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  • MLA Deposits
  • How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy

    Author(s):
    Douglas Shadle (see profile)
    Date:
    2014
    Group(s):
    American Musicological Society
    Subject(s):
    19th-century American music, 19th-century music, Abolition, Musicology, Print culture
    Item Type:
    Article
    Tag(s):
    Eduard Hanslick, Music Aesthetics, Richard Storrs Willis, Santa Claus, William Henry Fry

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    • 19th-century American music 1X
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    • Article 1X
  • Date
    • 2014 1X
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