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  • MLA Deposits
  • "Screening Social Justice: Performing Reparative Shakespeare against Vocal Disability." Adaptation, October 2020: 1-19

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2020
    Group(s):
    CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Disability studies, Adaptation, Neoliberalism, Shakespeare, Critical race and ethnic studies, Global Shakespeare, Humanism
    Item Type:
    Article
    Tag(s):
    film adaptation, vocal disorder, parody

  • "Global Studies." The Arden Research Handbook of Contemporary Shakespeare Criticism, ed. Evelyn Gajowski (London: Bloomsbury, 2021), pp. 247-261

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2020
    Group(s):
    CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
    Subject(s):
    Shakespeare, Globalization, Race, Queer and gender studies, Adaptation, Global Shakespeare, Censorship, Translation, Feminism, Reception studies
    Item Type:
    Book chapter

  • Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2011
    Group(s):
    GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Shakespeare, Adaptation, Sinophone literature, Globalization, Film, Global Shakespeare, Translation
    Item Type:
    Book chapter
    Tag(s):
    Hong Kong, Richard III, Hamlet

  • Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2011
    Group(s):
    GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, The Renaissance Society of America
    Subject(s):
    Globalization, Shakespeare, Sinophone literature, Intercultural performance, Adaptation, Translation, Global Shakespeare, Theatre history
    Item Type:
    Book chapter
    Tag(s):
    Cultural appropriation

  • Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2011
    Group(s):
    GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Global Shakespeare, Adaptation, Intercultural performance, Translation, Sinophone literature, Chinese studies, Shakespeare, Film, Appropriation
    Item Type:
    Book chapter
    Tag(s):
    theatre

  • Preface, The Shakespearean International Yearbook Volume 18

    Author(s):
    Tom Bishop, Alexa Alice Joubin (see profile)
    Date:
    2021
    Group(s):
    GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America
    Subject(s):
    Global Shakespeare, Soviet film, Translation, Adaptation, Censorship, Globalization, Shakespeare, Film studies
    Item Type:
    Book chapter
    Tag(s):
    intercultural theatre

  • Shakespeare’s Henry VI plays: a story of two dynasties or social commentary on a nation? Discuss with reference to Shakespeare’s texts and the BBC’s television productions from 1983 and 2016.

    Author(s):
    Andrea Smith (see profile)
    Date:
    2018
    Subject(s):
    Adaptation, British history, Shakespeare, Shakespeare in adaptation, Television
    Item Type:
    Dissertation
    Tag(s):
    bbc

  • "Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2020
    Group(s):
    GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies
    Item Type:
    Book chapter
    Tag(s):
    affect theory, Cultural appropriation

  • "Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2019
    Group(s):
    GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Shakespeare, Chinese studies, Adaptation, Memory, Globalization
    Item Type:
    Article
    Tag(s):
    Tang Xianzu, commemoration, Sino-british relations

  • "King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2019
    Group(s):
    GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism
    Item Type:
    Book chapter
    Tag(s):
    King Lear, digital archive, Beijing opera, Peter Brook

  • Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"

    Author(s):
    Elizabeth Zeman Kolkovich (see profile)
    Date:
    2019
    Subject(s):
    Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare
    Item Type:
    Article
    Tag(s):
    bbc, Henry IV, Queer Performance, Royal Shakespeare Company

  • Moon-Crossed: a play in play with All's Well That Ends Well

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2019
    Group(s):
    Global Shakespeares, LLC Shakespeare
    Subject(s):
    Adaptation, Shakespeare in adaptation, Drama, Theater
    Item Type:
    Fictional work
    Tag(s):
    parody

  • Jane Austen 2.00

    Editor(s):
    Sousa Alcinda Pinheiro, Ana Daniela Coelho (see profile) , Pires Maria José
    Date:
    2019
    Subject(s):
    Jane Austen, Literature and digital media, English literature, Adaptation
    Item Type:
    Catalog

  • “‘A truth universally acknowledged?’ Adaptações de Pride and Prejudice para televisão e cinema”

    Author(s):
    Ana Daniela Coelho (see profile)
    Date:
    2017
    Subject(s):
    Adaptation, Film studies, Jane Austen, Television studies
    Item Type:
    Book chapter

  • ‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)

    Author(s):
    Ana Daniela Coelho (see profile)
    Date:
    2017
    Subject(s):
    Adaptation, Jane Austen, Screenwriting
    Item Type:
    Article
    Tag(s):
    Andrew Davies

  • Zombificando Jane Austen: Adaptação para cinema de Pride and Prejudice and Zombies

    Author(s):
    Ana Daniela Coelho (see profile)
    Date:
    2016
    Subject(s):
    Adaptation, Jane Austen, Zombie films
    Item Type:
    Conference proceeding

  • “Watching Austen, Reading Ourselves”

    Author(s):
    Ana Daniela Coelho (see profile)
    Date:
    2017
    Subject(s):
    Adaptation, Film, Jane Austen, Television studies
    Item Type:
    Book chapter

  • "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2006
    Group(s):
    Film Studies
    Subject(s):
    Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality
    Item Type:
    Book chapter
    Tag(s):
    Michelangelo Antonioni, Alfred Hitchcock, film modernism

  • ADAPTATION as Adaptation

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting
    Item Type:
    Book chapter
    Tag(s):
    american cinema, film adaptation

  • Cape Fear: Remaking a film score

    Author(s):
    Jonathan Godsall (see profile)
    Date:
    2013
    Subject(s):
    Adaptation, Film music, Intertextuality, Musicology
    Item Type:
    Article

  • "Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2019
    Group(s):
    LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation
    Item Type:
    Article
    Tag(s):
    Ophelia, Shakespeare in performance, queer cinema

  • The Shakespeare Theatre Company ’s Oresteia

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2019
    Group(s):
    Global Shakespeares, LLC Shakespeare
    Subject(s):
    Drama, Greek and Roman drama, Theater, Adaptation
    Item Type:
    Review

  • Sinergias entre manga y cine de autor: Sion Sono, Usamaru Furuya y Minoru Furuya

    Author(s):
    Antonio Loriguillo-López (see profile)
    Date:
    2014
    Subject(s):
    Adaptation, Japanese cinema and visual culture, Manga
    Item Type:
    Article

  • Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay

    Author(s):
    George Prokhorov (see profile) , Sergey Saveliev
    Date:
    2018
    Group(s):
    CLCS European Regions, GS Travel Writing, Interdisciplinary Approaches to Culture and Society, LLC Russian and Eurasian, Narrative theory and Narratology
    Subject(s):
    Travel narratives, International relations, Anglo-Russian literary relations, Nonfiction prose, 17th century, Narrative, Adaptation, Diplomatic history
    Item Type:
    Article
    Tag(s):
    travelogue

  • Creature, Monster, Nameless, Created: Frankenstein transformed in role playing games

    Author(s):
    Jon Garrad (see profile)
    Date:
    2018
    Group(s):
    Gothicists
    Subject(s):
    Gothic literature, Game studies, History of games and play, Adaptation, Analog game studies
    Item Type:
    Conference paper
    Tag(s):
    White Wolf, Ravenloft, Dungeons and Dragons, Frankenstein

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  • Author
    • Alexa Alice Joubin 15X
    • Alexa Joubin 2X
    • Ana Daniela Coelho 5X
    • Andrea Smith 1X
    • Anthony Adler 1X
    • Antonio Loriguillo-López 1X
    • Brenna Wardell 1X
    • Candace Barrington 1X
    • Elizabeth Rivlin 1X
    • Elizabeth Zeman Kolkovich 1X
    • Frank P. Tomasulo, Ph.D. 2X
    • George Prokhorov 2X
    • Jacqueline Taucar 1X
    • Janneke Adema 1X
    • Jon Garrad 1X
    • Jonathan Godsall 1X
    • Kate Koppy 1X
    • Kendra Leonard 5X
    • Krzysztof Fordonski 1X
    • Lee Skallerup Bessette 1X
    • Linda V. Troost 1X
    • Louise Geddes 1X
    • Murat Öğütcü 1X
    • Patricia Taylor 1X
    • Pires Maria José 1X
    • Sergey Saveliev 1X
    • Sousa Alcinda Pinheiro 1X
    • Stephe Harrop 2X
    • Sujata Iyengar 2X
    • Todd Comer 1X
    • Tom Bishop 1X
    • Valerie Fazel 1X
    • more>>
  • Group
    • Ancient Greece & Rome 2X
    • CLCS 20th- and 21st-Century 1X
    • CLCS European Regions 2X
    • CLCS Medieval 1X
    • CLCS Renaissance and Early Modern 4X
    • Classical Tradition 2X
    • Computer Studies in Language and Literature 1X
    • Cultural Studies 1X
    • Digital Books 1X
    • Digital Humanists 1X
    • Digital Humanities 1X
    • East Asian Languages and Literatures after 1900 3X
    • Edward Morgan Forster 1X
    • Feminist Humanities 1X
    • Film Studies 2X
    • GS Drama and Performance 17X
    • GS Travel Writing 1X
    • Global Shakespeares 9X
    • Gothicists 1X
    • Humanities Commons Summer Camp 1X
    • Interdisciplinary Approaches to Culture and Society 3X
    • LLC 16th-Century English 1X
    • LLC Canadian 1X
    • LLC Chaucer 1X
    • LLC East Asian 7X
    • LLC English Romantic 1X
    • LLC Francophone 1X
    • LLC Late-18th-Century English 1X
    • LLC Literatures of the United States in Languages Other Than English 1X
    • LLC Middle English 1X
    • LLC Modern and Contemporary Chinese 5X
    • LLC Russian and Eurasian 2X
    • LLC Shakespeare 21X
    • MS Screen Arts and Culture 12X
    • Medieval Studies 1X
    • Narrative theory and Narratology 1X
    • Performance Studies 1X
    • Postcolonial Literature 1X
    • TC History and Literature 1X
    • TC Philosophy and Literature 1X
    • TC Popular Culture 1X
    • TC Postcolonial Studies 1X
    • TC Translation Studies 5X
    • TM Literary Criticism 1X
    • TM Literary and Cultural Theory 1X
    • Television Studies 1X
    • Textual Scholarship 1X
    • The Renaissance Society of America 3X
    • more>>
  • Subject
    • 17th century 1X
    • 20th-century film 1X
    • Adaptation 53X
    • Aesthetics 1X
    • American theatre 1X
    • Analog game studies 1X
    • Anglo-Russian literary relations 1X
    • Appropriation 2X
    • Art criticism 1X
    • Art history 1X
    • Authorship studies 1X
    • Biopolitics 1X
    • Bollywood 1X
    • British history 1X
    • Caribbean studies 1X
    • Censorship 2X
    • Chinese studies 2X
    • Chinese theatre 1X
    • Choreography 1X
    • Cinema 2X
    • Cinema history 1X
    • Classical reception 2X
    • Codicology 1X
    • Creativity 1X
    • Critical race and ethnic studies 1X
    • Critical race studies 1X
    • Digital humanities 3X
    • Diplomatic history 1X
    • Disability 1X
    • Disability studies 3X
    • Drama 2X
    • Early modern theatre 1X
    • East Asian literatures 2X
    • Ecocriticism 1X
    • English literature 2X
    • Feminism 2X
    • Feminist theology 1X
    • Film 7X
    • Film and history 1X
    • Film and politics 1X
    • Film and society 1X
    • Film arts 2X
    • Film criticism 2X
    • Film history 1X
    • Film music 1X
    • Film studies 5X
    • Game studies 1X
    • Gender and queer studies 1X
    • Gender studies 3X
    • Global Shakespeare 9X
    • Globalization 10X
    • Gothic literature 1X
    • Greek and Roman drama 3X
    • History of games and play 1X
    • Humanism 1X
    • Intercultural performance 4X
    • International relations 1X
    • Intertextuality 2X
    • Jane Austen 5X
    • Japanese cinema and visual culture 1X
    • Japanese studies 1X
    • Law 1X
    • Literature and digital media 1X
    • Manga 1X
    • Manuscript studies 1X
    • Masculinity 2X
    • Media studies 2X
    • Memory 1X
    • Middle English 1X
    • Multiculturalism 1X
    • Music 3X
    • Musicology 1X
    • Narrative 1X
    • Neoliberalism 1X
    • New materialism 1X
    • Nonfiction prose 1X
    • Pedagogy 1X
    • Performance 2X
    • Performance and politics 1X
    • Performance studies 3X
    • Poetry 1X
    • Postcolonialism 1X
    • Queer and gender studies 1X
    • Queer studies 1X
    • Race 1X
    • Race critical theory 1X
    • Reception studies 1X
    • Renaissance drama 1X
    • Renaissance in Spain 1X
    • Russian history 1X
    • Screenwriting 2X
    • Shakespeare 26X
    • Shakespeare in adaptation 3X
    • Sinophone literature 3X
    • Soviet film 1X
    • Speculative fiction 2X
    • Television 2X
    • Television studies 2X
    • Textual criticism 1X
    • Theater 2X
    • Theatre and politics 1X
    • Theatre and society 1X
    • Theatre history 1X
    • Translation 6X
    • Translation studies 2X
    • Travel narratives 2X
    • Video games 1X
    • Women writers 1X
    • Zombie films 1X
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  • Item Type
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