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  • Contemplation, Heroism, and Gender in Clara Schumann's Piano Trio in G Minor, Op. 17, Third Movement (1846)

    Author(s):
    Tekla Babyak (see profile)
    Date:
    2022
    Group(s):
    American Musicological Society, Education and Pedagogy, German Literature and Culture, LLC 19th- and Early-20th-Century German, Society for Music Theory (SMT)
    Subject(s):
    Music, Gender identity, Critical pedagogy, Romanticism in music, Nineteenth century, Germans--Music, Women composers, Musical analysis, Chamber music, Music--Instruction and study
    Item Type:
    Course material or learning objects
    Tag(s):
    Music, Critical Pedagogy, women composers, gender history, Music Aesthetics, German studies, nineteenth century, gender equity, Romanticism, 19th century german

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    • Tekla Babyak 1X
  • Group
    • American Musicological Society 1X
    • Education and Pedagogy 1X
    • German Literature and Culture 1X
    • LLC 19th- and Early-20th-Century German 1X
    • Society for Music Theory (SMT) 1X
    • more>>
  • Subject
    • Music 1X
    • Music--Instruction and study 1X
    • Musical analysis 1X
    • Nineteenth century 1X
    • Romanticism in music 1X
    • Women composers 1X
    • Chamber music 1X
    • Critical pedagogy 1X
    • Gender identity 1X
    • Germans--Music 1X
    • more>>
  • Item Type
    • Course material or learning objects 1X
  • Date
    • 2022 1X
  • File Type
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