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• Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord

  Author(s):

  Candace Bailey (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Archives, Music Library Association, Place Studies, Women in American Music

  Subject(s):

  19th-century American South, Women's history, Transatlantic cultural studies, Music history, Cultural musicology, Southern studies, 19th century, Microhistory

  Item Type:

  Review

  Tag(s):

  women pianists, women in music

  
  

• “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music theory, Music history

  Item Type:

  Book chapter

  
  

• “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

  Author(s):

  John Covach (see profile)

  Date:

  2020

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Popular Music Studies, Music history, Music theory

  Item Type:

  Book chapter

  
  

• The Vernacular Tune Book Collection of Samuel P. Bayard at The Pennsylvania State University

  Author(s):

  Carl Rahkonen (see profile)

  Date:

  2015

  Group(s):

  Music Library Association

  Subject(s):

  19th-century music, British music, Folk music, Music history, Musicology, Music publishing

  Item Type:

  Article

  Tag(s):

  Pennsylvania State University, Popular music, Samuel Bayard, Tune books, vernacular music

  
  

• De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint

  Author(s):

  Ryan Taycher (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Medieval Studies, Society for Music Theory (SMT)

  Subject(s):

  Medieval music, Music theory, Music analysis, Music history

  Item Type:

  Dissertation

  Tag(s):

  History of Music Theory, Counterpoint, Ars nova

  
  

• 'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)

  Author(s):

  Neil Gregor (see profile) , Thomas Irvine

  Date:

  2019

  Group(s):

  Cultural Studies, History, Music and Sound

  Subject(s):

  Music history, Musicology, Transnational history, Nationalism, German studies, Music, Film, Queer studies, European history

  Item Type:

  Book chapter

  Tag(s):

  Theatre Studies

  
  

• Gustav Anton Freiherr von Seckendorff, Alias Patrik Peale: A Biographical Note

  Author(s):

  Lodewijk Muns (see profile)

  Date:

  2016

  Subject(s):

  Biography, German studies, Music history, Theatre history

  Item Type:

  Article

  Tag(s):

  art song, declamation, Franz Schubert, German lied, Gustav Anton von Seckendorff

  
  

• YILLIK: Annual of Istanbul Studies 1 (2019) - Foreword

  Author(s):

  Emir Alışık, Koca Mehmet Kentel (see profile) , Brigitte Pitarakis, Gülrû Tanman, Baha M. Tanman

  Date:

  2019

  Group(s):

  Architectural History and Theory, History, Ottoman and Turkish Studies, Urban Studies

  Subject(s):

  Ottoman Empire, Byzantine, Urban history, Architectural history, Music history

  Item Type:

  Essay

  Tag(s):

  Istanbul, journal, foreword, editorial

  
  

• "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Historical musicology, Music history

  Item Type:

  Article

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Book review

  
  

• Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory, Popular Music Studies

  Item Type:

  Review

  
  

• Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music history, Musicology, Popular Music Studies

  Item Type:

  Review

  
  

• Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

  Author(s):

  John Covach (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Music education, Music history, Musicology, Music theory

  Item Type:

  Review

  
  

• “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory

  Item Type:

  Article

  
  

• “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.

  Author(s):

  John Covach (see profile)

  Date:

  1994

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts

  Item Type:

  Article

  
  

• “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.

  Author(s):

  John Covach (see profile)

  Date:

  1998

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music analysis, Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.

  Author(s):

  John Covach (see profile)

  Date:

  2000

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.

  Author(s):

  John Covach (see profile)

  Date:

  2002

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.

  Author(s):

  John Covach (see profile)

  Date:

  2003

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Musicology, Music theory

  Item Type:

  Book chapter

  
  

• "Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.

  Author(s):

  John Covach (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Classical music, Music history, Musicology, Music theory

  Item Type:

  Article

  
  

• "The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception," Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75.

  Author(s):

  John Covach (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Music history, Music theory, Western classical music

  Item Type:

  Article

  
  

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