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• Pre-existing music as authorial signature in the fiction films of Martin Scorsese

  Author(s):

  Jonathan Godsall (see profile)

  Date:

  2015

  Subject(s):

  Film, Film music, Musicology

  Item Type:

  Book chapter

  
  

• Further seductions: ‘Mrs. Robinson’, post-Graduate

  Author(s):

  Jonathan Godsall (see profile)

  Date:

  2015

  Subject(s):

  Film music, Intertextuality, Musicology, Popular Music Studies

  Item Type:

  Article

  
  

• Cape Fear: Remaking a film score

  Author(s):

  Jonathan Godsall (see profile)

  Date:

  2013

  Subject(s):

  Adaptation, Film music, Intertextuality, Musicology

  Item Type:

  Article

  
  

• Phantoms of the Archives slides

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Presentation

  
  

• Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Presentation

  
  

• Laura Rossi’s War Musics

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Film Studies, Society for Music Theory

  Subject(s):

  Musicology, Cultural musicology, Film music

  Item Type:

  Book chapter

  
  

• A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)

  Author(s):

  Frank Lehman (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society

  Subject(s):

  Music, Film music, Music theory, Film

  Item Type:

  Catalog

  Tag(s):

  Music Cataloging, Music cataloguing

  
  

• Michael Nyman, London, 23 March 1983

  Author(s):

  Virginia Anderson (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  British music, Film music, Music composition

  Item Type:

  Interview

  Tag(s):

  experimental music

  
  

• Review: Recomposing the Past: Representations of Early Music on Stage and Screen

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, Film music, Music theory

  Item Type:

  Review

  
  

• Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, Music Library Association, Society for Music Theory

  Subject(s):

  Musicology, Film history, Film music

  Item Type:

  Book chapter

  Tag(s):

  silent film

  
  

• Performing Spiritualism in the Silent Cinema

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association

  Subject(s):

  Musicology, Film music, Film history, Music, Religion

  Item Type:

  Article

  
  

• A Complete Catalog of Motivic Materials in Star Wars

  Author(s):

  Frank Lehman (see profile)

  Date:

  2018

  Subject(s):

  Film music, Musicology

  Item Type:

  Catalog

  
  

• Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2011

  Group(s):

  American Musicological Society, Film Studies, Society for Music Theory

  Subject(s):

  Music analysis, Film music, Gothic, Musicology

  Item Type:

  Article

  
  

• Musical Mimesis in Orphans of the Storm

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Screen Arts and Culture

  Subject(s):

  Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film

  Item Type:

  Article

  
  

• I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)

  Author(s):

  Reba Wissner (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Film Studies, Music and Sound

  Subject(s):

  Film, Film music, Sound studies, Television, Television studies

  Item Type:

  Article

  
  

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