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• "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  African-American popular music, Music theory, Popular Music Studies

  Item Type:

  Article

  
  

• STOMPING THE UNDEAD: A BLUES THEORY OF ZOMBIE CULTURE

  Author(s):

  Adam Golub

  Editor(s):

  Kreg Abshire (see profile)

  Date:

  2017

  Subject(s):

  African-American popular music, American cultural studies, Horror, Zombie films

  Item Type:

  Article

  Tag(s):

  blues, zombies

  
  

• Beyond Beyoncé: Intersections of Race, Gender, and Sexuality in Contemporary American Hip-Hop ca. 2010-2016

  Author(s):

  Lauron Kehrer (see profile)

  Date:

  2017

  Subject(s):

  African-American popular music, Gender and sexualities, Hip Hop, LGBTQ Studies, Popular Music Studies

  Item Type:

  Dissertation

  
  

• “Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature”

  Author(s):

  John Patrick Leary (see profile)

  Date:

  2010

  Subject(s):

  African-American popular music, African American literature, Latin American literature

  Item Type:

  Article

  
  

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