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• Schubert, Valses sentimentales, D. 779, no. 13, Waltz in A major: A Collection of Readings

  Author(s):

  David Neumeyer (see profile)

  Date:

  2015

  Subject(s):

  Music analysis, Music theory

  Item Type:

  Article

  
  

• Early Music Sight Singing Packet

  Author(s):

  Megan Kaes Long (see profile)

  Date:

  2019

  Subject(s):

  Early music, Music theory

  Item Type:

  Course material or learning objects

  Tag(s):

  ear training, aural skills, sight singing, musicianship

  
  

• Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology

  Item Type:

  Book chapter

  Tag(s):

  sega, synthesizers, sound chips, new wave, michael jackson

  
  

• Aural Skills 3 - Film Score Dictation Project

  Author(s):

  Megan Kaes Long (see profile)

  Date:

  2019

  Subject(s):

  Film music, Music theory

  Item Type:

  Course material or learning objects

  Tag(s):

  aural skills, ear training

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory, Popular Music Studies

  Item Type:

  Review

  
  

• Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

  Author(s):

  John Covach (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music education, Music history, Musicology, Music theory

  Item Type:

  Review

  
  

• Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965

  Author(s):

  Garrett Michaelsen (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory – Jazz Interest Group

  Subject(s):

  Jazz studies, Music theory

  Item Type:

  Article

  Tag(s):

  Improvisation, miles davis, Musical interaction

  
  

• “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory

  Item Type:

  Article

  
  

• “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.

  Author(s):

  John Covach (see profile)

  Date:

  1994

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.

  Author(s):

  John Covach (see profile)

  Date:

  2000

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.

  Author(s):

  John Covach (see profile)

  Date:

  2002

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.

  Author(s):

  John Covach (see profile)

  Date:

  2003

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• "Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.

  Author(s):

  John Covach (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Classical music, Music history, Musicology, Music theory

  Item Type:

  Article

  
  

• "The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75.

  Author(s):

  John Covach (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Music theory, Western classical music

  Item Type:

  Article

  
  

• "(Per)Form in(g) Rock: A Response"

  Author(s):

  Mark Spicer (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Article

  
  

• "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  African-American popular music, Music theory, Popular Music Studies

  Item Type:

  Article

  
  

• "Introduction: The Rock (Academic) Circus"

  Author(s):

  Mark Spicer (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Book chapter

  
  

• "The Electric Light Orchestra and the Anxiety of the Beatles' Influence."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Book chapter

  
  

• "Strategic Intertextuality in Three of John Lennon's Late Beatles Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2009

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music theory, Popular Music Studies

  Item Type:

  Article

  
  

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