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• Luigi Dallapiccola - Fragmentos de uma vida em benefício de uma obra pianística

  Author(s):

  Júlia Azevedo (see profile)

  Date:

  2017

  Group(s):

  Music and Sound, Open Music

  Subject(s):

  Music analysis, Historical musicology

  Item Type:

  Essay

  Tag(s):

  Luigi Dallapiccola, piano, Twelve-tone composition

  
  

• Una introducción al lenguaje retórico de Carlos Francisco d'Assis Moreira: el caso del Miserere del Archivo de la Se de Évora

  Author(s):

  Rita Faleiro (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  Music and literature, Historical musicology, Sacred music, 19th century

  Item Type:

  Abstract

  Tag(s):

  rethoric, miserere, Evora's Cathedral

  
  

• Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century

  Author(s):

  Catherine Jeffreys (see profile)

  Date:

  2018

  Subject(s):

  Chant, Historical musicology, Medieval music, Music theory

  Item Type:

  Article

  Tag(s):

  Guy of Saint-Denis, Johannes de Grocheio, Medieval University of Paris

  
  

• BEAM THEM TOGETHER: Employing the Background, Exhibit, Argument, and Method Model to Connect Research and Writing

  Author(s):

  Rachel Scott (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Library & Information Science, Music Library Association

  Subject(s):

  Historical musicology, Librarianship, Research, Rhetorical theory, Rhetoric and composition

  Item Type:

  Presentation

  Tag(s):

  muslib2018

  
  

• “In Their Own Native Keys”: Tonal Organization in William Byrd’s Published Motets

  Author(s):

  Mark Yeary (see profile)

  Date:

  2010

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology, Early music

  Item Type:

  Article

  
  

• Apresentação PowerPoint - As “Licções de Trevas para Quinta Feira Santa” de Rocha Espanca no fundo musical do mosteiro de São Bento de Cástris

  Author(s):

  Rita Faleiro (see profile)

  Date:

  2017

  Group(s):

  Music in Évora studies

  Subject(s):

  18th century, Historical musicology, Music analysis

  Item Type:

  Presentation

  Tag(s):

  18th Century, Cistercian, sacred music, Évora

  
  

• Erik Satie’s Socrate (1918), Myths of Marsyas, and un style dépouillé

  Author(s):

  Samuel Dorf (see profile)

  Date:

  2014

  Subject(s):

  Classics, Historical musicology, Philosophy

  Item Type:

  Article

  Tag(s):

  Erik Satie, Socrates

  
  

• The Innovations of Ruth Crawford Seeger

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology, Music theory

  Item Type:

  Blog Post

  
  

• American Folk Rock Cattle Raid: The Decemberists’s The Tain

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

• Art Mimics Art: Anthony Burgess’s Napoleon Symphony: A Novel in Four Movements

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society

  Subject(s):

  British literature, Historical musicology

  Item Type:

  Blog Post

  
  

• Women Can’t Do That: Delia Derbyshire and Electronic Musi

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology

  Item Type:

  Blog Post

  
  

• Song of Myself: Autobiography in Pop Music

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2014

  Group(s):

  American Musicological Society, TC Women’s and Gender Studies

  Subject(s):

  Historical musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

• Survival Through Song

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society

  Subject(s):

  Canadian literature, Historical musicology

  Item Type:

  Blog Post

  
  

• Hearing Gender in George Lucas's Galaxy

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, MS Screen Arts and Culture

  Subject(s):

  Film studies, Gender studies, Historical musicology

  Item Type:

  Blog Post

  
  

• Heavy Metal Elves

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, MS Screen Arts and Culture

  Subject(s):

  Historical musicology, Musicology, Popular Music Studies

  Item Type:

  Blog Post

  
  

• Just the Songs, from The Art Songs of Louise Talma, CMS Sourcebooks in American Music series, Routledge, 2017.

  Editor(s):

  Kendra Leonard (see profile)

  Date:

  2017

  Subject(s):

  20th century, Historical musicology, Music

  Item Type:

  Music

  Tag(s):

  music, musical theory, musicology, Talma, songs

  
  

• Auguste Vern – Flutist and Composer

  Author(s):

  Stephen Thomson Moore (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology

  Item Type:

  Article

  Tag(s):

  Flute

  
  

• John L. Downe, flutist and composer

  Author(s):

  Stephen Thomson Moore (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society

  Subject(s):

  Historical musicology

  Item Type:

  Article

  
  

• Music, theatre and the nation :the entertainment market in Lisbon (1865-1908)

  Author(s):

  Joao Silva (see profile)

  Date:

  2011

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Cultural musicology, Historical musicology

  Item Type:

  Thesis

  
  

• “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde

  Author(s):

  John Brackett (see profile)

  Date:

  2018

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory, Popular Music Studies

  Item Type:

  Book chapter

  Tag(s):

  Blonde, drugs, Frank Ocean, marijuana

  
  

• Some Notes on John Zorn’s Cobra

  Author(s):

  John Brackett (see profile)

  Date:

  2010

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  Avant-garde, experimental music, File-card, John Zorn

  
  

• Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)

  Author(s):

  John Brackett (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  12-tone, Arnold Schoenberg, Piano Suite, Twelve-tone composition

  
  

• ‘Hand in Glove’ and the Development of The Smiths’ Sound

  Author(s):

  John Brackett (see profile)

  Date:

  2013

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Hand in Glove, Johnny Marr, Morrissey, Recording Technology, The Smiths

  
  

• John Zorn: Tradition and Transgression

  Author(s):

  John Brackett (see profile)

  Date:

  2008

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Jazz, Music analysis, Music theory

  Item Type:

  Book

  Tag(s):

  Avant-garde, Collage, Contemporary Classical Music, Experimental, John Zorn

  
  

• Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style

  Author(s):

  John Brackett (see profile)

  Date:

  2008

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Led Zeppelin, Meter, Popular music, Rhythm, Style Analysis

  
  

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