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• Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945

  Author(s):

  Natascha Drubek (see profile)

  Date:

  2020

  Group(s):

  Documentary Studies, Film Studies, Holocaust history, Soviet and Russian history and culture

  Subject(s):

  Film and history, Holocaust, Poland, Soviet Union, Documentary production

  Item Type:

  Book

  
  

• Time and Identity in Folk Horror

  Author(s):

  Derek Johnston (see profile)

  Date:

  2014

  Group(s):

  Cultural Studies, Horror, Television Studies

  Subject(s):

  Television studies, Film and history, Film and society, Cultural identity, Identity, Television, Film

  Item Type:

  Conference paper

  Tag(s):

  Folk horror, Time

  
  

• Veni, vidi, video: Screen portrayals of the Roman Empire

  Author(s):

  Antony Keen (see profile)

  Date:

  2018

  Subject(s):

  Classics, Film studies, Classical reception, Film history, Film and history

  Item Type:

  Article

  Tag(s):

  Classical reception studies, Classics and cinema, Cinema and ancient Greece and Rome, Hollywood epics

  
  

• Exegi Monumentum Revolutionis – On Eisenstein’s "October"

  Author(s):

  Natascha Drubek (see profile)

  Date:

  2020

  Group(s):

  Film Studies, History, Soviet and Russian history and culture

  Subject(s):

  Film and history, Soviet film, Soviet history, Sculpture, French Revolution, Pushkin

  Item Type:

  Article

  Tag(s):

  Eisenstein, Jakobson

  
  

• Cosmopoéticas do espectador selvagem

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2020

  Group(s):

  Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Film and history, Genocide studies, Editing, Indigenous peoples, Indigenous cinema

  Item Type:

  Article

  Tag(s):

  cinema brasileiro contemporâneo, montagem, montagem anarquívica, cosmopoéticas

  
  

• Grenzverwischer. ‘Jud Süss’ und ‘Das Dritte Geschlecht’: Verschränkte Diskurse von Ausgrenzung.

  Author(s):

  Francesca Falk (see profile)

  Date:

  2008

  Group(s):

  Cultural Studies, Gender Studies, Global & Transnational Studies, History

  Subject(s):

  Contemporary history, Discourse analysis, Film and history, History

  Item Type:

  Book

  
  

• Cosmopolíticas e cosmopoéticas do contato

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2018

  Group(s):

  Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Film studies, Film and history, Indigenous peoples

  Item Type:

  Article

  Tag(s):

  documentário, história, contato

  
  

• Cine-Testimonio: Saturnino Huillca, estrella del documental revolucionario peruano

  Author(s):

  Isabel Seguí (see profile)

  Date:

  2016

  Group(s):

  Red de Investigación Mujeres en el Cine Latinoamericano

  Subject(s):

  Documentary production, Film and history, Indigenous peoples, Peru, Transmedia practices

  Item Type:

  Article

  Tag(s):

  Agrarian Reform, Cinema and testimony, Peruvian cinema, Saturnino Huillca

  
  

• Reviews of Lord of the Rings (Return of the King), Passion of Christ and Schindlers List

  Author(s):

  Steven Aoun (see profile)

  Date:

  2005

  Group(s):

  Advocating for the Humanities, Connected Academics, Cultural Studies, Film Studies, Literary theory

  Subject(s):

  Film and history, Cultural studies, Holocaust

  Item Type:

  Article

  Tag(s):

  Spielberg, Tolkien, Religion and Culture

  
  

• Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and history, Cinema, Hollywood cinema

  Item Type:

  Book chapter

  Tag(s):

  Steven Spielberg, SAVING PRIVATE RYAN, war movies

  
  

• BICYCLE THIEVES: A Re-reading

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  Item Type:

  Article

  Tag(s):

  neorealism

  
  

• The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and history, Film and politics, 20th-century film, Cinema

  Item Type:

  Book chapter

  Tag(s):

  APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola

  
  

• 1976: Movies and Cultural Contradictions

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film

  Item Type:

  Book chapter

  Tag(s):

  american cinema, academy award

  
  

• ‘The Underlying Gesture’. Towards the Notion of Gesture in Jean d’Udine and Sergei Eisenstein

  Author(s):

  Irina Schulzki (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film and history, Art, Global modernism across the arts, Intermediality

  Item Type:

  Book chapter

  Tag(s):

  gesture, synaesthesia, senses, montage

  
  

• Rural Modernity in Britain: Introduction by Kristin Bluemel and Michael McCluskey

  Author(s):

  Kristin Bluemel (see profile) , Michael McCluskey

  Date:

  2018

  Group(s):

  LLC 20th- and 21st-Century English and Anglophone, TM Literary Criticism

  Subject(s):

  Art history, Cultural geography, Film and history, Literary criticism, Cultural studies, Working-class literature, Feminist criticism, Visual culture

  Item Type:

  Book chapter

  Tag(s):

  Britishness, War Studies

  
  

• Coming of Age in Troubled Times: Son of Babylon and Theeb

  Author(s):

  Hania Nashef (see profile)

  Date:

  2018

  Group(s):

  LLC Arabic, MS Screen Arts and Culture, Postcolonial Studies, TC Memory Studies, TC Popular Culture

  Subject(s):

  Arabic culture, Film, Film and history, Film and politics, Postcolonial culture

  Item Type:

  Article

  Tag(s):

  Theeb, Abu-Nuwar, Mohammed al-Daradji, Iraqi cinema, Jordan cinema

  
  

• Pirandello’s Character in Ruttmann’s Cacophonic Film Acciaio (1933)

  Author(s):

  cecinove2017 (see profile)

  Date:

  2013

  Subject(s):

  European studies, Film and history, Film history, German studies, Italian studies

  Item Type:

  Conference paper

  Tag(s):

  20th Century Literature, 20th century film, Italian LIterature, German cinema, Italian theatre

  
  

• The Last of the Self-Righteous: Claude Lanzmann’s version of Benjamin Murmelstein

  Author(s):

  Anna Hajkova (see profile)

  Date:

  2014

  Group(s):

  Cultural Studies, German Literature and Culture, Jewish Studies

  Subject(s):

  Film and history, Film criticism, Gender studies, Holocaust studies

  Item Type:

  Essay

  Tag(s):

  claude lanzmann, masculinity, oral history, theresienstadt

  
  

• Der Judenälteste und seine SS–Männer: Benjamin Murmelstein, der letzte Judenälteste in Theresienstadt und seine Beziehung zu Adolf Eichmann und Karl Rahm

  Author(s):

  Anna Hajkova (see profile)

  Date:

  2011

  Group(s):

  Cultural Studies, German Literature and Culture, Jewish Studies

  Subject(s):

  Film and history, Gender studies, Holocaust studies, Jewish history, Oral history

  Item Type:

  Book chapter

  Tag(s):

  Holocaust, masculinity, violence, victim society, Murmelstein

  
  

• Becoming a Gwo Nèg in 1970s Haiti: Dany Laferrière's Coming-of-Age Film Le Goût des Jeunes Filled (On the Verge of Fever)

  Author(s):

  Lee Skallerup Bessette (see profile)

  Date:

  2013

  Group(s):

  LLC Canadian, LLC Francophone, LLC Literatures of the United States in Languages Other Than English, Postcolonial Literature, TC Postcolonial Studies

  Subject(s):

  Adaptation, Caribbean studies, Film and history, Film and politics, Postcolonialism

  Item Type:

  Article

  
  

• Ethnic Stereotypes in the Discourse of Former-Yugoslav TV and Cinema

  Author(s):

  Aleksandar Petrović, Marija Stepanović (see profile)

  Date:

  2015

  Subject(s):

  Film and history, Film and society, Semiotics

  Item Type:

  Conference proceeding

  Tag(s):

  Balkans, Former Yugoslavia, ethnic stereotypes, discourse analysis, film discourse

  
  

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