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• Flush (2020)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2020

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  tradigital animation, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  
  

• Self-portrait (2018)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2018

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  narrative film, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• "The Changing World of Satyajit Ray: Reflections on Anthropology and History"

  Editor(s):

  Jyotirmaya Patnaik (see profile)

  Date:

  2020

  Group(s):

  Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies

  Subject(s):

  Motion pictures and history, Motion pictures and literature, Motion pictures, Indic, Motion pictures, Art, American

  Item Type:

  Article

  Tag(s):

  : Apu’s Eye, Shakti, prem, disenchantment, world society, Film and history, Literature and film, Indian cinema, Indian culture, Film arts

  
  

• After hours (2019): shooting script

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Art, Creative writing

  Item Type:

  Other

  Tag(s):

  script, screenplay, Film, Film arts, Filmmaking, Cinema, Film production, Screenwriting

  
  

• Bukid (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  stop-motion, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  
  

• After hours (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• To my beloved (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Documentary

  
  

• Singaw (2019)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2019

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• Tapon (2018)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2018

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship

  Item Type:

  Visual art

  Tag(s):

  Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• Seek (2018)

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2018

  Subject(s):

  Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship, Cinematography, Horror

  Item Type:

  Visual art

  Tag(s):

  Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  
  

• Flush (2020): an animation production thesis

  Author(s):

  Roland Cartagena (see profile)

  Date:

  2020

  Subject(s):

  Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Communism, Socialism

  Item Type:

  Thesis

  Tag(s):

  abjection, Animation, capitalism, class struggle, film, Film arts, Filmmaking, labor, Marxism, scatology

  
  

• The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes

  Item Type:

  Article

  Tag(s):

  Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  
  

• Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2007

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Japan, Foreign films

  Item Type:

  Article

  Tag(s):

  Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema, Film, Film arts, Cinema, world cinema

  
  

• IDENTIFICATION OF A WOMAN

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Italian, Motion pictures, Art, American, Foreign films

  Item Type:

  Review

  Tag(s):

  Michelangelo Antonioni, Italian film, Italian cinema, Film, Film arts, Cinema, world cinema

  
  

• "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2006

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, History, Intertextuality

  Item Type:

  Book chapter

  Tag(s):

  Alfred Hitchcock, film modernism, Michelangelo Antonioni

  
  

• EROS and Civilization: Sexuality and the Contemporary International Art Cinema

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2008

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Sex, Foreign films

  Item Type:

  Article

  Tag(s):

  Transnational film, Film, Film arts, Sexuality, Cinema, world cinema

  
  

• EL TOPO and the Midnight Movie Craze

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Surrealism, Motion pictures, Art, American, Foreign films

  Item Type:

  Article

  Tag(s):

  Alejandro Jodorowsky, Surrealist Cinema, EL TOPO, Film arts, Cinema, world cinema

  
  

• The Sounds of Silence: Minimalist Acting in BLOW-UP

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, History, Acting

  Item Type:

  Book chapter

  Tag(s):

  performamnce, film acting, film directing, minimalism, Film arts, Film history, Cinema history, Cinema, Modernism

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American, Film criticism, Twentieth century, Motion picture authorship

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation, Film, Film arts, Cinema, Adaptation, 20th-century film, Screenwriting

  
  

• Los contornos del miedo. La huella del arte pictórico en el giallo italiano

  Author(s):

  Antonio Loriguillo-López (see profile) , Agustín Rubio Alcover

  Date:

  2018

  Subject(s):

  Motion pictures, Art, American, Motion pictures, Italian, Painting

  Item Type:

  Article

  Tag(s):

  Film arts, Film studies, Italian cinema

  
  

• Šestaja čast' kadra

  Author(s):

  Adelheid Heftberger (see profile)

  Date:

  2019

  Group(s):

  Archives, Film Studies, Soviet and Russian history and culture

  Subject(s):

  Motion pictures, History, Material culture--Conservation and restoration, Art, American, Archival materials, Archives

  Item Type:

  Article

  Tag(s):

  russian film, restoration, Film history, Restoration culture, Film arts

  
  

• Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet]

  Author(s):

  Natascha Drubek (see profile)

  Date:

  2012

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Art, American

  Item Type:

  Book chapter

  Tag(s):

  Film studies, glass, Russian and Soviet Studies, Gesture, Thing, Film arts, Russia

  
  

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