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• Copyright, Fair Use, and Creative Commons: An Active-Learning Exercise for Studio Art Students

  Author(s):

  Arthur Boston (see profile)

  Date:

  2020

  Group(s):

  Library & Information Science

  Subject(s):

  Copyright, Fair use, Drawing

  Item Type:

  Article

  Tag(s):

  Creative Commons, active-learning

  
  

• Who's Afraid of AAARG? The Crisis of Academic Publishing and the Uncertain Future of the Humanities

  Author(s):

  Jonathan Basile (see profile)

  Date:

  2016

  Group(s):

  Digital Humanists, Science Studies and the History of Science

  Subject(s):

  Digital humanities, Copyright, Library and information science, Academic publishing, Open access

  Item Type:

  Essay

  Tag(s):

  peer-to-peer, filesharing, humanities

  
  

• Popcast: A music podcast with unexpected scholarly angles: A review and highlighted episode selection.

  Author(s):

  Arthur Boston (see profile)

  Date:

  2019

  Group(s):

  Library & Information Science

  Subject(s):

  Popular culture, Science and popular culture, Academic librarianship, Digital libraries, Copyright, Bibliometrics

  Item Type:

  Review

  Tag(s):

  pop culture, taylor swift, soundcloud

  
  

• “Caring about Sharing”: Copyright and Student Academic Integrity in the University Learning Management System

  Author(s):

  Roger Gillis (see profile)

  Date:

  2019

  Group(s):

  Library & Information Science, Open Educational Resources

  Subject(s):

  Copyright, Open educational resources, Information literacy

  Item Type:

  Book chapter

  Tag(s):

  Learning Management System, Academic integrity, Open Pedagogy

  
  

• Confronting Authorship, Constructing Practices (How Copyright is Destroying Collective Practice)

  Author(s):

  Eva Weinmayr (see profile)

  Date:

  2019

  Group(s):

  Cultural Studies, Diversity in the Arts, Feminist Humanities, HuMetricsHSS, Textual Scholarship

  Subject(s):

  Arts, Authorship, Copyright, Decolonial theory, Decolonization, Feminist critique, Piracy

  Item Type:

  Book chapter

  Tag(s):

  artistic practices, collective action, feminist epistemologies, feminist methodology

  
  

• Veröffentlichungen im Akademierepositorium

  Author(s):

  Andreas Ferus (see profile)

  Date:

  2019

  Group(s):

  Global Outlook Scholarly Communication, Library & Information Science

  Subject(s):

  Open access, Institutional repositories, Copyright, Privacy, Research impact

  Item Type:

  Presentation

  
  

• Authors Addenda: Updating current forms and strategizing on adoption opportunities

  Author(s):

  Rosarie Coughlan, Roger Gillis (see profile) , Diane Peters, Jennifer Zerkee

  Date:

  2019

  Group(s):

  Library & Information Science

  Subject(s):

  Copyright, Open access

  Item Type:

  Presentation

  Tag(s):

  Author rights, Addenda

  
  

• INFO 6840: Content Management Systems/Digital Collections

  Author(s):

  rcgillis (see profile)

  Date:

  2018

  Group(s):

  Library & Information Science, Open Educational Resources

  Subject(s):

  Copyright, Usability, User experience

  Item Type:

  Syllabus

  Tag(s):

  Web Accessibility, Digital Collections, Library and Information Science Education, Digitization

  
  

• Getting Found, Staying Found, Increasing Impact: Enhancing Readership and Preserving Content for OJS Journals, Second Edition.

  Author(s):

  Sonya Betz, Roger Gillis, Jeanette Hatherill, Suzanne Jay, Andrea Kosavic, Dana MacFarland, Mariya Maistrovskaya, Ali Moore, Andrea Pritt, Brownen Sprout, Kevin Stranack

  Editor(s):

  rcgillis (see profile) , Roger Gillis

  Date:

  2019

  Group(s):

  Library & Information Science, Open Educational Resources

  Subject(s):

  Publishing, Open access, Academic publishing, Copyright, Digital preservation, Research impact, Altmetrics

  Item Type:

  Online publication

  Tag(s):

  Indexing, Open Journal Systems

  
  

• Access, Computational Analysis, and Fair Use in the Digitized Nineteenth- Century Press

  Author(s):

  Paul Fyfe (see profile)

  Date:

  2018

  Group(s):

  LLC Victorian and Early-20th-Century English, TC Digital Humanities, TM Book History, Print Cultures, Lexicography

  Subject(s):

  Digital archiving, Copyright, Periodicals, Book digitization, Open access

  Item Type:

  Article

  
  

• Aaron Swartz's Legacy (Academe, 2014)

  Author(s):

  Rebecca Ruth Gould (see profile)

  Date:

  2018

  Group(s):

  Anarchism, Digital Books, Digital Humanists, Translation & Activism

  Subject(s):

  Copyright, Culture and capitalism, Higher education, Open access, Digital scholarship, Digital culture

  Item Type:

  Magazine section

  Tag(s):

  Open Access policy, Scholar-led Publishing, engaged scholarship, Digitization

  
  

• Fair Use in the Visual Arts: Lesson Plans for Librarians

  Editor(s):

  Bridget Madden, Alexandra Provo, Danielle Reay, Anna Simon, Alexander Watkins (see profile)

  Date:

  2018

  Subject(s):

  Art (studio), Art history, Copyright, Design, Information literacy, Library and information science

  Item Type:

  Book

  
  

• “The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture

  Author(s):

  Claire E.A. McLeish (see profile)

  Date:

  2014

  Subject(s):

  Copyright, Cultural musicology, Digital humanities, Intertextuality, Medieval music, Orality

  Item Type:

  Thesis

  Tag(s):

  mashup, online communities, Remix

  
  

• Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen

  Author(s):

  Marion Goller, Adelheid Heftberger (see profile)

  Date:

  2018

  Group(s):

  Digital Humanists, Film Studies

  Subject(s):

  Research data management, Copyright, Film studies

  Item Type:

  Article

  Tag(s):

  Open access to research data

  
  

• an ad for devouring everything

  Author(s):

  paul bali (see profile)

  Date:

  2018

  Group(s):

  Animal Studies

  Subject(s):

  Theodor W. Adorno, Animal ethics, Copyright, Graffiti

  Item Type:

  Article

  Tag(s):

  carnism, urban aesthetics, product placement

  
  

• Balances of Power Between IP Creators: Ethical Issues in Scholarly Communication

  Author(s):

  Kristin Laughtin-Dunker (see profile)

  Date:

  2018

  Subject(s):

  Copyright, Ethics, Institutional repositories, Intellectual property, Scholarly communication

  Item Type:

  Conference proceeding

  
  

• How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop

  Author(s):

  Amanda Sewell (see profile)

  Date:

  2014

  Subject(s):

  Copyright, Hip-hop studies, Musicology

  Item Type:

  Article

  Tag(s):

  sampling, musical borrowing

  
  

• Copyright in China’s digital cultural industries

  Author(s):

  Lucy Montgomery (see profile) , Eric Priest

  Date:

  2016

  Subject(s):

  Copyright, China, modern (post-1911), Digital culture, Digital labor, Economic transitions

  Item Type:

  Book chapter

  
  

• Where are all the orphans? How effective is current legislation in enabling cultural heritage institutions to make orphan works available online?

  Author(s):

  Thomas Ash (see profile)

  Date:

  2018

  Group(s):

  CityLIS, Library & Information Science

  Subject(s):

  Copyright, Digital archives, Digital libraries, Digitisation, Library and information science

  Item Type:

  Dissertation

  Tag(s):

  Digitization, Library & Information Science, orphanworks

  
  

• Copyright & Digital Scholarship

  Author(s):

  Kathleen DeLaurenti (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music Librarians, Open Music

  Subject(s):

  Copyright, Digital humanities, Fair use, Music

  Item Type:

  Presentation

  Tag(s):

  altmuslib2018, MLAtechcamp, muslib2018

  
  

• Framework for Evaluating Copyright Issues in Digital Scholarship

  Author(s):

  Kathleen DeLaurenti (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music Librarians, Open Music

  Subject(s):

  Music, Copyright, Digital humanities

  Item Type:

  Course material or learning objects

  Tag(s):

  MLAtechcamp, muslib2018, altmuslib2018

  
  

• Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect

  Author(s):

  Gil Rodman (see profile) , Cheyanne Vanderdonckt

  Date:

  2018

  Group(s):

  Cultural Studies

  Subject(s):

  Cultural studies, Intellectual property, Music, Affect, Copyright

  Item Type:

  Article

  Tag(s):

  filesharing, mp3

  
  

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