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• Herakles on Chesil Bank: The Archers, Disavowable Classicism, and The Small Back Room

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2021

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classical reception, Greek mythology, Greek tragedy, 20th-century film, Adaptation

  Item Type:

  Book chapter

  Tag(s):

  Classical Reception Studies, Classical receptions, film adaptation, Mythologies

  
  

• Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s

  Author(s):

  Alicia Mihalic (see profile)

  Date:

  2021

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Fashion theory, Fashion studies, Film theory, Film studies, Cultural studies, 20th-century film

  Item Type:

  Book review

  Tag(s):

  Fashion History, 1960s

  
  

• Los esclavos de 'Mansfield Park'

  Author(s):

  José Angel GARCÍA LANDA (see profile)

  Date:

  2020

  Group(s):

  American Literature

  Subject(s):

  Jane Austen, Slavery, Ideology, 20th-century film, Colonialism

  Item Type:

  Article

  Tag(s):

  Patricia Rozema, English Novel

  
  

• Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  1986

  Group(s):

  Film Studies

  Subject(s):

  Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film

  Item Type:

  Article

  Tag(s):

  american cinema, CITIZEN KANE, orson welles

  
  

• The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film and history, Film and politics, 20th-century film, Cinema

  Item Type:

  Book chapter

  Tag(s):

  APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola

  
  

• ADAPTATION as Adaptation

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film, Film arts, Film criticism, Cinema, Adaptation, 20th-century film, Screenwriting

  Item Type:

  Book chapter

  Tag(s):

  american cinema, film adaptation

  
  

• 1976: Movies and Cultural Contradictions

  Author(s):

  Frank P. Tomasulo, Ph.D. (see profile)

  Date:

  2019

  Group(s):

  Film Studies

  Subject(s):

  Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film

  Item Type:

  Book chapter

  Tag(s):

  american cinema, academy award

  
  

• Learning to See: Art & Media in Weimar Germany | Fall 2018

  Author(s):

  Carl Gelderloos (see profile)

  Date:

  2018

  Group(s):

  Education and Pedagogy, German Literature and Culture, History of Art, LLC 19th- and Early-20th-Century German, MS Visual Culture

  Subject(s):

  20th-century film, History of photography, Aesthetic theory, German studies, Weimar culture, Photography, Cinema, Frankfurt school, Pedagogy

  Item Type:

  Syllabus

  Tag(s):

  Hauptarchiv

  
  

• “Heathens! Bloody Heathens!”: Postcolonial Gothic in "The Wicker Man"

  Author(s):

  John Stephenson (see profile)

  Date:

  2007

  Subject(s):

  Horror films, Postcolonial studies, 20th-century film, Modern paganism, Gothic, Folklore, Scotland

  Item Type:

  Essay

  Tag(s):

  Folk horror

  
  

• Musical Mimesis in Orphans of the Storm

  Author(s):

  Kendra Leonard (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, MS Screen Arts and Culture

  Subject(s):

  Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film

  Item Type:

  Article

  
  

• Groucho, Harpo, and Narrative Theory

  Author(s):

  Lisa Zunshine (see profile)

  Date:

  2018

  Group(s):

  Interdisciplinary Approaches to Culture and Society, MS Visual Culture, TC Cognitive and Affect Studies, TC Popular Culture, TM Literary and Cultural Theory

  Subject(s):

  Narrative criticism, 20th-century film, Cognitive literary studies, Rhetorical theory, Comedy (genre), Interdisciplinary studies

  Item Type:

  Article

  Tag(s):

  Marx brothers, rhetorical narratology, Jim Phelan, cognition, Duck Soup

  
  

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