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• Day 1: Draft Prep Sheet on the 8 Parts of Speech through the Story of Hidden Figures

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2019

  Group(s):

  Education and Pedagogy, GS Speculative Fiction, Interdisciplinary Approaches to Culture and Society, Speculative and Science Fiction, TM The Teaching of Literature

  Subject(s):

  Teaching literature, Language pedagogy, Academic writing, Speculative fiction, Historical fiction, English language, College writing, Film

  Item Type:

  Course material or learning objects

  Tag(s):

  Hidden Figures, 8 Parts of Speech

  
  

• EGL 194: Intro to Film (Fall 2019)

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Humanities Commons Summer Camp

  Subject(s):

  Film, Horror, 21st-century American film, Genre, Film studies, Genre studies

  Item Type:

  Syllabus

  Tag(s):

  syllabus

  
  

• Intermediated Bodies and Bodies of Media: Screen Othellos

  Author(s):

  Sujata Iyengar (see profile)

  Editor(s):

  Michael Neill, David Schalkwyk

  Date:

  2016

  Group(s):

  CLCS Renaissance and Early Modern, LLC Shakespeare

  Subject(s):

  Shakespeare in adaptation, Film, Livecasting, Shakespeare performance, Shakespeare and social media, Intermediality

  Item Type:

  Book chapter

  Tag(s):

  Othello, Shakestream, Vlog, Shakespeare on film

  
  

• “Live or die, make your choice”: American Survival Game Horror

  Author(s):

  Caitlin Duffy (see profile)

  Date:

  2019

  Group(s):

  Film Studies, Gothicists, Horror, Neoliberal Fiction

  Subject(s):

  Horror cinema, 21st-century American film, Gothic, Neoliberalism, Games, Horror, Film

  Item Type:

  Conference paper

  Tag(s):

  american gothic, survival

  
  

• War and the Natural World - Introduction, Interview, and Lesson Plan with Filmmakers Day and Day

  Author(s):

  Tom Durwood (see profile)

  Date:

  2012

  Subject(s):

  War and conflict, Society-nature relationships, Film

  Item Type:

  Online publication

  Tag(s):

  empire

  
  

• “Watching Austen, Reading Ourselves”

  Author(s):

  Ana Daniela Coelho (see profile)

  Date:

  2017

  Subject(s):

  Adaptation, Film, Jane Austen, Television studies

  Item Type:

  Book chapter

  
  

• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise

  
  

• Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and society, Hollywood cinema, Ethnicity, Cinema

  Item Type:

  Article

  Tag(s):

  Italian Americans in film, Italian film, representations

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Japan, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Film, Film arts, Cinema, world cinema

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film

  
  

• Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and politics, Cinema, Cinema history, Mythology

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality

  Item Type:

  Book chapter

  Tag(s):

  Michelangelo Antonioni, Alfred Hitchcock, film modernism

  
  

• The Mass Psychology of Fascist Cinema: "Triumph of the Will"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1998

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda

  Item Type:

  Book chapter

  Tag(s):

  Hitler, Leni Riefenstahl, Wilhelm Reich

  
  

• The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and politics, Cinema, Hollywood cinema

  Item Type:

  Article

  Tag(s):

  Steven Spielberg, E.T, christian iconography

  
  

• Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2001

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and history, Cinema, Hollywood cinema

  Item Type:

  Book chapter

  Tag(s):

  Steven Spielberg, SAVING PRIVATE RYAN, war movies

  
  

• "I'll See It When I Believe It": Rodney King and the Prison-House of Video

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1996

  Group(s):

  Documentary Studies, Film Studies

  Subject(s):

  Documentary, Documentary filmmaking, Film, Phenomenology, Cinema

  Item Type:

  Book chapter

  Tag(s):

  documentary films, Race and film

  
  

• EROS and Civilization: Sexuality and the Contemporary International Art Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2008

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Sexuality, Cinema, world cinema

  Item Type:

  Article

  Tag(s):

  Transnational film

  
  

• Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1986

  Group(s):

  Film Studies

  Subject(s):

  Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film

  Item Type:

  Article

  Tag(s):

  american cinema, CITIZEN KANE, orson welles

  
  

• BICYCLE THIEVES: A Re-reading

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  Item Type:

  Article

  Tag(s):

  neorealism

  
  

• The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and history, Film and politics, 20th-century film, Cinema

  Item Type:

  Book chapter

  Tag(s):

  APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola

  
  

• The Architectonics of Alienation: Antonioni's Edifice Complex

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema

  Item Type:

  Article

  Tag(s):

  film modernism

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation

  
  

• The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film history, Film, Hollywood

  Item Type:

  Article

  Tag(s):

  film adaptation, american cinema

  
  

• Pre-existing music as authorial signature in the fiction films of Martin Scorsese

  Author(s):

  Jonathan Godsall (see profile)

  Date:

  2015

  Subject(s):

  Film, Film music, Musicology

  Item Type:

  Book chapter

  
  

• Linked Open Data for Filmarchives - Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC)

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2018

  Group(s):

  Film Studies

  Subject(s):

  Metadata, Linked open data, Film

  Item Type:

  Report

  
  

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