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"Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
African-American popular music
,
Music theory
,
Popular Music Studies
Item Type:
Article
STOMPING THE UNDEAD: A BLUES THEORY OF ZOMBIE CULTURE
Author(s):
Adam Golub
Editor(s):
Kreg Abshire
(see profile)
Date:
2017
Subject(s):
African-American popular music
,
American cultural studies
,
Horror
,
Zombie films
Item Type:
Article
Tag(s):
blues
,
zombies
Beyond Beyoncé: Intersections of Race, Gender, and Sexuality in Contemporary American Hip-Hop ca. 2010-2016
Author(s):
Lauron Kehrer
(see profile)
Date:
2017
Subject(s):
African-American popular music
,
Gender and sexualities
,
Hip Hop
,
LGBTQ Studies
,
Popular Music Studies
Item Type:
Dissertation
“Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature”
Author(s):
John Patrick Leary
(see profile)
Date:
2010
Subject(s):
African-American popular music
,
African American literature
,
Latin American literature
Item Type:
Article
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