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• Troy: A Reflection

  Author(s):

  Antony Keen (see profile)

  Date:

  2005

  Subject(s):

  Classics, Homer, Classical reception, Film studies, Film, Reception

  Item Type:

  Blog Post

  Tag(s):

  Classical Reception Studies, Troy, Trojan War, Classics and Cinema

  
  

• Classical Hollywood as an Epistemological Network

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2012

  Subject(s):

  Film, History of technology, Actor-network theory

  Item Type:

  Article

  
  

• Den Prozess vom Ende her denken – Digitalisierung von Film zur Sicherung und Zugänglichmachung

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2020

  Subject(s):

  Film (history and studio), Archives, Digitisation, Film

  Item Type:

  Article

  
  

• Notes on the End of Rome, Open City

  Author(s):

  Charles L. Leavitt IV (see profile)

  Date:

  2018

  Group(s):

  LLC 20th- and 21st-Century Italian

  Subject(s):

  Film, Italian cinema, Cinema, Cinema history, Modern Italian cinema

  Item Type:

  Article

  
  

• RECording the End time in Twenty-First-Century Spanish Film

  Author(s):

  Elizabeth Scarlett (see profile)

  Date:

  2019

  Group(s):

  Cinemas of Spain & Latin America, MS Screen Arts and Culture, TC Religion and Literature

  Subject(s):

  Apocalypticism, Spanish cinema, 21st-century Spanish culture, Horror cinema, Horror films, Film

  Item Type:

  Article

  Tag(s):

  apocalypse, 21st-Century visual culture

  
  

• Virtual Space: Palestinians Negotiate a Lost Homeland in Film

  Author(s):

  Hania A.M. Nashef (see profile)

  Date:

  2020

  Group(s):

  CLCS Global Arab and Arab American, LLC Arabic, MLA Members for Justice in Palestine, Postcolonial Studies, TC Memory Studies

  Subject(s):

  Palestine studies, Film, Memory studies, Possible worlds, Virtual reality

  Item Type:

  Book chapter

  Tag(s):

  Elia Suleiman, Hany Abu-Assad, Palestinian

  
  

• "Los niños perdidos zombis: La España postsecular y los descontentos con la memoria histórica en [REC]2"

  Author(s):

  Antonio Cordoba (see profile)

  Date:

  2018

  Subject(s):

  Film, Film and politics, Horror cinema, Horror films, Spanish cinema

  Item Type:

  Article

  
  

• 'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)

  Author(s):

  Neil Gregor (see profile) , Thomas Irvine

  Date:

  2019

  Group(s):

  Cultural Studies, History, Music and Sound

  Subject(s):

  Music history, Musicology, Transnational history, Nationalism, German studies, Music, Film, Queer studies, European history

  Item Type:

  Book chapter

  Tag(s):

  Theatre Studies

  
  

• "Re-Envisioning Japan" DH project overview - MLA2020 Collaborative Round Table (DH in Japan & Korea Studies: Approaches and Challenges)

  Author(s):

  Joanne Bernardi (see profile)

  Date:

  2020

  Group(s):

  2020 MLA Convention, Digital Humanities East Asia, Evaluating Digital Scholarship, Global DH, LLC Japanese since 1900

  Subject(s):

  Digital scholarship, Digital humanities, Japanese culture, Digital archiving, Material culture, Japan, East Asian studies, Film

  Item Type:

  Presentation

  Tag(s):

  Ephemera, inter-regional collaboration

  
  

• Materialità e sensazione storiche del film

  Author(s):

  Bregt Lameris (see profile)

  Date:

  2005

  Group(s):

  Archives, Film Studies

  Subject(s):

  Materiality, Film, Historiography

  Item Type:

  Article

  Tag(s):

  historical sensation

  
  

• "Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film

  Item Type:

  Book chapter

  Tag(s):

  theatre

  
  

• Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"

  Author(s):

  Elizabeth Zeman Kolkovich (see profile)

  Date:

  2019

  Subject(s):

  Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare

  Item Type:

  Article

  Tag(s):

  bbc, Henry IV, Queer Performance, Royal Shakespeare Company

  
  

• Day 1: Draft Prep Sheet on the 8 Parts of Speech through the Story of Hidden Figures

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2019

  Group(s):

  Education and Pedagogy, GS Speculative Fiction, Interdisciplinary Approaches to Culture and Society, Speculative and Science Fiction, TM The Teaching of Literature

  Subject(s):

  Teaching literature, Language pedagogy, Academic writing, Speculative fiction, Historical fiction, English language, College writing, Film

  Item Type:

  Course material or learning objects

  Tag(s):

  Hidden Figures, 8 Parts of Speech

  
  

• EGL 194: Intro to Film (Fall 2019)

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Humanities Commons Summer Camp

  Subject(s):

  Film, Horror, 21st-century American film, Genre, Film studies, Genre studies

  Item Type:

  Syllabus

  Tag(s):

  syllabus

  
  

• Intermediated Bodies and Bodies of Media: Screen Othellos

  Author(s):

  Sujata Iyengar (see profile)

  Editor(s):

  Michael Neill, David Schalkwyk

  Date:

  2016

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare in adaptation, Film, Livecasting, Shakespeare performance, Shakespeare and social media, Intermediality

  Item Type:

  Book chapter

  Tag(s):

  Othello, Shakestream, Vlog, Shakespeare on film

  
  

• “Live or die, make your choice”: American Survival Game Horror

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Neoliberal Fiction

  Subject(s):

  Horror cinema, 21st-century American film, Gothic, Neoliberalism, Games, Horror, Film

  Item Type:

  Conference paper

  Tag(s):

  american gothic, survival

  
  

• War and the Natural World - Introduction, Interview, and Lesson Plan with Filmmakers Day and Day

  Author(s):

  Tom Durwood (see profile)

  Date:

  2012

  Subject(s):

  War and conflict, Society-nature relationships, Film

  Item Type:

  Online publication

  Tag(s):

  empire

  
  

• “Watching Austen, Reading Ourselves”

  Author(s):

  Ana Daniela Coelho (see profile)

  Date:

  2017

  Subject(s):

  Adaptation, Film, Jane Austen, Television studies

  Item Type:

  Book chapter

  
  

• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise

  
  

• Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and society, Hollywood cinema, Ethnicity, Cinema

  Item Type:

  Article

  Tag(s):

  Italian Americans in film, Italian film, representations

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Japan, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film arts, Cinema, world cinema

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film

  
  

• Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and politics, Cinema, Cinema history, Mythology

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality

  Item Type:

  Book chapter

  Tag(s):

  Michelangelo Antonioni, Alfred Hitchcock, film modernism

  
  

• The Mass Psychology of Fascist Cinema: "Triumph of the Will"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1998

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda

  Item Type:

  Book chapter

  Tag(s):

  Hitler, Leni Riefenstahl, Wilhelm Reich

  
  

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