Music cognition, Music theory

  Item Type:

  Book chapter

  Tag(s):

  Fred Lerdahl, heinrich schenker, music cognition and perception, Ray Jackendoff

  
  

• Schubert, Valses sentimentales, D. 779, no. 13, Waltz in A major: A Collection of Readings

  Author(s):

  David Neumeyer (see profile)

  Date:

  2015

  Subject(s):

  Music analysis, Music theory

  Item Type:

  Article

  
  

• Early Music Sight Singing Packet

  Author(s):

  Megan Kaes Long (see profile)

  Date:

  2019

  Subject(s):

  Early music, Music theory

  Item Type:

  Course material or learning objects

  Tag(s):

  ear training, aural skills, sight singing, musicianship

  
  

• Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology

  Item Type:

  Book chapter

  Tag(s):

  sega, synthesizers, sound chips, new wave, michael jackson

  
  

• Aural Skills 3 - Film Score Dictation Project

  Author(s):

  Megan Kaes Long (see profile)

  Date:

  2019

  Subject(s):

  Film music, Music theory

  Item Type:

  Course material or learning objects

  Tag(s):

  aural skills, ear training

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

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