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• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Japan, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film arts, Cinema, world cinema

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality

  Item Type:

  Book chapter

  Tag(s):

  Michelangelo Antonioni, Alfred Hitchcock, film modernism

  
  

• EROS and Civilization: Sexuality and the Contemporary International Art Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2008

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Sexuality, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Transnational film

  
  

• EL TOPO and the Midnight Movie Craze

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Surrealism, Film arts, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Alejandro Jodorowsky, Surrealist Cinema, EL TOPO

  
  

• The Sounds of Silence: Minimalist Acting in BLOW-UP

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film arts, Film history, Acting, Cinema history, Cinema, Modernism

  Item Type:

  Book chapter

  Tag(s):

  performamnce, film acting, film directing, minimalism

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation

  
  

• Los contornos del miedo. La huella del arte pictórico en el giallo italiano

  Author(s):

  Antonio Loriguillo-López (see profile) , Agustín Rubio Alcover

  Date:

  2018

  Subject(s):

  Film arts, Film studies, Italian cinema, Painting

  Item Type:

  Article

  
  

• Šestaja čast' kadra". Vosstanovlenie vertovskogo "Čelovek s kinoapparatom" / "The Sixth of the Frame". Vertov's "Man with a Movie Camera" restored.

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2018

  Group(s):

  Archives, Film Studies, Soviet and Russian history and culture

  Subject(s):

  Film history, Restoration culture, Film arts, Archival materials, Archives

  Item Type:

  Article

  Tag(s):

  russian film, restoration

  
  

• Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet]

  Author(s):

  Natascha Drubek (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Film arts, Russia

  Item Type:

  Book chapter

  Tag(s):

  Film studies, glass, Russian and Soviet Studies, Gesture, Thing

  
  

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