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MLA Deposits
"Screening Social Justice: Performing Reparative Shakespeare against Vocal Disability." Adaptation, October 2020: 1-19
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC East Asian
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Disability studies
,
Adaptation
,
Neoliberalism
,
Shakespeare
,
Critical race and ethnic studies
,
Global Shakespeare
,
Humanism
Item Type:
Article
Tag(s):
film adaptation
,
vocal disorder
,
parody
"Global Studies." The Arden Research Handbook of Contemporary Shakespeare Criticism, ed. Evelyn Gajowski (London: Bloomsbury, 2021), pp. 247-261
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Shakespeare
,
Globalization
,
Race
,
Queer and gender studies
,
Adaptation
,
Global Shakespeare
,
Censorship
,
Translation
,
Feminism
,
Reception studies
Item Type:
Book chapter
Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Shakespeare
,
Adaptation
,
Sinophone literature
,
Globalization
,
Film
,
Global Shakespeare
,
Translation
Item Type:
Book chapter
Tag(s):
Hong Kong
,
Richard III
,
Hamlet
Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
The Renaissance Society of America
Subject(s):
Globalization
,
Shakespeare
,
Sinophone literature
,
Intercultural performance
,
Adaptation
,
Translation
,
Global Shakespeare
,
Theatre history
Item Type:
Book chapter
Tag(s):
Cultural appropriation
Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Global Shakespeare
,
Adaptation
,
Intercultural performance
,
Translation
,
Sinophone literature
,
Chinese studies
,
Shakespeare
,
Film
,
Appropriation
Item Type:
Book chapter
Tag(s):
theatre
Preface, The Shakespearean International Yearbook Volume 18
Author(s):
Tom Bishop
,
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Global Shakespeare
,
Soviet film
,
Translation
,
Adaptation
,
Censorship
,
Globalization
,
Shakespeare
,
Film studies
Item Type:
Book chapter
Tag(s):
intercultural theatre
Shakespeare’s Henry VI plays: a story of two dynasties or social commentary on a nation? Discuss with reference to Shakespeare’s texts and the BBC’s television productions from 1983 and 2016.
Author(s):
Andrea Smith
(see profile)
Date:
2018
Subject(s):
Adaptation
,
British history
,
Shakespeare
,
Shakespeare in adaptation
,
Television
Item Type:
Dissertation
Tag(s):
bbc
"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Disability studies
,
Biopolitics
,
Adaptation
,
Film studies
,
Shakespeare
,
Gender studies
Item Type:
Book chapter
Tag(s):
affect theory
,
Cultural appropriation
"Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Shakespeare
,
Chinese studies
,
Adaptation
,
Memory
,
Globalization
Item Type:
Article
Tag(s):
Tang Xianzu
,
commemoration
,
Sino-british relations
"King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Digital humanities
,
Global Shakespeare
,
Intercultural performance
,
Adaptation
,
Pedagogy
,
Ecocriticism
Item Type:
Book chapter
Tag(s):
King Lear
,
digital archive
,
Beijing opera
,
Peter Brook
Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
Author(s):
Elizabeth Zeman Kolkovich
(see profile)
Date:
2019
Subject(s):
Adaptation
,
Film
,
Masculinity
,
Performance
,
Queer studies
,
Shakespeare
Item Type:
Article
Tag(s):
bbc
,
Henry IV
,
Queer Performance
,
Royal Shakespeare Company
Moon-Crossed: a play in play with All's Well That Ends Well
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
Global Shakespeares
,
LLC Shakespeare
Subject(s):
Adaptation
,
Shakespeare in adaptation
,
Drama
,
Theater
Item Type:
Fictional work
Tag(s):
parody
Jane Austen 2.00
Editor(s):
Sousa Alcinda Pinheiro
,
Ana Daniela Coelho
(see profile)
,
Pires Maria José
Date:
2019
Subject(s):
Jane Austen
,
Literature and digital media
,
English literature
,
Adaptation
Item Type:
Catalog
“‘A truth universally acknowledged?’ Adaptações de Pride and Prejudice para televisão e cinema”
Author(s):
Ana Daniela Coelho
(see profile)
Date:
2017
Subject(s):
Adaptation
,
Film studies
,
Jane Austen
,
Television studies
Item Type:
Book chapter
‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)
Author(s):
Ana Daniela Coelho
(see profile)
Date:
2017
Subject(s):
Adaptation
,
Jane Austen
,
Screenwriting
Item Type:
Article
Tag(s):
Andrew Davies
Zombificando Jane Austen: Adaptação para cinema de Pride and Prejudice and Zombies
Author(s):
Ana Daniela Coelho
(see profile)
Date:
2016
Subject(s):
Adaptation
,
Jane Austen
,
Zombie films
Item Type:
Conference proceeding
“Watching Austen, Reading Ourselves”
Author(s):
Ana Daniela Coelho
(see profile)
Date:
2017
Subject(s):
Adaptation
,
Film
,
Jane Austen
,
Television studies
Item Type:
Book chapter
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Film
,
Film arts
,
Cinema
,
Cinema history
,
Adaptation
,
Intertextuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni
,
Alfred Hitchcock
,
film modernism
ADAPTATION as Adaptation
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film arts
,
Film criticism
,
Cinema
,
Adaptation
,
20th-century film
,
Screenwriting
Item Type:
Book chapter
Tag(s):
american cinema
,
film adaptation
Cape Fear: Remaking a film score
Author(s):
Jonathan Godsall
(see profile)
Date:
2013
Subject(s):
Adaptation
,
Film music
,
Intertextuality
,
Musicology
Item Type:
Article
"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Global Shakespeare
,
Feminism
,
Adaptation
,
Film studies
,
Gender and queer studies
,
Bollywood
,
Appropriation
Item Type:
Article
Tag(s):
Ophelia
,
Shakespeare in performance
,
queer cinema
The Shakespeare Theatre Company ’s Oresteia
Author(s):
Kendra Leonard
(see profile)
Date:
2019
Group(s):
Global Shakespeares
,
LLC Shakespeare
Subject(s):
Drama
,
Greek and Roman drama
,
Theater
,
Adaptation
Item Type:
Review
Sinergias entre manga y cine de autor: Sion Sono, Usamaru Furuya y Minoru Furuya
Author(s):
Antonio Loriguillo-López
(see profile)
Date:
2014
Subject(s):
Adaptation
,
Japanese cinema and visual culture
,
Manga
Item Type:
Article
Narrating and mapping Russia: From Terra Incognita to a charted space on the road to Cathay
Author(s):
George Prokhorov
(see profile)
,
Sergey Saveliev
Date:
2018
Group(s):
CLCS European Regions
,
GS Travel Writing
,
Interdisciplinary Approaches to Culture and Society
,
LLC Russian and Eurasian
,
Narrative theory and Narratology
Subject(s):
Travel narratives
,
International relations
,
Anglo-Russian literary relations
,
Nonfiction prose
,
17th century
,
Narrative
,
Adaptation
,
Diplomatic history
Item Type:
Article
Tag(s):
travelogue
Creature, Monster, Nameless, Created: Frankenstein transformed in role playing games
Author(s):
Jon Garrad
(see profile)
Date:
2018
Group(s):
Gothicists
Subject(s):
Gothic literature
,
Game studies
,
History of games and play
,
Adaptation
,
Analog game studies
Item Type:
Conference paper
Tag(s):
White Wolf
,
Ravenloft
,
Dungeons and Dragons
,
Frankenstein
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