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• Ekphrastic Temporality

  Author(s):

  Shaj Mathew (see profile)

  Date:

  2021

  Subject(s):

  Civilization, Modern, Persian literature, Foreign films, Literature

  Item Type:

  Article

  Tag(s):

  Modernity, Temporality, world cinema, World literature

  
  

• Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda'

  Author(s):

  Doris Hambuch (see profile)

  Date:

  2019

  Group(s):

  MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture

  Subject(s):

  Motion pictures, Feminism, Foreign films, Women's studies

  Item Type:

  Article

  Tag(s):

  Film, Cinema, world cinema

  
  

• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Japan, Foreign films

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema, Film, Film arts, Cinema, world cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Art, American, Foreign films

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film, Italian cinema, Film, Film arts, Cinema, world cinema

  
  

• EROS and Civilization: Sexuality and the Contemporary International Art Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2008

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Sex, Foreign films

  Item Type:

  Article

  Tag(s):

  Transnational film, Film, Film arts, Sexuality, Cinema, world cinema

  
  

• EL TOPO and the Midnight Movie Craze

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Surrealism, Motion pictures, Art, American, Foreign films

  Item Type:

  Article

  Tag(s):

  Alejandro Jodorowsky, Surrealist Cinema, EL TOPO, Film arts, Cinema, world cinema

  
  

• BICYCLE THIEVES: A Re-reading

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, History, Motion pictures and history, Foreign films

  Item Type:

  Article

  Tag(s):

  neorealism, Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  
  

• The Architectonics of Alienation: Antonioni's Edifice Complex

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Film criticism, Motion pictures, Italian, Foreign films, Architecture, History

  Item Type:

  Article

  Tag(s):

  film modernism, Film, Italian cinema, world cinema, Film history, Cinema

  
  

• The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah

  Author(s):

  Doris Hambuch (see profile)

  Date:

  2016

  Group(s):

  MS Screen Arts and Culture, MS Visual Culture

  Subject(s):

  Motion pictures--Social aspects, Film criticism, Foreign films, Motion pictures

  Item Type:

  Article

  Tag(s):

  film discourse, Arab cinema, polyglossia, Film and society, world cinema, Polyphony, Film, Film studies

  
  

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