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• Hugo Grotius’ kist, eigendom van de Muzen: Een Grieks gedicht over zijn beruchte ontsnapping opgeduikeld

  Author(s):

  Raf Van Rooy (see profile)

  Date:

  2019

  Group(s):

  Renaissance / Early Modern Studies

  Subject(s):

  Classical reception, Greek language and literature, Classical Greek language, Classical Greek literature

  Item Type:

  Blog Post

  
  

• An ablative for the Greeks? Frischlin vs. Crusius on grammar (II)

  Author(s):

  Raf Van Rooy (see profile)

  Date:

  2020

  Group(s):

  History of Linguistics and Language Study, Renaissance / Early Modern Studies

  Subject(s):

  History of linguistics, Renaissance grammar books, Grammar, Classical reception

  Item Type:

  Blog Post

  
  

• 500 years of Greek grammar in the Low Countries: An homage to Adrien Amerot’s Compendium (1520)

  Author(s):

  Raf Van Rooy (see profile)

  Date:

  2020

  Subject(s):

  History of linguistics, Renaissance grammar books, Classical Greek language, Classical reception, Renaissance

  Item Type:

  Blog Post

  
  

• An ablative for the Greeks? Frischlin vs. Crusius on grammar (I)

  Author(s):

  Raf Van Rooy (see profile)

  Date:

  2020

  Subject(s):

  History of linguistics, Grammar, Renaissance grammar books, Classical reception, Renaissance

  Item Type:

  Blog Post

  
  

• Equus infoelicitatis: analisi iconografica di una xilografia dell' Hypnerotomachia Poliphili fra testo e immagine, xilografia n. 6

  Author(s):

  Flavia De Nicola (see profile)

  Date:

  2020

  Group(s):

  Arts and Humanities Funding, Italian Art Society, Renaissance / Early Modern Studies, The Renaissance Society of America

  Subject(s):

  Classical reception, Renaissance art, Iconography, Renaissance studies, Renaissance culture, Humanism

  Item Type:

  Book section

  Tag(s):

  Hypnerotomachia Poliphili, Francesco Colonna, Renaissance Rome

  
  

• Recepcja spartańskiej historii w pierwszych dekadach XIX wieku. Perspektywa polska: Groddeck – Lelewel ‒ Mickiewicz

  Author(s):

  Maciej Junkiert (see profile)

  Date:

  2014

  Group(s):

  Classical Tradition, Global & Transnational Studies, Historical theory and the philosophy of history, Historiography, Literary theory

  Subject(s):

  Comparative romanticism, Polish literature, Classical reception, Intellectual history, 19th-century comparative literature

  Item Type:

  Book chapter

  Tag(s):

  Sparta, Adam Mickiewicz, Joachim Lelewel, Gottfried Ernst Groddeck, Classical Reception Studies

  
  

• The Fantastika and the Greek and Roman Worlds

  Author(s):

  Antony Keen (see profile)

  Date:

  2014

  Subject(s):

  Science fiction, Classical reception

  Item Type:

  Article

  
  

• Grecja i jej historia w twórczości Cypriana Norwida

  Author(s):

  Maciej Junkiert (see profile)

  Date:

  2012

  Group(s):

  Classical Tradition, Global & Transnational Studies, Historical theory and the philosophy of history, Historiography, Literary theory

  Subject(s):

  History and literature, Classical reception, Romantic literature, Polish literature, Ancient Greece

  Item Type:

  Book

  Tag(s):

  Norwid, Adam Mickiewicz, Słowacki

  
  

• Veni, vidi, video: Screen portrayals of the Roman Empire

  Author(s):

  Antony Keen (see profile)

  Date:

  2018

  Subject(s):

  Classics, Film studies, Classical reception, Film history, Film and history

  Item Type:

  Article

  Tag(s):

  Classical reception studies, Classics and cinema, Cinema and ancient Greece and Rome, Hollywood epics

  
  

• Homoeroticism in Troy and Alexander

  Author(s):

  Antony Keen (see profile)

  Date:

  2006

  Subject(s):

  Classical reception, Cinema

  Item Type:

  Article

  Tag(s):

  Classics and Cinema, Troy, Alexander, homoeroticism

  
  

• Troy: A Reflection

  Author(s):

  Antony Keen (see profile)

  Date:

  2005

  Subject(s):

  Classics, Homer, Classical reception, Film studies, Film, Reception

  Item Type:

  Blog Post

  Tag(s):

  Classical Reception Studies, Troy, Trojan War, Classics and Cinema

  
  

• On second thoughts, let’s not go to Camelot: situating the ‘historical Arthur’ through casting in King Arthur and The Last Legion

  Author(s):

  Antony Keen (see profile)

  Date:

  2020

  Subject(s):

  Classical reception, Reception of the classical tradition, Cinema

  Item Type:

  Conference paper

  Tag(s):

  Reception of Antiquity, King Arthur

  
  

• Precarity and Protest: The politics of Aristophanes’ Lysistrata

  Author(s):

  Carol Atack (see profile)

  Date:

  2017

  Group(s):

  Ancient Greece & Rome, Women in Antiquity

  Subject(s):

  Classical reception, Classical literature, Comedy (genre), Social history, Performance and politics, Precarity

  Item Type:

  Article

  Tag(s):

  Aristophanes, comedy, revolution, protest

  
  

• Unfixing Epic: Homeric Orality and Contemporary Performance

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2018

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Poetics and Poetry

  Subject(s):

  Classical reception, Theater and film, Performance, Homer, Epic poetry

  Item Type:

  Book chapter

  
  

• Eald enta geweorc: De Romeinen in vroegmiddeleeuws Engeland (ca. 450-1100)

  Author(s):

  Thijs Porck (see profile)

  Date:

  2017

  Group(s):

  Anglo-Saxon / Old English, Early Medieval, Medieval Studies

  Subject(s):

  Old English, Old English literature, Classical mythology, Classical reception

  Item Type:

  Article

  Tag(s):

  Romulus and Remus, Franks Casket, The Ruin, Widsith

  
  

• The Art of Sacred Spaces

  Author(s):

  Karen Hersch, Alison Traweek (see profile)

  Date:

  2018

  Subject(s):

  Classical reception, Greco-Roman religion, Religion

  Item Type:

  Syllabus

  Tag(s):

  co-teaching

  
  

• Theseus Loses his Way: Viktor Pelevin's Helmet of Horror and the Old Labyrinth for the New World

  Author(s):

  Alison Traweek (see profile)

  Date:

  2014

  Subject(s):

  Classical reception, Contemporary Russian literature, Greco-Roman mythology

  Item Type:

  Article

  Tag(s):

  ariadne, labyrinth, minotaur, theseus, viktor pelevin

  
  

• The Literary Afterlife of the Essex Circle: Fulke Greville, Tacitus, and BL Additional MS 18638

  Author(s):

  Bradley Irish (see profile)

  Date:

  2014

  Group(s):

  British History, LLC 16th-Century English, LLC 17th-Century English

  Subject(s):

  Manuscript studies, Classical reception

  Item Type:

  Article

  Tag(s):

  Earl of Essex, Tacitus, Fulke Greville

  
  

• The Paper Cinema's Odyssey and The Factory, The Odyssey

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classical reception, Greek and Latin poetry, Performance, Performance practice, Theater

  Item Type:

  Article

  
  

• Physical Performance and the Languages of Translation

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2010

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Adaptation, Choreography, Classical reception, Greek and Roman drama, Translation

  Item Type:

  Book chapter

  
  

• Poetic Language and Corporeality in Translations of Greek Tragedy

  Author(s):

  Stephe Harrop (see profile) , David Wiles

  Date:

  2008

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Choreography, Classical reception, Dance, Greek and Roman drama, Translation

  Item Type:

  Article

  
  

• ‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2014

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Adaptation, Classical reception, Greek and Roman drama, Poetry, Shakespeare

  Item Type:

  Article

  
  

• Grounded, Heracles and the Gorgon's Gaze

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2015

  Group(s):

  Ancient Greece & Rome, Classical Tradition, Performance Studies

  Subject(s):

  Classical reception, Greek and Roman drama, Greek mythology, Playwriting, Theatre and politics

  Item Type:

  Article

  
  

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