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Pauline Viardot García (1821-1910), una compositora en la Europa del siglo XIX (1821-1910)
Author(s):
Paulino Capdepon
(see profile)
Date:
2023
Group(s):
American Musicological Society
,
Cultural Studies
,
Digital Humanists
,
Feminist Humanities
,
History
Subject(s):
Music
,
Nineteenth century
,
Women composers
Item Type:
Article
Tag(s):
music
,
women
Teaching Julia Perry’s Homunculus C.F.
Author(s):
Kendra Leonard
(see profile)
Date:
2022
Group(s):
Composers of Color Resource Project
,
Julia Perry Working Group
,
Southwest Music Studies Colloquium
,
Women in American Music
Subject(s):
Musicology
,
Music theory
,
Composers, Black
,
Women composers
,
Minimal music
,
Serialism (Music)
,
Teaching
Item Type:
Book chapter
Tag(s):
music
,
teaching music
,
women composers
,
black composers
Contemplation, Heroism, and Gender in Clara Schumann's Piano Trio in G Minor, Op. 17, Third Movement (1846)
Author(s):
Tekla Babyak
(see profile)
Date:
2022
Group(s):
American Musicological Society
,
Education and Pedagogy
,
German Literature and Culture
,
LLC 19th- and Early-20th-Century German
,
Society for Music Theory (SMT)
Subject(s):
Music
,
Gender identity
,
Critical pedagogy
,
Romanticism in music
,
Nineteenth century
,
Germans--Music
,
Women composers
,
Musical analysis
,
Chamber music
,
Music--Instruction and study
Item Type:
Course material or learning objects
Tag(s):
Music
,
Critical Pedagogy
,
women composers
,
gender history
,
Music Aesthetics
,
German studies
,
nineteenth century
,
gender equity
,
Romanticism
,
19th century german
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