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• Music All Up and Down the Street: Listening to Childhood in James Baldwin's Little Man, Little Man

  Author(s):

  Kyle DeCoste (see profile)

  Date:

  2019

  Subject(s):

  Affect (Psychology), African Americans--Music, Popular music, American literature--African American authors, Blacks--Study and teaching

  Item Type:

  Article

  Tag(s):

  affect theory, childhood, innocence, James Baldwin, Popular music, Affect, African-American popular music, African American literature, Black studies, Popular Music Studies

  
  

• Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

  Author(s):

  Kyle DeCoste (see profile)

  Date:

  2017

  Subject(s):

  African Americans--Music, Popular music, Women's studies, Blacks--Study and teaching, Feminist theory, Ethnomusicology, Intersectionality (Sociology), Jazz

  Item Type:

  Article

  Tag(s):

  New Orleans, Popular music, African-American popular music, Black feminist theory, Intersectionality, Popular Music Studies

  
  

• "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  African Americans--Music, Popular music, Music theory

  Item Type:

  Article

  Tag(s):

  African-American popular music, Popular Music Studies

  
  

• STOMPING THE UNDEAD: A BLUES THEORY OF ZOMBIE CULTURE

  Author(s):

  Adam Golub

  Editor(s):

  Kreg Abshire (see profile)

  Date:

  2017

  Subject(s):

  African Americans--Music, Popular music, Culture--Study and teaching, United States, Horror, Zombie films

  Item Type:

  Article

  Tag(s):

  blues, zombies, African-American popular music, American cultural studies

  
  

• Beyond Beyoncé: Intersections of Race, Gender, and Sexuality in Contemporary American Hip-Hop ca. 2010-2016

  Author(s):

  Lauron Kehrer (see profile)

  Date:

  2017

  Subject(s):

  African Americans--Music, Popular music, Hip-hop, Gay and lesbian studies, Queer theory

  Item Type:

  Dissertation

  Tag(s):

  African-American popular music, Gender and sexualities, Hip Hop, LGBTQ Studies, Popular Music Studies

  
  

• “Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature”

  Author(s):

  John Patrick Leary (see profile)

  Date:

  2010

  Subject(s):

  African Americans--Music, Popular music, American literature--African American authors, Latin American literature

  Item Type:

  Article

  Tag(s):

  African-American popular music, African American literature

  
  

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