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• The Camera Shot and the Gun Sight

  Author(s):

  Anne Eakin Moss (see profile)

  Date:

  2019

  Group(s):

  Film-Philosophy, Film Studies, Soviet and Russian history and culture

  Subject(s):

  Film and politics, Film (history and studio), Film theory, Soviet film, Studio-era Hollywood

  Item Type:

  Article

  
  

• And the BBC Created Hammer": Examining the Interdependence of Public Service Broadcaster and Exploitation Film-maker

  Author(s):

  Derek Johnston (see profile)

  Date:

  2020

  Group(s):

  Cultural Studies, Film Studies, History of radio, Television Studies

  Subject(s):

  Film (history and studio), Radio, Television, History

  Item Type:

  Conference paper

  
  

• Den Prozess vom Ende her denken – Digitalisierung von Film zur Sicherung und Zugänglichmachung

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2020

  Subject(s):

  Film (history and studio), Archives, Digitisation, Film

  Item Type:

  Article

  
  

• Los arquetipos femeninos: Misión y visión del Estudio Ghibli

  Author(s):

  Arantxa Serantes (see profile)

  Date:

  2019

  Subject(s):

  Film (history and studio), Cinema history, Art, Feminisms, Characters, Feminism

  Item Type:

  Other

  Tag(s):

  Cine, film directing, films

  
  

• Blade Runner: The Final Cut

  Author(s):

  Steven Aoun (see profile)

  Date:

  2008

  Group(s):

  Cultural Studies, Philosophy

  Subject(s):

  Film, Film (history and studio), Science and popular culture, Science fiction films, Science fiction

  Item Type:

  Article

  Tag(s):

  blade runner

  
  

• The Past is a Foreign Country: World Musics Signifying History in/and Elizabethan Drama

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, LLC Shakespeare, TC Digital Humanities, TC Women’s and Gender Studies

  Subject(s):

  British drama, Film (history and studio), Musicology, World music

  Item Type:

  Article

  Tag(s):

  Global Shakespeare, musicology, Shakespeare

  
  

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