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• "Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2020

  Group(s):

  GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies

  Item Type:

  Book chapter

  Tag(s):

  affect theory, Cultural appropriation

  
  

• "Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Shakespeare, Chinese studies, Adaptation, Memory, Globalization

  Item Type:

  Article

  Tag(s):

  Tang Xianzu, commemoration, Sino-british relations

  
  

• "King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism

  Item Type:

  Book chapter

  Tag(s):

  King Lear, digital archive, Beijing opera, Peter Brook

  
  

• Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"

  Author(s):

  Elizabeth Zeman Kolkovich (see profile)

  Date:

  2019

  Subject(s):

  Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare

  Item Type:

  Article

  Tag(s):

  bbc, Henry IV, Queer Performance, Royal Shakespeare Company

  
  

• Moon-Crossed: a play in play with All's Well That Ends Well

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  Global Shakespeares, LLC Shakespeare

  Subject(s):

  Adaptation, Shakespeare in adaptation, Drama, Theater

  Item Type:

  Fictional work

  Tag(s):

  parody

  
  

• Jane Austen 2.00

  Editor(s):

  Sousa Alcinda Pinheiro, Ana Daniela Coelho (see profile) , Pires Maria José

  Date:

  2019

  Subject(s):

  Jane Austen, Literature and digital media, English literature, Adaptation

  Item Type:

  Catalog

  
  

• “‘A truth universally acknowledged?’ Adaptações de Pride and Prejudice para televisão e cinema”

  Author(s):

  Ana Daniela Coelho (see profile)

  Date:

  2017

  Subject(s):

  Adaptation, Film studies, Jane Austen, Television studies

  Item Type:

  Book chapter

  
  

• ‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)

  Author(s):

  Ana Daniela Coelho (see profile)

  Date:

  2017

  Subject(s):

  Adaptation, Jane Austen, Screenwriting

  Item Type:

  Article

  Tag(s):

  Andrew Davies

  
  

• Zombificando Jane Austen: Adaptação para cinema de Pride and Prejudice and Zombies

  Author(s):

  Ana Daniela Coelho (see profile)

  Date:

  2016

  Subject(s):

  Adaptation, Jane Austen, Zombie films

  Item Type:

  Conference proceeding

  
  

• “Watching Austen, Reading Ourselves”

  Author(s):

  Ana Daniela Coelho (see profile)

  Date:

  2017

  Subject(s):

  Adaptation, Film, Jane Austen, Television studies

  Item Type:

  Book chapter

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality

  Item Type:

  Book chapter

  Tag(s):

  Michelangelo Antonioni, Alfred Hitchcock, film modernism

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation

  
  

• Cape Fear: Remaking a film score

  Author(s):

  Jonathan Godsall (see profile)

  Date:

  2013

  Subject(s):

  Adaptation, Film music, Intertextuality, Musicology

  Item Type:

  Article

  
  

• "Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2019

  Group(s):

  LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation

  Item Type:

  Article

  Tag(s):

  Ophelia, Shakespeare in performance, queer cinema

  
  

• The Shakespeare Theatre Company ’s Oresteia

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2019

  Group(s):

  Global Shakespeares, LLC Shakespeare

  Subject(s):

  Drama, Greek and Roman drama, Theater, Adaptation

  Item Type:

  Review

  
  

• Sinergias entre manga y cine de autor: Sion Sono, Usamaru Furuya y Minoru Furuya

  Author(s):

  Antonio Loriguillo-López (see profile)

  Date:

  2014

  Subject(s):

  Adaptation, Japanese cinema and visual culture, Manga

  Item Type:

  Article

  
  

• Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay

  Author(s):

  George Prokhorov (see profile) , Sergey Saveliev

  Date:

  2018

  Group(s):

  CLCS European Regions, GS Travel Writing, Interdisciplinary Approaches to Culture and Society, LLC Russian and Eurasian, Narrative theory and Narratology

  Subject(s):

  Travel narratives, International relations, Anglo-Russian literary relations, Nonfiction prose, 17th century, Narrative, Adaptation, Diplomatic history

  Item Type:

  Article

  Tag(s):

  travelogue

  
  

• Creature, Monster, Nameless, Created: Frankenstein transformed in role playing games

  Author(s):

  Jon Garrad (see profile)

  Date:

  2018

  Group(s):

  Gothicists

  Subject(s):

  Gothic literature, Game studies, History of games and play, Adaptation, Analog game studies

  Item Type:

  Conference paper

  Tag(s):

  White Wolf, Ravenloft, Dungeons and Dragons, Frankenstein

  
  

• "'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics

  Item Type:

  Article

  
  

• The Findern Codex and the Blog In the Middle: Understanding Middle English Vernacular Manuscripts through the Lens of Social Media in the Twenty-First Century

  Author(s):

  Kate Koppy (see profile)

  Date:

  2017

  Group(s):

  Humanities Commons Summer Camp, Medieval Studies

  Subject(s):

  Adaptation, Manuscript studies, Middle English, Women writers, Codicology

  Item Type:

  Book chapter

  Tag(s):

  Findern, paelography, miscellany

  
  

• "Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246

  Author(s):

  Alexa Joubin (see profile)

  Date:

  2018

  Group(s):

  CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare

  Subject(s):

  Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies

  Item Type:

  Article

  Tag(s):

  Africanism, political theatre

  
  

• Criminal Appropriations of Shakespeare in Jasper Fforde's Something Rotten

  Author(s):

  Patricia Taylor (see profile)

  Date:

  2010

  Subject(s):

  Adaptation, Shakespeare, Shakespeare in adaptation, Speculative fiction

  Item Type:

  Article

  Tag(s):

  Jasper Fforde

  
  

• FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE

  Author(s):

  George Prokhorov (see profile)

  Date:

  2017

  Group(s):

  CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature

  Subject(s):

  Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation

  Item Type:

  Article

  Tag(s):

  Early modern drama, adaptation, Travel Writing, Russia, lope de vega

  
  

• Physical Performance and the Languages of Translation

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2010

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Adaptation, Choreography, Classical reception, Greek and Roman drama, Translation

  Item Type:

  Book chapter

  
  

• ‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2014

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Adaptation, Classical reception, Greek and Roman drama, Poetry, Shakespeare

  Item Type:

  Article

  
  

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