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Notes from the Field: Neoglyphix, Shining Soul & Indigenous Hip Hop in Arizona
Author(s):
Charles Norton
(see profile)
Date:
2019
Subject(s):
Anthropology
,
Indigenous peoples
,
Hip Hop
,
Settler colonialism
,
Critical pedagogy
Item Type:
Article
Die Mobilisierung des Überdrusses (Disgust mobilization in Indonesian election)
Author(s):
Frans Prasetyo
(see profile)
Date:
2020
Group(s):
Anarchism
,
Community Music
,
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Visual Anthropology
Subject(s):
Social anthropology
,
Ethnomusicology
,
Punk
,
Youth subculture
,
Political sociology
,
Ethnography
,
Hip Hop
Item Type:
Online publication
Tag(s):
youth culture
,
musical culture
'You Can't Flow Over This': Ursula Rucker's Acoustic Illusion
Author(s):
Marisa Parham
(see profile)
Date:
2007
Group(s):
LLC 20th- and 21st-Century American
,
LLC African American
,
TC Popular Culture
Subject(s):
Hip Hop
,
Hip-hop studies
,
African American poetry
,
Beat literature
,
Black popular culture
Item Type:
Book chapter
Tag(s):
The Roots
,
Bob Kaufman
,
Foxy Brown
,
Rape Culture
,
Blaxsploitation
A Year of Hip Hop and the Pocket City Sound: Cultivating Community Capital
Author(s):
Nathan Jochum
(see profile)
Date:
2019
Subject(s):
Hip Hop
,
Music
,
Performing arts
,
Public libraries
Item Type:
Presentation
Tag(s):
#muslib2019
,
Hip-Hop Based Education
The Sampling Network of Public Enemy's "Bring the Noise"
Author(s):
Amanda Sewell
(see profile)
Date:
2012
Group(s):
American Musicological Society
Subject(s):
Musicology
,
Hip Hop
Item Type:
Conference paper
Tag(s):
musical borrowing
,
African American music
Paul's Boutique and Fear of a Black Planet: Digital Sampling and Musical Style in Hip Hop
Author(s):
Amanda Sewell
(see profile)
Date:
2014
Subject(s):
Musicology
,
Hip Hop
Item Type:
Article
Tag(s):
musical borrowing
Where I Come From: Place, Race, Memory and Experience in Rap and Country Music – A Comparative Study
Author(s):
Richard Elliott
(see profile)
Date:
2002
Subject(s):
Popular Music Studies
,
Hip Hop
,
Country music
,
Memory studies
,
Cultural studies
,
Race
,
Place
,
Memory
Item Type:
Dissertation
Tag(s):
authenticity
,
experience
Eric Charry, ed. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press, 2012. x + 390 pp. Graphs. Maps. Photographs. Notes. Bibliography. Discography. Videography. Webography. Index. $35.00. Paper.
Author(s):
Andrew Eisenberg
(see profile)
Date:
2014
Subject(s):
African studies
,
Ethnomusicology
,
Hip Hop
Item Type:
Book review
Hip-Hop Colony
Author(s):
Andrew Eisenberg
(see profile)
Date:
2007
Subject(s):
African studies
,
Documentary
,
Ethnomusicology
,
Hip Hop
Item Type:
Book review
Tag(s):
Kenya
Beyond Beyoncé: Intersections of Race, Gender, and Sexuality in Contemporary American Hip-Hop ca. 2010-2016
Author(s):
Lauron Kehrer
(see profile)
Date:
2017
Subject(s):
African-American popular music
,
Gender and sexualities
,
Hip Hop
,
LGBTQ Studies
,
Popular Music Studies
Item Type:
Dissertation
Engagement social et éducation dans la culture hip-hop parisienne
Author(s):
Charles Norton
(see profile)
Date:
2017
Subject(s):
Aesthetics
,
Hip Hop
,
Pedagogy
Item Type:
Thesis
Tag(s):
France
,
HHBE
,
Hip-Hop Based Education
,
Critical Pedagogy
,
Paris
Das Religiöse in der Kunst: Sinnstiftung und Bedeutung in der Musik des Retrogottes
Author(s):
Johannes Liess
(see profile)
Date:
2017
Group(s):
Religious Studies
Subject(s):
Contemporary art
,
Hip Hop
,
Music analysis
,
Philosophy of religion
,
Theory of the arts
Item Type:
Thesis
Tag(s):
identity
,
meaning
,
Modernity
Hip-Hop and Cultural Citizenship on Kenya's "Swahili Coast"
Author(s):
Andrew Eisenberg
(see profile)
Date:
2012
Group(s):
Ethnomusicology
,
Music and Sound
Subject(s):
African studies
,
Hip Hop
,
Musicology
Item Type:
Article
Tag(s):
africa
,
citizenship
,
Swahili
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