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• “The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture

  Author(s):

  Claire E.A. McLeish (see profile)

  Date:

  2014

  Subject(s):

  Copyright, Cultural musicology, Digital humanities, Intertextuality, Medieval music, Orality

  Item Type:

  Thesis

  Tag(s):

  mashup, online communities, Remix

  
  

• Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century

  Author(s):

  Catherine Jeffreys (see profile)

  Date:

  2018

  Subject(s):

  Chant, Historical musicology, Medieval music, Music theory

  Item Type:

  Article

  Tag(s):

  Guy of Saint-Denis, Johannes de Grocheio, Medieval University of Paris

  
  

• Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music

  Author(s):

  Jason Stoessel (see profile)

  Date:

  2010

  Subject(s):

  Medieval music, Renaissance music, Music notation

  Item Type:

  Article

  
  

• Symbolic Innovation: The Notation of Jacob de Senleches

  Author(s):

  Jason Stoessel (see profile)

  Date:

  1999

  Subject(s):

  11th to 14th century, Medieval music, Music history, Notation

  Item Type:

  Article

  Tag(s):

  Ars subtilior, Editing early music, Jacob de Senleches, Music Paleography

  
  

• The Encoded Medieval Antiphoner: An Open Access Digital Source for Music and Liturgical Pedagogy and Scholarship

  Author(s):

  Anna Kijas (see profile)

  Date:

  2018

  Group(s):

  Open Music

  Subject(s):

  11th to 14th century, Digital humanities, Medieval music, Musicology, Digital musicology

  Item Type:

  Presentation

  Tag(s):

  DH2016, workflow

  
  

• Seguint el rastre de la Sibil ! la a Menorca

  Author(s):

  Amadeu Corbera Jaume (see profile)

  Date:

  2011

  Group(s):

  Ethnomusicology

  Subject(s):

  Catalan culture, Catalan literature, Ethnomusicology, Medieval music, Oral history

  Item Type:

  Article

  Tag(s):

  early medieval history, ethnomusicology, menorca

  
  

• The Burns Antiphoner: From Manuscript to Interactive Resource

  Author(s):

  Anna Kijas (see profile)

  Date:

  2017

  Group(s):

  Digital Humanists, Open Music

  Subject(s):

  Digital humanities, Digital scholarship, Medieval music, Musicology, Digital musicology

  Item Type:

  Presentation

  Tag(s):

  DH2017, digital infrastructure

  
  

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