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• Die Mobilisierung des Überdrusses (Disgust mobilization in Indonesian election)

  Author(s):

  Frans Prasetyo (see profile)

  Date:

  2020

  Group(s):

  Anarchism, Community Music, Festivals, Rituals, Public Spectacles, and Popular Culture, Visual Anthropology

  Subject(s):

  Social anthropology, Ethnomusicology, Punk, Youth subculture, Political sociology, Ethnography, Hip Hop

  Item Type:

  Online publication

  Tag(s):

  youth culture, musical culture

  
  

• 'You Can't Flow Over This': Ursula Rucker's Acoustic Illusion

  Author(s):

  Marisa Parham (see profile)

  Date:

  2007

  Group(s):

  LLC 20th- and 21st-Century American, LLC African American, TC Popular Culture

  Subject(s):

  Hip Hop, Hip-hop studies, African American poetry, Beat literature, Black popular culture

  Item Type:

  Book chapter

  Tag(s):

  The Roots, Bob Kaufman, Foxy Brown, Rape Culture, Blaxsploitation

  
  

• A Year of Hip Hop and the Pocket City Sound: Cultivating Community Capital

  Author(s):

  Nathan Jochum (see profile)

  Date:

  2019

  Subject(s):

  Hip Hop, Music, Performing arts, Public libraries

  Item Type:

  Presentation

  Tag(s):

  #muslib2019, Hip-Hop Based Education

  
  

• The Sampling Network of Public Enemy's "Bring the Noise"

  Author(s):

  Amanda Sewell (see profile)

  Date:

  2012

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, Hip Hop

  Item Type:

  Conference paper

  Tag(s):

  musical borrowing, African American music

  
  

• Paul's Boutique and Fear of a Black Planet: Digital Sampling and Musical Style in Hip Hop

  Author(s):

  Amanda Sewell (see profile)

  Date:

  2014

  Subject(s):

  Musicology, Hip Hop

  Item Type:

  Article

  Tag(s):

  musical borrowing

  
  

• Where I Come From: Place, Race, Memory and Experience in Rap and Country Music – A Comparative Study

  Author(s):

  Richard Elliott (see profile)

  Date:

  2002

  Subject(s):

  Popular Music Studies, Hip Hop, Country music, Memory studies, Cultural studies, Race, Place, Memory

  Item Type:

  Dissertation

  Tag(s):

  authenticity, experience

  
  

• Eric Charry, ed. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press, 2012. x + 390 pp. Graphs. Maps. Photographs. Notes. Bibliography. Discography. Videography. Webography. Index. $35.00. Paper.

  Author(s):

  Andrew Eisenberg (see profile)

  Date:

  2014

  Subject(s):

  African studies, Ethnomusicology, Hip Hop

  Item Type:

  Book review

  
  

• Hip-Hop Colony

  Author(s):

  Andrew Eisenberg (see profile)

  Date:

  2007

  Subject(s):

  African studies, Documentary, Ethnomusicology, Hip Hop

  Item Type:

  Book review

  Tag(s):

  Kenya

  
  

• Beyond Beyoncé: Intersections of Race, Gender, and Sexuality in Contemporary American Hip-Hop ca. 2010-2016

  Author(s):

  Lauron Kehrer (see profile)

  Date:

  2017

  Subject(s):

  African-American popular music, Gender and sexualities, Hip Hop, LGBTQ Studies, Popular Music Studies

  Item Type:

  Dissertation

  
  

• Engagement social et éducation dans la culture hip-hop parisienne

  Author(s):

  Charles Norton (see profile)

  Date:

  2017

  Subject(s):

  Aesthetics, Hip Hop, Pedagogy

  Item Type:

  Thesis

  Tag(s):

  France, HHBE, Hip-Hop Based Education, Critical Pedagogy, Paris

  
  

• Das Religiöse in der Kunst: Sinnstiftung und Bedeutung in der Musik des Retrogottes

  Author(s):

  Johannes Liess (see profile)

  Date:

  2017

  Group(s):

  Religious Studies

  Subject(s):

  Contemporary art, Hip Hop, Music analysis, Philosophy of religion, Theory of the arts

  Item Type:

  Thesis

  Tag(s):

  identity, meaning, Modernity

  
  

• Hip-Hop and Cultural Citizenship on Kenya's "Swahili Coast"

  Author(s):

  Andrew Eisenberg (see profile)

  Date:

  2012

  Group(s):

  Ethnomusicology, Music and Sound

  Subject(s):

  African studies, Hip Hop, Musicology

  Item Type:

  Article

  Tag(s):

  africa, citizenship, Swahili

  
  

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