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Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin
(see profile)
Date:
2018
Group(s):
Global Shakespeares
,
GS Drama and Performance
,
LLC Shakespeare
,
Postcolonial Digital Humanities
,
TC Translation Studies
Subject(s):
Shakespeare
,
Global English
,
Ethics
,
Digital humanities
,
Postcolonial culture
,
Globalization
,
Performance studies
,
Cultural materialism
Item Type:
Book chapter
SHINING CITIES. Gender and Other Issues in Urban Development for the Twenty-First Century
Author(s):
Yvonne P. Doderer
(see profile)
Date:
2017
Group(s):
Architectural History and Theory
,
Contemporary Art
,
Feminist Humanities
,
LGBTQ Studies
,
Urban Studies
Subject(s):
Cultural materialism
,
Cultural studies
Item Type:
Book
Tag(s):
Feminism
,
Queer Studies
,
urbanism
‘Give me the glass’: A Materialist Account of the Stage Property Mirror in Early Modern English Drama
Author(s):
Caroline Hampshire
(see profile)
Date:
2016
Subject(s):
Cultural materialism
,
Early modern theatre
,
Performance studies
,
Renaissance studies
,
Shakespeare
Item Type:
Dissertation
Tag(s):
glassmaking
,
mirrors
,
phenomenology
,
Richard II
,
stage properties
Additive Archaeology: An Alternative Framework for Recontextualising Archaeological Entities
Author(s):
Paul Reilly
(see profile)
Date:
2015
Group(s):
Archaeology
,
Digital Humanists
Subject(s):
Cultural materialism
,
Digital archaeology
,
Digital humanities
,
Material culture
,
Materials
Item Type:
Article
Tag(s):
additive manufacturing
,
3D printing
,
archaeological theory
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